Will Daws Eventually End Up As Hardware ?
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
I agree with whyte. The Muse Receptor is (probably still) a model for a failed concept. The OS and hardware are less and less in the way today, and with the ARM architecture... I WISH there would be dedicated systems but the only ones that have really been were extremely expensive and this model failed in the marketplace (Synclavier), finally unsupportable.
I made half of my "2017" album in a Peet's coffee with an MBP, a small controller and audio interface. In there literally their whole day.
I made half of my "2017" album in a Peet's coffee with an MBP, a small controller and audio interface. In there literally their whole day.
- addled muppet weed
- 111301 posts since 26 Jan, 2003 from through the looking glass
duncan banatine is oot!
yeah, it's a no from me too.
yeah, it's a no from me too.
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Karbon L. Forms Karbon L. Forms https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=29033
- KVRian
- 1415 posts since 10 Jun, 2004 from Inverness, Scotland
Fairlight CMI? RADAR?
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"Hell is other People" J.P.Sartre
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"Hell is other People" J.P.Sartre
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- KVRAF
- 18467 posts since 26 Jun, 2006 from San Francisco Bay Area
Reminds me of when I was kicked out of the movie theater for eating. Who doesn’t like a little hibachi grilled meat during an action flick? I guess some people just didn’t appreciate the smoke, but I thought it added a nice ambience.vurt wrote: Tue Jun 01, 2021 12:40 pmi got kicked out of my local coffee shop when i tried plugging all my synths n stuff in.AdvancedFollower wrote: Tue Jun 01, 2021 12:37 pm A good desk and chair, full size monitor, mouse and keyboard are more ergonomic for me than those small devices.
If you're to believe Youtube, 90% of producers make their music in coffee shops, at the beach or on top of mountains, but I'd guess a majority still prefer something that at least resembles a studio, even if it's in a bedroom.
was ok till i unplugged the coffee machine.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 18467 posts since 26 Jun, 2006 from San Francisco Bay Area
As someone who came from THE BEFORE TIME, I personally can’t imagine hardware DAWs becoming the dominant paradigm again. I sure don’t want it. What I do want is for more manufacturers to make things like Push but for other big DAW software brands, like Bitwig, but a hardware Bitwig? It would just be a box of compromise for a little tactile editing control. I can easily live without it.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
- GRRRRRRR!
- 17821 posts since 14 Jun, 2001 from Somewhere you're not!
Before software DAWs there were workstation synths, like the Korg Trinity/Triton. These were DAWs in the purest sense. e.g. My Trinity could record audio and the first song NOVAkILL ever released was done 100% inside the Trinity, even my vocals. It had a fantastic sequencer that was better than a lot of software sequencers I've used. But the hardware itself was a huge limitation - 18 tracks, 36 voices in total and the same sort of effects set-up you see in a VSTi like Roli's Equator. You'd hate it.THE INTRANCER wrote: Tue Jun 01, 2021 2:05 am I know it's a funny thing to say, but things do tend to go around in circles. I mean take Studio One because well Presonus also do hardware. They could easily fit Studio One on an electronic device more advanced than a basic Ipad. Essentially it would mean removing the actual desktop or laptop from the equation and doing things in the old school way.
EDIT: I forgot to mention that the Trinity cost me $5500 in 1999 and that was a huge discount. Full retail would have been around $7000.
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRAF
- 1863 posts since 11 Apr, 2008
Hardware DAW is nothing new, it existed before DAWs and they still exist in parallel universe of music production
: https://usa.yamaha.com/products/musical ... index.html
All you need is to create one with Live or other DAW + 3rd party plugins.
Personally, I can't imagine working on such a small screen. Already my ultrawide screen feels too small to me and I'd like to add two more soon.
All you need is to create one with Live or other DAW + 3rd party plugins.
Personally, I can't imagine working on such a small screen. Already my ultrawide screen feels too small to me and I'd like to add two more soon.
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gentleclockdivider gentleclockdivider https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=203660
- Banned
- 6787 posts since 22 Mar, 2009 from gent
Hardware daws existed long before software daws were a thing
As mentioned before , ensoniq paris , fairlight , tascam , iz/otari radar etc...
As mentioned before , ensoniq paris , fairlight , tascam , iz/otari radar etc...
Eyeball exchanging
Soul calibrating ..frequencies
Soul calibrating ..frequencies
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gentleclockdivider gentleclockdivider https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=203660
- Banned
- 6787 posts since 22 Mar, 2009 from gent
You mean this ?THE INTRANCER wrote: Tue Jun 01, 2021 2:05 am I know it's a funny thing to say, but things do tend to go around in circles. I mean take Studio One because well Presonus also do hardware. They could easily fit Studio One on an electronic device more advanced than a basic Ipad. Essentially it would mean removing the actual desktop or laptop from the equation and doing things in the old school way. Look at this for example...
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Eyeball exchanging
Soul calibrating ..frequencies
Soul calibrating ..frequencies
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
"All you need is to create one with Live or other DAW + 3rd party plugins."
you need a computer then, which obviates the point of some hardware that isn't one being the DAW entirely
part of whyte's post I like is computers *are* hardware, not only a distinction without a difference, a distinction without distinction.
I am collaborating with someone who mainly plays live using a Yamaha Motif. In order to compose he has some form of Pro Tools, you know, timeline sequencing workflow and audio editor with a somewhat larger display. and I don't know if the keyboard station renders .wav or not.
There may be enough people that don't like having more to work with because they'll never use it, I wouldn't bet the rent on it.
you need a computer then, which obviates the point of some hardware that isn't one being the DAW entirely
part of whyte's post I like is computers *are* hardware, not only a distinction without a difference, a distinction without distinction.
I am collaborating with someone who mainly plays live using a Yamaha Motif. In order to compose he has some form of Pro Tools, you know, timeline sequencing workflow and audio editor with a somewhat larger display. and I don't know if the keyboard station renders .wav or not.
There may be enough people that don't like having more to work with because they'll never use it, I wouldn't bet the rent on it.
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- KVRist
- 337 posts since 23 Apr, 2011 from Seattle WA
I'm very happy with the MPC Live as both stand alone box and DAW integration. It can be a useful control surface with the MPC software (and now Ableton), where I can sound design and sample my VSTs for use in the MPC in stand alone mode. MPC is a VERY different workflow that took me a few months to really click with, but now I love it. The battery capability has been really cool for use in different places of my house or when I'm out. I wouldn't hesitate to play live with it.
I would probably use a different DAW for finishing/mixdown, but the MPC hard/soft combo has been sweet for my workflow.
I would probably use a different DAW for finishing/mixdown, but the MPC hard/soft combo has been sweet for my workflow.
Check out my cloud! https://soundcloud.com/schmidi_0
- KVRAF
- 5383 posts since 25 Jan, 2014 from The End of The World as We Knowit
Most people use a combo of software, hardware, controllers, instruments and microphones.
I don't see that changing.
I don't see that changing.
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