We are not commercial, nor succesful, but the harmonizations and counterpoint in our music are based on my training in old school species counterpoint by techniques (but not styles) of Fux and Jeppesen (Palestrine). The rhythms are inspired by an Afro-American percussion teacher I had in my youth who wanted Denmark to go all Africa. Gave me taste for heavy perc. Then there are some folk aspirations in the pool too. The electronic base and sound reflect my upbringing with synth pop, Berlin school, EBM/Industrial, Goa and other genres.
So, not stars, but classical music and advanced counterpoint are essential parts of our music. My guitar player is classical trained as well.
2 cents. Not worth much because we hardly represent many (if any) beyond ourselves.
Advanced music theory in electronic music (Modulation/Chromatic Chords etc)
Chords, scales, harmony, melody, etc.
Moderator: KVR Moderators (Main)
Advanced music theory in electronic music (Modulation/Chromatic Chords etc)
2021-08-27T12:41:49+00:00
Hi, I'm coming from more of a classic background, and trying to approach electronic music from that view. Here is my question:
Is 'advanced' music theory is used often in electronic music?
I mean, there are some genres that use jazz harmonies, some use modes. But have you ever seen a song using a Neapolitan chord , modulation, etc that is commercially successful?
Got any examples?
Ohero
https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=522608
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Post by TribeOfHǫfuð »
Tribe Of Hǫfuð https://soundcloud.com/user-228690154 "First rule: From one perfect consonance to another perfect consonance one must proceed in contrary or oblique motion." Johann Joseph Fux 1725.
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