Eventide Split EQ

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More than a Great-Sounding EQ

SplitEQ is a groundbreaking EQ that offers a new approach to corrective and creative audio equalization. It excels at Enhancing, Repairing, Rebalancing, and Widening any musical source or audio signal. SplitEQ is both a surgical tool for fixing particularly nasty problems and a creative tool that opens up exciting new musical possibilities. More than just an EQ—It’s a new and better tool.

At first glance, it’s a parametric EQ with 8 bands of precise musical filters. What’s new and different is Eventide’s powerful Structural Split engine divides the incoming audio into separate Transient and Tonal streams that feed the 8 bands of “Split” parametric EQ. This approach is musically useful and makes common EQ problems easy to solve, even in a complex mix.

Want to soften the transients? Use the master Transient Gain slider.

Remove plosives or de-ess? EQ only the Transient.

Reduce snare ring? Put a filter on the Tonal mids.

By applying EQ to Transient and Tonal separately, you can fix many of the problems normally attempted by complex combinations of EQ, compression, transient designers, de-essers, multi-band compression, spatial processors, or dynamic EQ. Simplify and declutter your workflow, get better results and create new sounds.

By Musicians For Musicians

SplitEQ reduces the distance between what you want to do and how you actually do it, and with fewer tradeoffs of other EQs. A low-shelf boost on a kick drum will yield muddiness rather than delicious oomph. A low cut on a low male vocal removes plosives but at the expense of low-end richness. SplitEQ gives you the surgical control to address the problematic part of a sound without losing the magic and without the need for additional tools.

SplitEQ is not just a corrective tool, it is also a new type of creative tool for taking your mixes to new heights through its independent L/R and Mid-Side panning. With SplitEQ every source is split into a pair of sonically distinct elements offering your music, mixes, and audio signals an extraordinary new level of musicality.


X-Ray Vision

With SplitEQ you can hear and even see your sound in new ways. Our Structural approach mimics the way in which we interpret sound and our spectrum display offers an inside look into what you’re hearing. Solo only the transients, or a single band, or only the transients on a single band. Use the real-time spectrum analyzer to track down problematic resonances or transients by displaying the tonal and transient streams separately. SplitEQ adds a new dimension to your trouble-shooting toolkit.

Prepared for Repair

The Eventide team took all the knowledge they had about recording, threw it out the window, then headed down to the studio to lay down some badly recorded tracks. Double-headed kick drum with no port? Check. Ill-advised mic placement on snare? Check. Why? To prove that SplitEQ works well on a wide range of sonically challenged material. We’ve created an entire folder of presets for those less-than-perfect recordings.

Batteries Included

SplitEQ comes with a Factory Library of over 150 presets to solve many of today’s standard corrective and complex mixing problems in a cleaner and faster way. The presets are designed to Enhance, Repair, Rebalance and Widen various instruments including drums, vocals, guitar and more. A/B comparison and Undo/Redo make it easy to explore ideas without losing where you started.

Whether you’re working on individual tracks, a full mix, or cleaning up a two-track loop, you’ll find SplitEQ to be an inspiring and powerful tool that allows you to approach material in a new, musical and sonically meaningful way.

Features At-A-Glance

Structural Split - The beating heart of SplitEQ. SplitEQ analyzes the incoming audio and separates it into its respective Transient (Ex. noise, pops, consonants, mic plosives, vocal sibilance, attacks, clicks, plucks, pick noise, piano hammers, kick-drum beaters) and Tonal (Ex. sustained notes, harmonics, pitched, smooth, vowels, tone, ambiance, kick-drum shell, cymbal wash, air, rumble, AC hum, feedback) elements.

8-Band Parametric EQ - SplitEQ’s filters are state-of-the-art, pristine and musical. The User Interface has been designed to streamline workflow. Add sheen to vocals without boosting sibilance or harshness. Enhance acoustic guitar harmonics while reducing string buzz.

Stereo Imaging - Continuous L/R or Mid/Side panning of the Transient and Tonal components for each of the eight bands.

Graphical Display - High-res, real-time, spectrum analysis of audio components with multiple options for monitoring or comparison. SplitEQ also features Peak and RMS metering.

Split Controls - Fine tune the Split algorithm to tease out the exact Transient or Tonal parts of your sounds.

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SplitEQ Applications

Enhance: With independent control of the Tonal and Transient elements of an instrument, SplitEQ can be used to deliver punch, detail, sheen, breathiness, diction, tightness, thump, and pluck.

Repair: A unique audio repair and restoration tool, SplitEQ allows you to surgically tune the Transient and Tonal response independently. Remove a kick drum’s boom without losing its thump.

Rebalance: SplitEQ allows versatile track placement in a mix. Easily perform multiple tasks not possible with any other EQ, like softening electric guitar strums while boosting cab reverb.

Widen: SplitEQ allows for precise multi-band stereo image manipulation of the Tonal and Transient elements of each frequency band. L/R and Mid/Side panning are supported. Spatialize a beat like never before.

