Request for videos for the next "LinnStrumentalists" compilation
- KVRAF
- Topic Starter
- 2721 posts since 8 Jun, 2010
- Roger Linn Design
Another great one, Jeremy. As a mando player, it makes me wonder about how to do trills. I think I'd enable the arpeggiator from the Low Row, then momentarily turn it for trills with my thumb. I've got a mando-like sound somewhere and will try it out.
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- KVRian
- 689 posts since 10 Apr, 2015 from Gaithersburg, Maryland USA
Thanks, Roger. I can probably set a midi note out of the range to trigger a trills articulation. I will give it a try.
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- KVRian
- 689 posts since 10 Apr, 2015 from Gaithersburg, Maryland USA
This piece features LinnStrument controlling the violin, sax, and guitar sounds.
https://hearthis.at/jeremy-cubert/timeline-part-i-v2/
https://hearthis.at/jeremy-cubert/timeline-part-i-v2/
- KVRAF
- Topic Starter
- 2721 posts since 8 Jun, 2010
- Roger Linn Design
Another nice one, Jeremy! As always, the band members seem to know each other very well. 
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- KVRian
- 689 posts since 10 Apr, 2015 from Gaithersburg, Maryland USA
Thanks, Roger! I have band meetings every once in a while 
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- KVRer
- 15 posts since 30 May, 2010
A cover of Brubecks 'Take Five'
The sax was played without any quantisation (and many takes were made!) as I wanted to get purer harmonies rather than equal temperament.
The sax was played without any quantisation (and many takes were made!) as I wanted to get purer harmonies rather than equal temperament.
- KVRAF
- Topic Starter
- 2721 posts since 8 Jun, 2010
- Roger Linn Design
Nice one, Dan! And you're very versatile, given that your last video was the Daft Punk song and now the Brubeck.
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- KVRer
- 15 posts since 30 May, 2010
Thank you. The Linnstrument helps alot with versatility, rather than taking many years to learn many different physical instruments!
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- KVRist
- 95 posts since 19 Oct, 2021
Today I discovered this yearly challenge that takes place during January called Jamuary. The goal is to write a song/jam every day of January. I don't know that I'll make it that far. But it doesn't hurt to try. Here's me trying to turn some arpeggio practice into a small piece.
- KVRAF
- Topic Starter
- 2721 posts since 8 Jun, 2010
- Roger Linn Design
Nice one, Zach. Thanks for making it.
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- KVRist
- 95 posts since 19 Oct, 2021
I managed to hammer out a 2nd Jamuary entry today. This is called Cobra Kai Under the Cherry Blossom.
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John the Savage John the Savage https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=396119
- KVRian
- 868 posts since 28 Mar, 2017
Nice, clean playing, Zack.
It's hard to do cascading lateral slides like that with such precision... Good work.
Cheers!
It's hard to do cascading lateral slides like that with such precision... Good work.
Cheers!
- KVRAF
- Topic Starter
- 2721 posts since 8 Jun, 2010
- Roger Linn Design
Good playing, Zach! Thanks for making the video.
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- KVRist
- 243 posts since 2 Jul, 2017
Bit of a whopper this but there's linnstrument in the mess somewhere.
https://therapyinterferingbehaviour.ban ... te-society
https://therapyinterferingbehaviour.ban ... te-society
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- KVRian
- 689 posts since 10 Apr, 2015 from Gaithersburg, Maryland USA
Here is a new piece featuring LinnStrument controlling all the synths (GForce OB-E and Hydrasynth). The other instruments are piano, NS Chapman Stick and Zendrum (Superior Drummer 3.0 Decades library).
Piano was recorded first followed by drums and NS Stick.
For the main lead synth, I used a modified Lyle Mays OB-E V2 preset with pressure controlling the filter and Y controlling the mod wheel. I have not been able to get the pitch bend to consistently bend the same amount down as up for some reason which led to interesting results.
I used three Hydrasynth patches and one Omnisphere patch for the radar sound. Mostly, aftertouch controlled modulation and the Y control opened and closed the filter.
https://soundcloud.com/jeremycubert/under-the-radar
Piano was recorded first followed by drums and NS Stick.
For the main lead synth, I used a modified Lyle Mays OB-E V2 preset with pressure controlling the filter and Y controlling the mod wheel. I have not been able to get the pitch bend to consistently bend the same amount down as up for some reason which led to interesting results.
I used three Hydrasynth patches and one Omnisphere patch for the radar sound. Mostly, aftertouch controlled modulation and the Y control opened and closed the filter.
https://soundcloud.com/jeremycubert/under-the-radar
