I don't think this is available in the UK actually.lunardigs wrote: Sun May 03, 2020 1:31 am Also, of course, a decent headphone amp makes a big difference here. I'm really fond of this one lately: http://www.aphex.com/products/headpod-4 The Aphex Headpod 4.
Mixing Headphones
- KVRAF
- 2990 posts since 31 Jan, 2020
- KVRian
- 1266 posts since 6 Jun, 2016
I took a look just now and I see the DT1990 are 250 Ohms. This means they should be pretty loud with most gear. This is opposed to headphones which might be 600 Ohms.Spring Goose wrote: Mon May 04, 2020 8:25 pmI have DT1990s. So you're saying that i'd be better off with a headphone amp then?, cos i'm using Focusrite Scarlett (i thought with no problems) but i had heard "you might need to get a headphone amp for with the 1990s because they are low in volume".lunardigs wrote: Sun May 03, 2020 1:31 am Also, of course, a decent headphone amp makes a big difference here. I'm really fond of this one lately: http://www.aphex.com/products/headpod-4 The Aphex Headpod 4.
The difference is pretty evident too when you A/B various amps. For instance, my MixWizard headphone amp, which expects professional/hi-z phones is quite good sounding. Yet, you'd think twice when compared to the above.
Meanwhile, my FiiO DAP is leagues above my Asus laptop and so on.
In an opposite fashion, you can get a sense of what impedance means if you have a mic-pre with a switchable Z. With lower impedance setting, a given mic can become more transparent and smooth sounding (less in-your-face). With higher impedance settings, you get a punchiness and thickness to the sound.
Ideally, for both of the above, you'd want to match impedances--some would say otherwise, but this is conventional wisdom. Generally speaking, you'd mate phones and a like amp (pro/pro grade, hi-z/hi-z, etc.).
TBH i haven't noticed they are low in volume with the Scarlett.
Although, the reason to have a good powerful amp--and the Scarlett may very well have one--is for accuracy (minimal distortion). Btw, distortion is also known as asymmetric amplification; imagine a skewed sine wave, added harmonics, etc.
Generally speaking, amps will distort near the extent of their operating range (lowest gain and highest gain). This is why having plenty of power/headroom is desirable--and usually, a dedicated headphone amp will ensure a good design with plenty power.
- KVRAF
- 2990 posts since 31 Jan, 2020
Cheerslunardigs wrote: Tue May 05, 2020 1:25 amI took a look just now and I see the DT1990 are 250 Ohms. This means they should be pretty loud with most gear. This is opposed to headphones which might be 600 Ohms.Spring Goose wrote: Mon May 04, 2020 8:25 pmI have DT1990s. So you're saying that i'd be better off with a headphone amp then?, cos i'm using Focusrite Scarlett (i thought with no problems) but i had heard "you might need to get a headphone amp for with the 1990s because they are low in volume".lunardigs wrote: Sun May 03, 2020 1:31 am Also, of course, a decent headphone amp makes a big difference here. I'm really fond of this one lately: http://www.aphex.com/products/headpod-4 The Aphex Headpod 4.
The difference is pretty evident too when you A/B various amps. For instance, my MixWizard headphone amp, which expects professional/hi-z phones is quite good sounding. Yet, you'd think twice when compared to the above.
Meanwhile, my FiiO DAP is leagues above my Asus laptop and so on.
In an opposite fashion, you can get a sense of what impedance means if you have a mic-pre with a switchable Z. With lower impedance setting, a given mic can become more transparent and smooth sounding (less in-your-face). With higher impedance settings, you get a punchiness and thickness to the sound.
Ideally, for both of the above, you'd want to match impedances--some would say otherwise, but this is conventional wisdom. Generally speaking, you'd mate phones and a like amp (pro/pro grade, hi-z/hi-z, etc.).
TBH i haven't noticed they are low in volume with the Scarlett.
Although, the reason to have a good powerful amp--and the Scarlett may very well have one--is for accuracy (minimal distortion). Btw, distortion is also known as asymmetric amplification; imagine a skewed sine wave, added harmonics, etc.
Generally speaking, amps will distort near the extent of their operating range (lowest gain and highest gain). This is why having plenty of power/headroom is desirable--and usually, a dedicated headphone amp will ensure a good design with plenty power.
- KVRAF
- 2990 posts since 31 Jan, 2020
an-electric-heart wrote: Sat May 02, 2020 8:32 am Anyone use Sonarworks Reference Headphone edition? I'm demoing it now, I use DT 990 pros, and it's doing good things, and I nearly bought it when it was on sale last week... but then I was like "Wait a minute, I'll be paying all that money for what is essentially an E.Q preset to chuck on the master". I can see how the studio version is a bit more complicated, but the headphone edition could be a little more reasonably priced... in my opinion. So yeah, anyone using it?
I didn't like the sound at first. But then tonight i've been doing some mixing and then i thought "actually i do like the sound now". I don't know whether that's any help to you.Spring Goose wrote: Mon May 04, 2020 8:22 pm What i can say is: the sound with Reference on is VERY different than off.
- KVRAF
- 2990 posts since 31 Jan, 2020
However there was some occasions where i forgot to put Reference on, and i mixed some songs, and now i'm not in a hurry to go back and do these songs again with Reference on. I don't know whether that's any help to you.Spring Goose wrote: Sun May 10, 2020 1:59 aman-electric-heart wrote: Sat May 02, 2020 8:32 am Anyone use Sonarworks Reference Headphone edition? I'm demoing it now, I use DT 990 pros, and it's doing good things, and I nearly bought it when it was on sale last week... but then I was like "Wait a minute, I'll be paying all that money for what is essentially an E.Q preset to chuck on the master". I can see how the studio version is a bit more complicated, but the headphone edition could be a little more reasonably priced... in my opinion. So yeah, anyone using it?I didn't like the sound at first. But then tonight i've been doing some mixing and then i thought "actually i do like the sound now". I don't know whether that's any help to you.Spring Goose wrote: Mon May 04, 2020 8:22 pm What i can say is: the sound with Reference on is VERY different than off.
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- KVRAF
- 2270 posts since 30 Aug, 2004 from Lancaster, UK
Hold the presses! There is now a new contender to ReferenceWorks and MorphIt: Re-Head from Blue Cat Audio. Both EQ correction and room simulation, appetizingly priced.
viewtopic.php?f=52&t=545419
viewtopic.php?f=52&t=545419
Thu Oct 01, 2020 1:15 pm Passing Bye wrote:
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
"look at SparkySpark's post 4 posts up, let that sink in for a moment"
Go MuLab!
- KVRist
- 436 posts since 1 Dec, 2020
I'm pretty happy with my Sennheiser HD 650 + dSONIQ Realphones. I really can reccomend it. Sure, a budget for this two products is higher, but, for sure, worth it!
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- KVRist
- 42 posts since 20 Jan, 2021
I use beyerdynamic DT 770 PRO with Sonarworks Headphone. Pretty cheap setup, but decent. I live in a somewhat noise environment so open back isn't really an option for me.
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- KVRer
- 21 posts since 30 Jan, 2021
HIFIMAN have great low cost planar magnetics headphones.