Acustica Audio presents FIRE The Clip. The Secret Weapon for Loud and Powerful Mixes.

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Processing audio has never been easier thanks to FIRE, the new series of single-knob plug-ins from Acustica.
This series aims to create an ‘easy-to-use’ product line that encompasses Acustica’s top-quality alongside a very intuitive use with just a few simple clicks!

After a phase of careful design and thanks to our technical know-how, we are proud to present Fire The Clip, the second Fire series release, with the aim of creating one of the best and most complete digital ‘easy to use’ ‘ultra linear’ clipper.


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Thanks to its features, you can achieve a competitive loudness level in mastering or make different tracks cut through the mix without introducing artifacts or unwanted distortion.

Fire The Clip, the best 'ultra-linear' clipper plug-in






Main features

• Four custom and superlinear clipping modes available.
• High quality oversampling, up to 1024x (the highest on the market) with perfect phase response.
• Hard and Soft knee functions with very low aliasing.
• True peak mode to prevent the inter-sample peaks.
• Low latency.
• Resizable interface*
• Auto-gain mode.


Controls


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◯ STD Behaves like a traditional clipping algorithm but in a more linear way, where the tendency is to approximate the highest possible level while keeping below 0 dBFS to prevent any digital clipping. Specifically, it is an approximate hyperbolic tangent function (tanh).

▢ ACU1 ‘Custom’ Clipping algorithm by Acustica with low aliasing, exceeds ceiling by about +1 dBFS.

△ ACU2 Can be considered as an ‘analogue clipper’ in the digital domain as it features unfolding functionality that guarantees even less aliasing than in STD mode and a level compensation mechanism that ensures that the more you go beyond the canonical 0 dBFS, the more the nominal output signal level will be lowered.

✚ ECO Low CPU consumption mode, ceiling lower than the computed clip level


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Hard/Soft Knee Slider

Switch between Hard (in cases where the signal is strictly limited at the threshold, producing a flat cutoff) or Soft (in cases where the clipped signal continues to follow the original at a reduced gain) clipping functions.



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Oversampling drop-down menu

Change the oversampling rate to improve the audio quality by increasing the sampling frequency of the clipper and minimizing aliasing artifacts (from 2x to 1024x). The1x step bypasses the oversampling functionality.


NOTE: The plugin includes two different oversampling algorithms: ECO and HQ. The first mode has a less CPU consumption but is qualitatively inferior to the second version, which is heavier (more CPU usage) but has a better phase response.



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Special Buttons

IN Change the input level range from -/+ 5 dB to -/+ 20 dB
CEIL (OFF/0/OL/TP):
OFF In this mode the calculated clip level is above a defined threshold which is usually equal to 0 dBFS, it occurs after the oversampling stage and will create aliasing.
0 The standard ceiling, this ceiling is just a few dB higher than the computed clip level to prevent samples higher than a defined threshold under or equal to 0 dBFS. This mode is highly recommended if the clipper is being used at the end of the chain.
0L Custom ceiling that behaves similarly to the previous ‘0’ mode but with less aliasing.
TP True Peak mode was added to offer the best performance without any compromise in terms of sound quality to confidently hit your loudness targets without leaving behind any artifacts and distortion-inducing inter-sample peaks. This mode is highly recommended if the clipper is being used at the end of the chain.

NOTE: In order to enjoy the full potential of the Fire The Clip, we strongly recommend using it before a limiter, possibly true peak, with CEIL button sets to OFF mode. ‘0’ and TP modes as well as consuming resources tend by their nature to deteriorate the audio signal.

OUT (0/-5) In ‘-5’ mode the output volume is attenuated by -5 dB. In ‘0’ mode no attenuation is applied. This feature was introduced due to the inherent nature of clipping algorithms to the oversampling function, and the fact that the recommended processor chain would include the subsequent use of a true peak limiter.
Auto-Gain Changes the behavior of the Input Gain control from a standard Input-Gain to an Auto-Gain. In this mode the input and output gain stages are linked with an inverse law which always ensures that whatever gain change is introduced at the plug-in input, the output level is automatically compensated so that there is no perceived level change.


Resizable interface

Choose between 3 magnification values (1x - 1.5x - 2x) from the top left ▼SIZE drop-down menu.
*Once the desired size has been selected, the plugin must be removed and re-loaded in order to apply the changes. This action affects the currently selected plugin. New instances of the same plugin will open with this magnification.


Technical information

• Plug-in Format(s): VST2, VST3, AU, AAX
System Requirements
• Available sample rates: 44.1 - 48 - 88.2 - 96 kHz
• Windows 10 compatible
• M1 macOS Monterey compatible



Price and availability

List price: €49 Buy Now


The product is at an introductory period for the first four weeks after release or until the first official version is released; this implies that the product may receive improvements, changes, or fixes available through Aquarius Desktop updates during that time.


