My recurring yet unanswered strings Library question
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- KVRAF
- 2475 posts since 15 Apr, 2004 from Capital City, UK
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- KVRian
- 793 posts since 27 Oct, 2011 from Pacific Northwest
I, too, have found this information very helpful. I'm glad I'm not the only one trying to figure out a solution.
I am also looking at this for live performance, so creating offsets won't work.
As I was writing this up I realized I can maybe try Omnisphere. The one VST that probably has something like this is maybe SampleTank as it tends to have this type of bread and butter sound. For now, I have just what I need on my Yamaha keyboard so I have time to keep trying things.
I thought of Marcato as well, but it's still not fast enough of an attack. At least the ones I've tried so far (various stuff from Native Instruments).
Yeah. I actually think that might be what's happening. The sounds I have sound great for realistic strings. But I think we are looking for an attack that maybe goes outside of realism.
I am also looking at this for live performance, so creating offsets won't work.
As I was writing this up I realized I can maybe try Omnisphere. The one VST that probably has something like this is maybe SampleTank as it tends to have this type of bread and butter sound. For now, I have just what I need on my Yamaha keyboard so I have time to keep trying things.
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- KVRist
- Topic Starter
- 117 posts since 2 Mar, 2016 from Paris France
Hi,
The sound I’m looking for is as realistic as what you can hear in this Elton John song I posted in my first message. So it’s really rreal! Strings played in a certain way. The same goes with Eleanor Rigby but with a smaller ensemble. Very hard to get this on a keyboard but Abbey Road two iconic strings could make it for Eleanor Rigby although I’m not entirely sure they provide this sustained notes with fast attack articulation.
Cheers.
The sound I’m looking for is as realistic as what you can hear in this Elton John song I posted in my first message. So it’s really rreal! Strings played in a certain way. The same goes with Eleanor Rigby but with a smaller ensemble. Very hard to get this on a keyboard but Abbey Road two iconic strings could make it for Eleanor Rigby although I’m not entirely sure they provide this sustained notes with fast attack articulation.
Cheers.
- KVRAF
- 2281 posts since 25 Apr, 2009 from Doritos Land where no goblins are allowed
You have three possible options for what you want to achieve :
1/ find the strings library that has the fastest possible attack
2/ increase the attack of any strings library using transient plugins
3/ layer your strings : you can either layer another strings library and use only the attack by editing the envelope, or layer a spicatto strings library. Both will give an instant attack feeling.
And done.
1/ find the strings library that has the fastest possible attack
2/ increase the attack of any strings library using transient plugins
3/ layer your strings : you can either layer another strings library and use only the attack by editing the envelope, or layer a spicatto strings library. Both will give an instant attack feeling.
And done.
Please don’t read the above post. It’s a stupid one. Simply pass.
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
the thing we do from the vantage point of orchestration/not electronica is not sound designy stuff (frankly that's going to tell on you as far as realism), it's cut into the sample to give a blunter attack.
If Marcato is still too tame, it's either a crap marcato artic or the expectation is not so realistic. For violins et al, the fast attack is a forte, loud aggressive attack. You can't be sweet _and_ fast with the sound, that isn't how the instruments speak. It's literally more velocity.
I'm writing some strings material at the moment, I'm using VSL Synchron Strings Pro. I go from an expressivo p to a 'regular vibrato' in the Long Notes tree and the note right here jumps out at you, which requires enough velocity to.
This is far from an impossible articulation, you may not get it with budget and lame libraries.
If Marcato is still too tame, it's either a crap marcato artic or the expectation is not so realistic. For violins et al, the fast attack is a forte, loud aggressive attack. You can't be sweet _and_ fast with the sound, that isn't how the instruments speak. It's literally more velocity.
I'm writing some strings material at the moment, I'm using VSL Synchron Strings Pro. I go from an expressivo p to a 'regular vibrato' in the Long Notes tree and the note right here jumps out at you, which requires enough velocity to.
This is far from an impossible articulation, you may not get it with budget and lame libraries.
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
The bow has to be brought to the string with enough energy. "naturally do not have" is not really a true statement.Yeah. I actually think that might be what's happening.
one can be quite brutal with a bow to a string
- KVRAF
- 2281 posts since 25 Apr, 2009 from Doritos Land where no goblins are allowed
Well, strings libraries if you prefer.
You almost never encounter strings libraries that feature ensembles with super hard attack. Proof is that the OP is looking for one.
Only spicatto or marcatto do have strong attack, and it's not what he's looking for.
Please don’t read the above post. It’s a stupid one. Simply pass.
- GRRRRRRR!
- 15961 posts since 14 Jun, 2001 from Somewhere else, on principle
If it helps, I read once that Billy Currie, keyboard/violin player for Ultravox, used to layer a harpsichord sound with his strings to give them more attack.
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- KVRAF
- 2281 posts since 25 Apr, 2009 from Doritos Land where no goblins are allowed
Please don’t read the above post. It’s a stupid one. Simply pass.