How did you manage to switch DAWs?
- GRRRRRRR!
- 17838 posts since 14 Jun, 2001 from Somewhere you're not!
The problem I have is that nothing will ever be as good as Orion. Cubase's piano roll, for example, is really annoying compared to Orion's and I think I will always struggle with it. I've only switched to Cubase because Orion development stopped several years ago and it is becoming increasingly clunky.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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el-bo (formerly ebow) el-bo (formerly ebow) https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=208007
- KVRAF
- 18052 posts since 24 May, 2009 from A galaxy, far far away
Yes...for your needsBONES wrote: Tue Jul 21, 2020 8:55 am The problem I have is that nothing will ever be as good as Orion.
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- KVRAF
- 7867 posts since 20 Jan, 2008
Youngins,
Back in the 70's I was a radio announcer at my local high school. We called ourselves DJ's. The main board was from the 1949. Later in the early 80's I was trained on a Studer A80 MK2 (2 inch analog 16 track recorder) under the motown masters. It was never as gratifying as recording on a four track cassette deck. Eventually I moved into the digital age as I was the first on the block to have a Roland VS1680
I used to produce alternative bands and hip hop artists.
When I finally transitioned to software and concentrated my energies on mixdown / mastering it was... Whatever the act was using. Sure the big studios were using PT but by then I was mixing and mastering smaller acts who were using Cakewalk and Acid (pre sony) and the people who paid me wanted all the source files. So that's what I used. When Sony bought Acid they destroyed it. From then on it was Samplitude / Magix and Cakewalk. Samplitude had the best mastering suite at the time.
I hated Abelton Live when it was first released. Still think it's crap. All the newer features were designed on helping you fix issues in the mix that live created.
A few years back I spent a few months looking for a daw. Tried Studio One. It's trial wouldn't allow for third party plugins. Tried and tried various other hosts.... The winner was mixcraft. Tonnes of plugins, smart easy to use UI. Moderately priced. Never crashed, never froze
Tried Bitwig for MPE.
I like mpe, don't love it. But armed with a linnstrument I really wanted to explore MPE. Bitwig seemed like the natural choice. The thing I hate about bitwig is it tries to contain everything in one window. I've been using two and three monitors for decades now. Simply getting a bigger monitor doesn't cut it for me. I can jury rig Mixcraft for mpe. It's work but it's still a better solution.
With regards to projects. When it's done it's done. Set a completion date you'll be finishing more projects that way. Be happy that you finished it go back and listen to the master if you want to reminisce or share.
Back in the 70's I was a radio announcer at my local high school. We called ourselves DJ's. The main board was from the 1949. Later in the early 80's I was trained on a Studer A80 MK2 (2 inch analog 16 track recorder) under the motown masters. It was never as gratifying as recording on a four track cassette deck. Eventually I moved into the digital age as I was the first on the block to have a Roland VS1680
I used to produce alternative bands and hip hop artists.
When I finally transitioned to software and concentrated my energies on mixdown / mastering it was... Whatever the act was using. Sure the big studios were using PT but by then I was mixing and mastering smaller acts who were using Cakewalk and Acid (pre sony) and the people who paid me wanted all the source files. So that's what I used. When Sony bought Acid they destroyed it. From then on it was Samplitude / Magix and Cakewalk. Samplitude had the best mastering suite at the time.
I hated Abelton Live when it was first released. Still think it's crap. All the newer features were designed on helping you fix issues in the mix that live created.
A few years back I spent a few months looking for a daw. Tried Studio One. It's trial wouldn't allow for third party plugins. Tried and tried various other hosts.... The winner was mixcraft. Tonnes of plugins, smart easy to use UI. Moderately priced. Never crashed, never froze
Tried Bitwig for MPE.
I like mpe, don't love it. But armed with a linnstrument I really wanted to explore MPE. Bitwig seemed like the natural choice. The thing I hate about bitwig is it tries to contain everything in one window. I've been using two and three monitors for decades now. Simply getting a bigger monitor doesn't cut it for me. I can jury rig Mixcraft for mpe. It's work but it's still a better solution.
