True, I did not know that. I assumed that .sfz files always contain real samples themselves. If Sforzando uses a tone generator / osc as well, then it's not only a sample player, is it?MTorn wrote: Sat Nov 05, 2022 3:10 pm
I think you may have misunderstood. SFZ players, like Sforzando and Sfizz, define their instruments using text files, and to assign a sample to a region you typically will type something like:
sample=hihat1.wav
Yes, it's probably not useful then. I wanted to use a converter like Awave Studio afterwards to convert the .sfz file (or whatever other format) to a different target file (.m2v) to import to and use with my workstation, an old Motif 8. The essential part will probably be to start out with a real multisample file. A text file won't do the job.MTorn wrote: Sat Nov 05, 2022 3:10 pm
But instead of a sample you can also use the internal oscillator. This is useful for testing purposes, but also for augmenting sampled instruments, or for pure synthesis. So instead of assigning a sample, you might use:
sample=*saw
However, I suspect that these built-in waveforms are not samples, but generated algorithmically inside the software. So there's no samples to grab and use elsewhere.
This is all fine if you intend to use the waveforms within a SFZ context, but not useful for you otherwise.
My real aim is to expand functionality with my Motif 8 so that I could use basic waveform shapes on it and create some own sounds - without having to expand it with a laptop, etc. I have a laptop attached to it but I don't always want to switch it on for particular sounds and often rather just play on the Yamaha thing itself. Yamaha didn't allow for or think of the possibility I'm aiming at but I could probably find a way to make this happen - even on a cheap used workstation that even I could afford buying...
The sounds on it are cool as they are, especially if you tweak them to your taste. I like the sounds, but they're still too limited and so, as often in life, one has to become creative and think of ways around again.