Features:

World-class 8-band parametric EQ with pristine musical filters

EQ Transient and Tonal parts of a sound separately using Eventide’s patented Structural Split™ technology

Control Transient and Tonal Output levels

Enhance the stereo-field with continuous Transient and Tonal panning controls (L/R and Mid/Side modes)

Control the underlying Split technology for fine tuning and experimentation

Globally scale the EQ curves together or independently

Peak, Notch, Bandpass, High Shelf, Low Shelf, Tilt Shelf, High Pass, and Low Pass filter types with slopes from 6 to 96 dB/octave

Innovative real-time spectrum analyzer displays the Transient and Tonal streams independently

Comprehensive Presets Library includes 150+ presets

A/B buttons allow quick auditioning of two presets or settings plus Undo/ Redo functionality

Resizable GUI with zoom options

Orion Platinum, Muzys 2

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Looks very interesting and I love Eventide's sound and audio quality. I didn't see anything on their website so this must be a future release. I could see this being a nice addition to their Anthology Bundle. I hope we get some more info soon.

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Found another unlisted video. I'm pretty hyped for this thing. The separate panning for transient and tonal parts that he does on the guitar track sounds sick.


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^Agreed. I can see several surgical uses for this EQ. I hope they release a demo soon.

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I was dreaming of this ever since I got Physion, as I do lots of salvaging work. Guess I'll have to reevaluate my spending plans this month.
Last edited by Scarlet Pumpernickel on Tue Nov 09, 2021 11:00 pm, edited 1 time in total.

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AUTO-ADMIN: Non-MP3, WAV, OGG, SoundCloud, YouTube, Vimeo, Twitter and Facebook links in this post have been protected automatically. Once the member reaches 5 posts the links will function as normal.
it's out! https://www.eventideaudio.com/plug-ins/spliteq/ (https://www.eventideaudio.com/plug-ins/spliteq/)
Plug-in Developer at Eventide

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Okay, now serious question for people with good-trained ears and with broad EQ experience. How SplitEQ stands against hardware-modeled EQ’s with all that “musicality” in its description?

I can’t trust myself because I only started to use these juicy hardware EQs and don’t have much experience.

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So it's kind of like Sonible's freiraum, or Melda's Tonal/Transient Crossover that they have in pretty much everything?
(I'm not shitting on it - i don't think either implementation is optimal so i'm genuinely interested to give this a go)
trackbout wrote: Tue Nov 09, 2021 1:26 am Found another unlisted video. I'm pretty hyped for this thing. The separate panning for transient and tonal parts that he does on the guitar track sounds sick.

Not shitting on the concept, but does this really sound good?
The guitar panning is weird af to me.
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I'm definitely curious to check this out. Seems like it could be great for for softening fast, high-end, transients while leaving the bulk of the tone and other frequency areas intact. That sounds like it could be crazy useful for drum overheads, rooms, and even drum mixes. Or softening the top end on an acoustic guitar recorded with a bright condenser. Stuff like that.

I read on another forum that you can pick this up for $83 and change at JRR shop if you use the GROUP code. Not quite a no-brainer price, but definitely makes it more attractive.

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in case it wasn't mentioned elsewhere:

https://www.eventideaudio.com/forums/to ... lity-info/
All Eventide plug-ins are now compatible with:

macOS Monterey
AU, VST2, and VST3 natively support M1 and Intel processors
AAX natively supports Intel, and M1 under Rosetta 2
Windows 11
All Eventide plug-ins are 64-bit only. See each plug-in’s product page for further OS requirements.

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Ploki wrote: Tue Nov 09, 2021 6:51 pm Not shitting on the concept, but does this really sound good?
The guitar panning is weird af to me.
I mean, I’ve never mic’d a guitar in my life, but I think the idea is if you stereo mic’d an acoustic guitar you would naturally get more of the tonal elements on one side and the transients from strumming on the other, so this feature replicates something that happens IRL. Can’t speak to its accuracy but for me it definitely does something cool.

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You generally dont mic as close to get this type of separation- because it sounds odd.
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I just gave it a shot on a shrill sounding, close mic'd (mono) acoustic guitar I had done some years back. The pick attack always drove me nuts. Loaded up the "Shrill Acoustic" preset, it cuts the transients at around 5k, adjusted the frequencies and depth to taste, and I got a really good result. The recording is much warmer and less harsh, but it's not completely dark either. It's similar to de-essing but more effective in this case.

This particular guitar recording has been my go to for testing any kind of warming, de-harshing, de-resonanting type of plugins.

I do believe I'll be buying this. I can see this getting used on drums and guitars a lot here.

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This thing is really well thought out. Not only can you solo bands you can solo the transient versus the tonal portion. You can also set the depth and the decay of the separation. Really good stuff here.

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Ploki wrote: Tue Nov 09, 2021 6:51 pm
Not shitting on the concept, but does this really sound good?
The guitar panning is weird af to me.
i "think" its more to show what is possible than "hey, this sounds great!" :?

obviously, different people n all that, so who knows, maybe thats more of a thing in some new folk genre? weird to us, but people are going to try new things always!

its a very interesting sound even if id be looking to use it else where, but it does show how far you can go 8)
:ud:

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