With regards to projects. When it's done it's done. Set a completion date you'll be finishing more projects that way. Be happy that you finished it go back and listen to the master if you want to reminisce or share.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
- KVRAF
- 2197 posts since 8 Jan, 2005
You can use multiple displays with Bitwig. Right click an empty space of the title bar. There you can choose up to triple displays with arranger in one, mixer on another and the editor on yet anothertapper mike wrote: Tue Jul 21, 2020 1:09 pmThe thing I hate about bitwig is it tries to contain everything in one window. I've been using two and three monitors for decades now. Simply getting a bigger monitor doesn't cut it for me.
MacMini M2 Pro …… MacOS Tahoe ……… Reason 14
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- KVRAF
- 5071 posts since 27 Jul, 2004
I never dived deeper into this in Bitwig but my first impression was that you can only use kind of presets Bitwig delivers...sQeetz wrote: Tue Jul 21, 2020 2:18 pm You can use multiple displays with Bitwig. Right click an empty space of the title bar. There you can choose up to triple displays with arranger in one, mixer on another and the editor on yet another![]()
You cannot really define yourself what goes onto what monitor... is that correct???
- KVRAF
- 2197 posts since 8 Jan, 2005
That's correct. There's probably some config file one could edit to customize one of the templates (I suspect it's in the \resources\themes\default.theme file) but it's not documented and very tedious to do.Trancit wrote: Tue Jul 21, 2020 2:31 pmI never dived deeper into this in Bitwig but my first impression was that you can only use kind of presets Bitwig delivers...
You cannot really define yourself what goes onto what monitor... is that correct???
For dual monitors you have 4 different presets, though...
MacMini M2 Pro …… MacOS Tahoe ……… Reason 14
- GRRRRRRR!
- 17838 posts since 14 Jun, 2001 from Somewhere you're not!
Gee, do you think maybe that's why I said it was my problem? Idiot!el-bo (formerly ebow) wrote: Tue Jul 21, 2020 9:06 amYes...for your needsBONES wrote: Tue Jul 21, 2020 8:55 am The problem I have is that nothing will ever be as good as Orion.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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machinesworking machinesworking https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8505
- KVRAF
- 8069 posts since 15 Aug, 2003 from seattle
Honestly I think you're painfully egotistical with absolutely no reason to be, but you be you.BONES wrote: Tue Jul 21, 2020 5:13 am Hardly, I just happen to use my brain a little more than some of you.
Yeah, you don't know what you're talking about. There's an interview with Liam right as Always Outnumbered came out, he talks about being overwhelmed with his setup and getting Reason and a laptop. https://www.soundonsound.com/people/the-prodigy His reasons are exactly what I described. Reason had been out for years by then.What you've provided does nothing to bolster your case because I wasn't criticising what you do, just your stupid justification for it. You don't know why Autechre use every DAW under the sun so they don't back you up at all. And Liam Howlett has been using Reason pretty much since it first came out, so it's hardly surprising he's made an album with it, although he used to use it to get ideas down, before moving it over to Pro-Tools to flesh it out and polish it up.
Autechre, same thing, article explains their reasons, not unlike why I mix it up a bit. https://www.soundonsound.com/people/autechre
You really just like to argue, and it's getting pathetic lately, you're not even basing it on facts, just your feelings.
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machinesworking machinesworking https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=8505
- KVRAF
- 8069 posts since 15 Aug, 2003 from seattle
I would ban you for this sort of thing. You're calling someone directly an idiot here, not saying what they said was idiotic.BONES wrote: Wed Jul 22, 2020 2:22 amGee, do you think maybe that's why I said it was my problem? Idiot!el-bo (formerly ebow) wrote: Tue Jul 21, 2020 9:06 amYes...for your needsBONES wrote: Tue Jul 21, 2020 8:55 am The problem I have is that nothing will ever be as good as Orion.
- KVRian
- 1075 posts since 26 Nov, 2007
simple... i closed one and opened another lol
"two fools dancing on the hands of time... yeah the fool and me"
Knot Hardly Productions
Knot Hardly Productions
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el-bo (formerly ebow) el-bo (formerly ebow) https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=208007
- KVRAF
- 18052 posts since 24 May, 2009 from A galaxy, far far away
Just because you identified it as a problem for you, doesn’t mean you aren’t also making an objective claim about the product.BONES wrote: Wed Jul 22, 2020 2:22 amGee, do you think maybe that's why I said it was my problem? Idiot!el-bo (formerly ebow) wrote: Tue Jul 21, 2020 9:06 amYes...for your needsBONES wrote: Tue Jul 21, 2020 8:55 am The problem I have is that nothing will ever be as good as Orion.
