i only quoted the midi specs. but indeed everyone, also developers, for keyboards, the call it aftertouch, which is has taken over, the original term.Rivanni wrote: ↑Thu Sep 24, 2020 8:49 amAftertouch is not always polyphonic.
Polyphonic aftertouch is not the same as Channel pressure.
Pressure starts at zero and goes to the max value. Aftertouch does not start at zero but after a note is played, hence AFTERtouch. Most of the times this last touch is a jump in value instead of a gradually changing value like with pressure.
even MIDI-OX channel pressure is called channel aftertouch.
when using the poly aftertouch of maschine mk3 (the term used by maschine/NI) MIDI-OX use the term key aftertouch.
setting the roli seaboard to one channel, and setting pressure tracking mody to... poly aftertouch... MIDI-OX gives key aftertouch.
so aftertouch is the name normally used for channel pressure
poly aftertouch for per note is the name normally used for.. aftertouch..
it are terms.
aftertouch works after note on, and starts of in itself with zero, when you reach the aftertouch range... it is only the key you play, that you must push, you can feel it.
what you call aftertouch, yes difficult to play is gradually, but the range of the pressed key is very very short, but i can make a smooth aftertouch with my novation (sl 49 mkii).
the osmose, a MPE synth/controller, has a different implementation, for this "problem", with a normal keybaord, as they use a "normal", or normal look keyboard.
sensel morph, joué, roli all have a pressure sensitive "underlay". only the roli has made the surface not flat, except in the case of the lightpad.
so channel pressure, i can with my maschine mk3, i believe so with my push, but i only think after a session in ableton, because it now shows only channel aftertouch, while it is poly aftertouch.
but you are right the term channel pressure and aftertouch are more confusing..