PLASMONIC - A new synth from Brian Clevinger

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Absynth 6$199.00Buy Plasmonic

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Brian makes the right choice I think. An alternative is the right click solution, but hold ctrl or shift is the worst for my workflow. Everytime the ctrl or shift is implemented, I need to use a sustain pedal, not ideal...
Best
YY

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mountainmaster wrote: Wed Dec 23, 2020 1:33 pm
It was also a nice surprise that at checkout US dollars were converted to actual euros. If you didn't know, most companies simply charge the same amount which makes things more expensive in EU countries.
at checkout it is still for me €99, or if you go via paypal, it changes?

this pricing you see all around, also other big brands, the same amount in euro's, the number, not the same amount for my wallet.

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They add VAT - could that be it? (coincidence that it came out to €99?)
John Braner
http://johnbraner.bandcamp.com
http://www.soundclick.com/johnbraner
and all the major streaming/download sites.

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I can assure you people will love this.
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jbraner wrote: Thu Dec 24, 2020 11:56 am They add VAT - could that be it? (coincidence that it came out to €99?)
Yes, with VAT it was €99.

Anyway, here is a quick test with 2 of the presets. Amazing possibilities!
Plasmonic Test

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Can anybody who has purchased Plasmonic tell if there are more presets than in the Demo? I find there are few presets available. At least in the demo.

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Already answered.
Demo has 60. Final 200.
rsp
sound sculptist

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zvenx wrote: Thu Dec 24, 2020 1:55 pm Already answered.
Demo has 60. Final 200.
rsp
Thank you!

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aMUSEd wrote: Thu Dec 24, 2020 10:18 am
Gribs wrote: Thu Dec 24, 2020 12:17 am I am on the "this GUI is sort of weird" side. A better choice for slider adjustment IMO would be to hold down Ctrl to get fine adjustment and maybe double-click to enter an exact number.
I hate that in synths - it’s a programmer’s approach not a musician’s. You already have to take a hand off the keys to use the mouse or controller, having to press a keyboard modifier as well means you have no hands to play while adjusting params, which makes it really hard to hear how the the changes affect the sound as you play, especially if doing this live.
That is a very good point. I am definitely a program it first, play it second sort of person. I will also set up some sort of simple MIDI input loop into a synth and adjust parameters as it repeats, even for longer pads.
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Gribs

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What steps are required to activate Plasmonic?

Thanks

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Just a quick question...what does this add to my palate? There is not much I do not have, including dozens of Kontakt libaries. Does this thing offer something that nothing else has? I know that is a bit ambiguous and I am sorry but I cannot think how to word it differently.

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thejonsolo wrote: Fri Dec 25, 2020 1:37 am Just a quick question...what does this add to my palate? There is not much I do not have, including dozens of Kontakt libaries. Does this thing offer something that nothing else has? I know that is a bit ambiguous and I am sorry but I cannot think how to word it differently.
Hard to respond, idk all your arsenal!
But physical modeling feels in a lot of case more"alive" compare to samples.
Best
YY

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Even if many will not like to hear this: I think Plasmonic has potential, but the presets hardly reflect this, with the exception of the presets of Yuli Yolo (first class).
I find the graphical interface exhausting to read and the slider controls unsatisfactory. This takes away the joy of making sounds myself, which is a pity. Especially for a software that invites making fresh sounds, the layout of the graphical user interface should be professionally designed. It is not. And by that I explicitly don't mean a boring and old fashioned copy of an analog synthesizer. Why not take use of JUCE? A chance was definitely missed here, unfortunately.

PS: I am a passionate Absynth user.

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Plasmonic is really great and would be maybe my second choice after Sculpture for those organic but out of this world timbres. It also runs fine on my M1 machine but Sculpture remains still king for me, especially when it comes to morph sounds/timbres. I am also not sure if it gets more optimised (if possible), since it use a good amount of CPU so i think i pass for now. The GUI is a mixed bag a bit. But I think this has lots of potential and its a fresh instrument compared to the 100´s version of another analog emulation.

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thejonsolo wrote: Fri Dec 25, 2020 1:37 am Just a quick question...what does this add to my palate? There is not much I do not have, including dozens of Kontakt libaries. Does this thing offer something that nothing else has? I know that is a bit ambiguous and I am sorry but I cannot think how to word it differently.
Not easy, think of very reactive, very lively, organic, textures, exciting a string...
Philippe

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