How you phrased it could easily be interpreted as “Nothing will ever be as good as Orion, and that’s a problem for me”.
But my apologies. I was confusing you with another ‘BONES’ who often offers his subjective opinion as though it were objective, and incontrovertible, fact. An easy mistake for an idiot such as myself
- GRRRRRRR!
- 17838 posts since 14 Jun, 2001 from Somewhere you're not!
No, the way I phrased it was to say that I had a problem - me, singular - not "there is a problem" or "the problem is" or anything else. It was "the problem I have" and that can only be interpreted one way. You saw what you wanted to see. It's what you all do, all the freakin' time. Take our good friend below, he reads an article until he gets to the bit that confirms his distorted view of reality and fails completely to get the whole story, which is something else entirely. He did well to find the article, though. I'd read it when it came out and had no hope of remembering where it came from.
Or maybe, just maybe, we read the same article but I bothered to read to the end, where you just read the bits that made you feel good about your sad, little life? Because eventually it says "the sounds were transferred into Pro Tools so that vocals and overdubs could be added. 'Reason is purely for sequencing,' Liam says. 'It has its uses but moving to Pro Tools allowed us to up a gear and get the tracks sounding pretty good.'" He even hired a studio to do the work. you know, like we all do. And he's talking about preliminary work on an album that came out in 2004, so maybe he was using Reason in 2003, just three years after it came out and very early in it's evolution.machinesworking wrote: Wed Jul 22, 2020 4:45 amYeah, you don't know what you're talking about. There's an interview with Liam right as Always Outnumbered came out, he talks about being overwhelmed with his setup and getting Reason and a laptop. https://www.soundonsound.com/people/the-prodigy His reasons are exactly what I described. Reason had been out for years by then.
Just skimmed through it and didn't really see anything that I'd call an explanation of anything other than why I hate Autechre (but I already figured most of it out listening to a couple of tracks).Autechre, same thing, article explains their reasons, not unlike why I mix it up a bit. https://www.soundonsound.com/people/autechre
No, quite the opposite - I mostly deal in facts and see little or no benefit in talking about opinions, beyond stating them. That's what the rest of you do, you mostly just fail to realise it because you can't tell one from the other.You really just like to argue, and it's getting pathetic lately, you're not even basing it on facts, just your feelings.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
-
el-bo (formerly ebow) el-bo (formerly ebow) https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=208007
- KVRAF
- 18052 posts since 24 May, 2009 from A galaxy, far far away
That YOU have/had a problem with the situation was always clear. The part that is in contention is whether you were also claiming that Orion's superiority was an objective fact.BONES wrote: Wed Jul 22, 2020 8:07 am No, the way I phrased it was to say that I had a problem - me, singular - not "there is a problem" or "the problem is" or anything else. It was "the problem I have"
Now you've explained your intention, it's clear. But it wasn't clear from your original statement, hence my original reply to clarify.
Your original statement:
"The problem I have is that nothing will ever be as good as Orion."
can be also interpreted as "Nothing is as good as Orion! That's a a problem for me, seeing as it's no longer being developed"
I know it can be interpreted that way, because that's how I interpreted it.
But if you can demonstrate that my interpretation was not possible, I'd be interested
Opinion as fact, once again? Quelle Surprise! And "It's what you all do, all the freakin' time". Yes...It's what WE do...All of us...AlwaysBONES wrote: Wed Jul 22, 2020 8:07 amYou saw what you wanted to see. It's what you all do, all the freakin' time.
Of course, we all have our biases. And while you've got enough 'form' for my interpretation to have been correct, I shouldn't have presumed that to be the case. Ideally, I would've asked for your clarification rather than asserted my own, but that would have been to deny a middle-aged man (You're in your sixties, right?) his right to throw a toddler's tantrum. Tough call
The truth is I've better ways to spend my energy than putting words in your 'mouth', or trying to skew your intent/meaning. I can't rule out that your general behaviour here would have made my interpretation a pretty safe bet, but that's not what informed it.