Dude don't hihgpass bass heavy music at 45Hz. Also when trying to deal with the "mudiness", look into around 100-300Hz area of your bass instruments.Bartizanier wrote: Wed Jan 19, 2022 5:42 am Okay I am a long time music maker but just starting to learn mixing/home mastering. Using Logic Pro X and making pretty spare and uncomplicated synthwave-ish stuff and some beats.
I've watched Music Tech Help Guy's Logic 101 series. He did a great job of showing me how to use the compressors and some of the other stock tools. What I didn't really get was why/when I should be reaching for compression. I've heard and read so many conflicting comments - from "on pro mixes everything is compressed multiple times" to "never do anything if you don't know why, not every track needs compression". etc.
I'm experiencing the following issues with my test mix:
- my bass sound is garbage. The bass sounds (both kicks and synth bass) are muddy and quiet. The only inkling I have is to highpass around 45 hz to remove muddiness. But after that I'm lost. It seems like every time I add bass-y sounds to a track they blow up my output dB and I have to turn them down. But now they don't sound loud! Is this one of those extremely counter-intuitive things where it's like "turn up the treble to make the bass sound louder" lol??
- along with not knowing when to apply compression, I don't know when to apply EQ. I tend to feel that the sounds I've chosen "sound good as they are" and so I often don't tweak the EQ. My songs are simple, instrumental, and there shouldn't be too many clashing frequency range instruments. How do I know when to employ EQ and Exciters etc.?
Thats all I can think of. Sorry for the rant.
If you don't know when or how to apply EQ, don't bother with compressors yet. First and foremost, mix using level faders on your mixer, thats the most important thing.