How to install the free 30-day trial

Fire The Clip user's manual


FIRE SERIES web page: https://www.acustica-audio.com/pages/sp ... ire-series

FIRE THE CLIP web page: https://www.acustica-audio.com/store/pr ... iretheclip

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Hmmm, it looks tempting.

But I'm going to hold (ahem) 'fire' for now and let other people test it out to see if any substantial problems surface with this acustica-audio plugin in the next couple of weeks.

(acustica-audio makes good plugins but they often come with several problems on first release which only, usually, get fixed subsequently when enough people have voiced concerns - at least in my experience of buying their plugins since 2008, and particularly in recent years with various Acquas).

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First Impressions: The UI (on windows atleast) is super super sluggish. Every button press whether it's changing the clip mode/gain compensation/in/out etc takes like a second to kick in. It also cuts out the audio when pressing any button followed by an audible crackle/pop. Now although this might sound like a small issue, imo it's a workflow killer.

As for the sound itself, it's not that bad. But I personally felt that there is bit of 'pumping' on the softer settings. Doubt if it is a straight forward clipper. It sounds like there is a compression stage before clipping with some weird auto release behaviour.

Either way, I'm not ranting, just sad to see these plug-in developers doing 'beta' testing with its users.

I'm hopeful acustica will fix all these issues as we go along :)

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The first thing that came to my mind when seeing the interface was the old Sonalksis Ubercompressor :)
J60 Heatwave for Omnisphere 3 - Juno-60 Inspired soundbank
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS

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The best sounding clipper for dance music in the market

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I'll be sure to avoid it, then.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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richyseb wrote: Wed Apr 13, 2022 4:11 am First Impressions: The UI (on windows atleast) is super super sluggish. Every button press whether it's changing the clip mode/gain compensation/in/out etc takes like a second to kick in. It also cuts out the audio when pressing any button followed by an audible crackle/pop. Now although this might sound like a small issue, imo it's a workflow killer.
[...]
Either way, I'm not ranting, just sad to see these plug-in developers doing 'beta' testing with its users.

I'm hopeful acustica will fix all these issues as we go along :)
That's just how all Acustica plugins are. They're more or less dynamic convolution, so every tiny change requires a new set of impulses to be loaded. They will always be sluggish + CPU killers.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP

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skonghi wrote: Fri Jun 03, 2022 10:54 pm The best sounding clipper for dance music in the market
What did you compare it to?
Orion Platinum, Muzys 2

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richyseb wrote: Wed Apr 13, 2022 4:11 am First Impressions: The UI (on windows atleast) is super super sluggish. Every button press whether it's changing the clip mode/gain compensation/in/out etc takes like a second to kick in. It also cuts out the audio when pressing any button followed by an audible crackle/pop. Now although this might sound like a small issue, imo it's a workflow killer.

As for the sound itself, it's not that bad. But I personally felt that there is bit of 'pumping' on the softer settings. Doubt if it is a straight forward clipper. It sounds like there is a compression stage before clipping with some weird auto release behaviour.

Either way, I'm not ranting, just sad to see these plug-in developers doing 'beta' testing with its users.

I'm hopeful acustica will fix all these issues as we go along :)

Ha ha I had missed this post. To attract the curiosity of the person who wrote it, because in every computer tried fire is extremely quick in the various selections--quick enough to be a clipper that you put on the track and that's it. I can't imagine what kind of computer one must have today to wait a second between changes in this specific product (on a 10900x it takes 0.1 seconds to switch).
So I found out that this user has written in his life a single post on kvr. What makes a person open a specific account on the very same day to comment on a product a single time - and nothing else after april?
This planet is an amazing place

btw: last time the account was active, 20th april. Let’s see if he resurrects!

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richyseb wrote: Wed Apr 13, 2022 4:11 am [snipped rant...]
Either way, I'm not ranting, just sad to see these plug-in developers doing 'beta' testing with its users. [/snip]
One thing you have to first learn and then accept is when AA releases a plugin it's still in beta. But in reality, all AA products are in beta. I'm no AA fanboi, Z and I have had our "words" in the past, but I am pragmatic and prone to focusing on evidence. In the case of AA they do sound very nice, or at least make my music sound nice. I just consider them leading edge tech by a company that is focused more on the inner workings and not so much on creature comforts. Might be a resourcing issue. Experts are expensive.
richyseb wrote: Wed Apr 13, 2022 4:11 am I'm hopeful acustica will fix all these issues as we go along :)
Well you can't ask them to fix as they go along AND complain about them being in beta. See the challenge. If you just accept what works works and what doesn't, you can either open a ticket or leave it. You aren't going to get a perfect product out of AA unfortunately. The way I deal with this is I just live it. Every dev has their own "thing". Vote with your bank account.

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