Maaaaan, it's been a while since I posted with this new KVR persona of mine!
12 years of regular, ongoing contributions and then 2 years of pretty much nothing!
You may wanna have a listen and then read the narrative I've tried to portray?
You may wanna read the narrative first and then listen?
You may wanna listen and NOT read the narrative?
You may wanna just move on and do neither!?
Cities and Memory Project: Dante’s Inferno
citiesandmemory.com/
Music inspired by Cantos 1 and 2
(Note: Other composers from around the world continue the narrative in their pieces as Dante descends through the gates of Hell and continues his journey).
Opening Section:
Dante is halfway through his life. We find him walking along contentedly, but there is an edge of melancholy to his mood; something is missing.
Section 2 (starts at 1 min 4 seconds):
He has unwittingly wandered into a dangerous forest. Panic rises - he feels more and more desperate, trapped and hopelessly lost.
Section 3 (starts at 2 min 32 seconds):
Just as he feels that all hope is gone, Dante sees a shining light above a distant hilltop. Maybe he can find his way back to the right path?
Section 4 (starts at 3 min 6 seconds):
Dante tries to climb the hill and reach the light but his path is blocked by three terrifying beasts. A heroic confrontation ensues as he tries to find a way past them and reach salvation.
Section 5 (starts at 4 min 16 seconds):
A despairing Dante is forced to retreat back into the forest but his misery is lifted by the unexpected appearance of the Roman poet Virgil. Virgil’s spirit has been sent to guide Dante back towards the light.
Section 6 (starts at 5 min 10 seconds):
Virgil warns Dante that before they can climb the hill they must first pass through the place of eternal punishment (Hell) and then a place of lesser punishment (Purgatory); only then can they reach God’s city (Heaven). Slowly but surely, they begin their journey. Dante is determined but still full of doubt.
Section 7 (starts at 6 min 14 seconds):
Approaching the edge of the forest they see a distant, first sight of the Gates of Hell.
Composed, arranged, performed and recorded using Native Instruments' KOMPLETE ULTIMATE.