I think it would be helpful to reiterate my methodology so you have more context for what you hear. Here are the steps I took. I was not trying to be scientific. I was aiming to have a test that was good enough to hear difference to help with making decisions about which to use for what or to buy. I know it could have been more scientific, such as matching all compressors using PluginDoctor and also paying attention to dynamics timing, two things I didn't really do. Part of my methodology is measurable, mostly loudness, and the rest subjective...illegal4Hunna wrote: Tue May 25, 2021 12:58 am Goes to show how mixing is a workflow! I own all of these and of the bunch, Arousor and FG-Stress(especially Arousor) are the least suitable for what I wanna use a Distressor for in mixing, yet in both tests I picked the FG-Stress.
I think the tuning methodology of the compressors wasn't ideal as well, since the Comprexxor and Mike-E sound very similar with matching settings and GR but very different to the other options. I guess those plugins have different attack and release curves, and the GR meter is likely responding differently as well.
- Mix dry tracks by ear
- Using Crave EQ, EQ tracks to-taste soloed, then mix EQ and level by ear to-taste
- Bring up Nugen MasterCheck loudness meter on each track post-EQ (pre-compressor loudness)
- Instantiate Slate FG-Stress on each track (The first compressor I decided to start with)
- Mix each FG-Stress and track level by ear to-taste
- Instatiate another MasterCheck post-compressor (post-compressor louddness)
- Bring up all the loudness meters and play the track over and over adjusting the compressor output so the pre- and post- loudness of each track are within +/- 0.5dB LUFS
- On the first pass, adjust track levels for a mixed master buss target of -16 LUFS +/- 0.5dB between renders.
- Tweek the EQ and Compressor by ear to-taste until I felt it was a good mix
- Bypass FG-Stress on each track
- Instantiate the next compressor on each track. Set the compressor GUI options the same as FG-Stress.
- Adjust compressor input, attack and release, to roughly the same GR meter dynamics and also by-ear
- Adjust compressor output so post- loudness is within +/- 0.5dB of pre- loudness
- Ensure master buss loudness is -16 LUFS
- Render. Rinse. Repeat

