Massive X 1.4 update!
- KVRAF
- 23103 posts since 7 Jan, 2009 from Croatia
I'd say considering the complexity it offers, Zeebs definitely is pretty easy to go around compared to a lot of other complex synths. Left side generators, right side modulators, routing in the middle, additiona stuff on the bottom. Really not that difficult to grasp
- KVRAF
- 1904 posts since 8 Jan, 2005
Like I said, I'm dumb like that. If it feels difficult somehow I move onEvilDragon wrote: ↑Sat Jun 25, 2022 10:30 am I'd say considering the complexity it offers, Zeebs definitely is pretty easy to go around compared to a lot of other complex synths. Left side generators, right side modulators, routing in the middle, additiona stuff on the bottom. Really not that difficult to grasp
MacMini M2 Pro . 32GB . 2TB . . Renoise……Reason 12……Live 12 Push 2
- KVRAF
- 1904 posts since 8 Jan, 2005
No its notEvilDragon wrote: ↑Sat Jun 25, 2022 10:30 am considering the complexity it offers, Zeebs definitely is pretty easy to go around
MacMini M2 Pro . 32GB . 2TB . . Renoise……Reason 12……Live 12 Push 2
- KVRAF
- 6980 posts since 28 Dec, 2015 from Atlantis Island
Ohohoh!
A heretic among us!
Beware!
A heretic among us!
Beware!
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
- KVRian
- 815 posts since 11 Mar, 2010
- KVRAF
- 6980 posts since 28 Dec, 2015 from Atlantis Island
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
- KVRAF
- 2545 posts since 20 Apr, 2005
I also don't find the uhe synths that intuitive either. of course some parts are, but there are always a few bits that puzzle me. The hive layout just takes a bit of getting used to i.e. the osc and filter routing being spread on both sides of the screen still makes me pause for a split second.
Mind you Massive X is also a bit unintuitive in the oscs, but I guess it's oscs are quite deep.
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- KVRAF
- 8802 posts since 7 Oct, 2005
IMO, you buy Massive X or synths like Bazille for the sound quality not really for the easy workflow or design.
But for example, I bought Phase Plant for both the easier design (it is similar to Zebra but more intuitive). Icarus also has an easy to understand design and a very good quality sound. So I prefer those if I want to start from scratch.
For most bread and butter sounds that I make myself, I tend to use a less complicated synths but with high quality sound like Dune, the Legend, Saurus ...etc. I would use Diva or Repro but I don't have them. I leave Massive X and other complex synths for complex sounds that usually I just tweak a little bit here and there, but don't design them from scratch.
Massive X is the only NI installed in my PC because it is the only one can be looked at with 4k monitor!
But for example, I bought Phase Plant for both the easier design (it is similar to Zebra but more intuitive). Icarus also has an easy to understand design and a very good quality sound. So I prefer those if I want to start from scratch.
For most bread and butter sounds that I make myself, I tend to use a less complicated synths but with high quality sound like Dune, the Legend, Saurus ...etc. I would use Diva or Repro but I don't have them. I leave Massive X and other complex synths for complex sounds that usually I just tweak a little bit here and there, but don't design them from scratch.
Massive X is the only NI installed in my PC because it is the only one can be looked at with 4k monitor!
- KVRAF
- 2545 posts since 20 Apr, 2005
Well Massive X isn't too complicated, it's really that it has a lot of different options, some of them a bit different and unintuitive. The oscs is one, the other are all the unison options. I think in both cases it comes down to having to go through all the options and work everything out.EnGee wrote: ↑Sun Jun 26, 2022 8:33 am IMO, you buy Massive X or synths like Bazille for the sound quality not really for the easy workflow or design.
But for example, I bought Phase Plant for both the easier design (it is similar to Zebra but more intuitive). Icarus also has an easy to understand design and a very good quality sound. So I prefer those if I want to start from scratch.
I mean Massive X oscs, scans wavetables several ways, lots of modes, has phase modulation. Just so many options, I guess it's hard to make those parts intuitive.
And I recently wanted to make a sound and to fix note pitch and add keytracking to some parameters. Massive X was actually really simple for this.
(I also made the patch in Ace and Bazille and both were far less intuitive for fixing pitch and had, to my knowledge, much less flexible key tracking. Bazille sounded great though).
I think partly my take on Massive X is because the OG Massive, to me, still has one of the best and most intuitive interfaces of all. And it had an extra osc and an extra filter.
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- KVRAF
- 35439 posts since 11 Apr, 2010 from Germany
Not sure if we mean the same thing, but, I always found that they cater more to the "geek" crowd. Maybe except for Hive, which is a different concept, and more of an "oddball" exception in their portfolio.
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- KVRAF
- 8802 posts since 7 Oct, 2005
I haven't spent a lot of time with Massive X. Maybe if I did, I would see it differently now. I can know my way but I need to concentrate more than in other synths (like Pigments or Icarus)._leras wrote: ↑Sun Jun 26, 2022 9:47 am Well Massive X isn't too complicated, it's really that it has a lot of different options, some of them a bit different and unintuitive. The oscs is one, the other are all the unison options. I think in both cases it comes down to having to go through all the options and work everything out.
I mean Massive X oscs, scans wavetables several ways, lots of modes, has phase modulation. Just so many options, I guess it's hard to make those parts intuitive.
And I recently wanted to make a sound and to fix note pitch and add keytracking to some parameters. Massive X was actually really simple for this.
(I also made the patch in Ace and Bazille and both were far less intuitive for fixing pitch and had, to my knowledge, much less flexible key tracking. Bazille sounded great though).
I think partly my take on Massive X is because the OG Massive, to me, still has one of the best and most intuitive interfaces of all. And it had an extra osc and an extra filter.
The main problem with Massive X is it developed by NI! Seeing the development of synths like Pigments and Icarus I feel more comfortable for their future enhancements. I don't know, I think it is not easy to build trust with your clients. NI has lost my trust and that makes me using their products less (exactly the opposite feeling 10 years ago!). Companies must realize that building trust with their users is an essential part of their success, but this seems old fashion now!
I can add key tracking easily in the matrix of Icarus, how do you do that in Massive X? I see key tracking in the filter, but I don't know how to add it to other parameters! I mean these things that make it more difficult to guess than other synths. I need to read the manual.
- KVRAF
- 25459 posts since 3 Feb, 2005 from in the wilds