How were tracks produced in the 90s?
- KVRAF
- 2982 posts since 31 Jan, 2003 from Ghent, Belgium
Mid 90s: FastTracker 2
Late 90s: Fruityloops (v1.7?)
Music: EBM/Industrial/Other inspired
I never had the money to buy hardware synths/samplers/mixers/etc. (poor student)
Still, Fruityloops was a great sequencer/sampler/mixer/recorder combination, for little money. Most other software (Cubase/Logic/Cakewalk/...) 'required' hardware instruments at the time.
Late 90s: Fruityloops (v1.7?)
Music: EBM/Industrial/Other inspired
I never had the money to buy hardware synths/samplers/mixers/etc. (poor student)
Still, Fruityloops was a great sequencer/sampler/mixer/recorder combination, for little money. Most other software (Cubase/Logic/Cakewalk/...) 'required' hardware instruments at the time.
- KVRian
- 792 posts since 9 Feb, 2019
Trance? Example?
Ralf Hildenbeutel (Väth): some interesting Videos in YouTube. Mainly analog gear and awesome samples.
The mentioned DnB Workflow was also extensively used in other styles and albums like Madonna Ray of light.
To make it short: everyvody worked freestyle. Before the net we couldn't even knoe how the others Work. Lots of sampling, also synth sampling. JV1080/2080 we're huge, Wavestation the pulse of time
Halcyon!
Ralf Hildenbeutel (Väth): some interesting Videos in YouTube. Mainly analog gear and awesome samples.
The mentioned DnB Workflow was also extensively used in other styles and albums like Madonna Ray of light.
To make it short: everyvody worked freestyle. Before the net we couldn't even knoe how the others Work. Lots of sampling, also synth sampling. JV1080/2080 we're huge, Wavestation the pulse of time
Halcyon!
- KVRAF
- 2982 posts since 31 Jan, 2003 from Ghent, Belgium
A commercial studio that still has all the same equipment from 20-30 years ago? I doubt it! (especially when it's about old computer hardware/software)TW1306 wrote: Thu Aug 11, 2022 8:54 am And to a lesser extent are there still studios like that around today (as in accessible to anyone, not just for personal use)?
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- KVRAF
- 3392 posts since 19 Mar, 2008 from germany
Haha, yes - I could only imagine this as a kind of "museum studio". So a studioTW1306 wrote: Thu Aug 11, 2022 8:54 am Are there still studios like that around today (as in accessible to anyone,
not just for personal use)?
that is only there to document the earlier way of making music.
Here's the general evolution of studio-technology: Click me.
Really working with old studio technology today is comparatively tedious
and time-consuming. I can't imagine anyone doing that today.
free mp3s + info: andy-enroe.de songs + weird stuff: enroe.de
- KVRAF
- 7873 posts since 21 Dec, 2002 from MD USA
A lot of the best Electronic music was produced in the 90s in my opinion. I almost equate it to rock music in the 70s.
my music: http://www.alexcooperusa.com
"It's hard to be humble, when you're as great as I am." Muhammad Ali
"It's hard to be humble, when you're as great as I am." Muhammad Ali
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- KVRist
- Topic Starter
- 210 posts since 23 Apr, 2017
Not to be intentionally vague but basically anything from that time period. if I had to narrow it down I guess anything by Ferry Corsten up to around ~2004 I guess?
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- KVRist
- 158 posts since 18 Jun, 2014
Ferry Corsten did upload quite a bit of old videos "From the archive" where you can see his studio back then:
There is whole series of 10+ videos, some about events, some in the studio like this one:
Or:
You will find the usual suspect of trance back then:
Roland JP8000 & Roland JP8080
Access Virus C
Alesis Andromeda a6
Yamaha FS1r
And so on...
- KVRAF
- 2397 posts since 9 Jan, 2014 from Worldwide
I love the insight here, I've watched quite a few on these.Deisss wrote: Mon Oct 10, 2022 9:13 amFerry Corsten did upload quite a bit of old videos "From the archive" where you can see his studio back then:
There is whole series of 10+ videos, some about events, some in the studio like this one:
Or:
You will find the usual suspect of trance back then:
Roland JP8000 & Roland JP8080
Access Virus C
Alesis Andromeda a6
Yamaha FS1r
And so on...
Dune 3 presets! - https://newloops.com/collections/dune-presets
Diva, Hive, Repro, Presets - https://newloops.com/collections/u-he-synths-presets
185 Omnisphere Presets https://newloops.com/products/omnispher ... -2-presets
Diva, Hive, Repro, Presets - https://newloops.com/collections/u-he-synths-presets
185 Omnisphere Presets https://newloops.com/products/omnispher ... -2-presets
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- KVRian
- 1185 posts since 27 Apr, 2016
That is a 10 year span so things were changing a lot between 1990 and 1999.
24 channel project mixer, synths, sampler and drum machines MIDI'd... much was tweaked live/filters etc. 2-3 effects units in a project studio was about the norm.
One really characteristic element of sound in the 90's sound is project studio mixing desks did not usually have high pass filters (only on the microphone input) so whatever came out of the gear had all the lows left in whether you liked it or not unless cut by semi/fully parametric EQ on the channels.
Some might have had an external EQ but you could patch that only for 1 or 2 bits of gear... L/R - 2 mono or 1 stereo... that was not common.
It would be impossible to go back to those days where there was much less control.
However, when you know the techniques they are easy to replicate in a DAW. Just think about what could not be done and make sure that you do not over produce.
24 channel project mixer, synths, sampler and drum machines MIDI'd... much was tweaked live/filters etc. 2-3 effects units in a project studio was about the norm.
One really characteristic element of sound in the 90's sound is project studio mixing desks did not usually have high pass filters (only on the microphone input) so whatever came out of the gear had all the lows left in whether you liked it or not unless cut by semi/fully parametric EQ on the channels.
Some might have had an external EQ but you could patch that only for 1 or 2 bits of gear... L/R - 2 mono or 1 stereo... that was not common.
It would be impossible to go back to those days where there was much less control.
However, when you know the techniques they are easy to replicate in a DAW. Just think about what could not be done and make sure that you do not over produce.
