Funny thing is that I thought was covered in this department, I already had a lot of reverbs which seemed to occupy a rough plateau that I imagined was top tier. I'm scared to demo CR as I'll probably want it... I figure I'll leave it until next year, but the risk there is that it will make me feel I have to go back to old tracks all over again and rework the reverb.vitocorleone123 wrote: Tue Dec 13, 2022 4:02 pm TC's early reflections are well-implemented and pretty easy to use. They're excellent, and stand above the majority of algo reverbs currently on the market.
CR Pro is even better to my ears, but also provides more controls to manipulate the early reflections, which also adds complexity. Unless you're directly comparing the two and listening closely... well...
Which LiquidSonics Reverb?
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- KVRAF
- 3399 posts since 26 Mar, 2002 from london
Every day takes figuring out all over again how to f#ckin’ live.
- KVRAF
- 3361 posts since 31 Dec, 2004 from People's Republic of Minnesota
Strangely, that was my least fav liquidsonics reverb. For realistic spaces Stratus seemed to sound more “real” than CR did. I didn’t like the early reflections. I love Tai Chi, Hdcart, and seventh heaven, though.chagzuki wrote: Tue Dec 13, 2022 4:23 pmFunny thing is that I thought was covered in this department, I already had a lot of reverbs which seemed to occupy a rough plateau that I imagined was top tier. I'm scared to demo CR as I'll probably want it... I figure I'll leave it until next year, but the risk there is that it will make me feel I have to go back to old tracks all over again and rework the reverb.vitocorleone123 wrote: Tue Dec 13, 2022 4:02 pm TC's early reflections are well-implemented and pretty easy to use. They're excellent, and stand above the majority of algo reverbs currently on the market.
CR Pro is even better to my ears, but also provides more controls to manipulate the early reflections, which also adds complexity. Unless you're directly comparing the two and listening closely... well...
- KVRAF
- 6208 posts since 25 Dec, 2004
same, i regularly use Tai Chi and Luscious Plates, but i don't really gel with Cinematic Rooms.
I'd just use one of the Exponential verbs or Neoverb, (which i bought for $25 knowing the EA verbs are discontinued).
Maybe it sounds better in 5.1 ?
I'd just use one of the Exponential verbs or Neoverb, (which i bought for $25 knowing the EA verbs are discontinued).
Maybe it sounds better in 5.1 ?
sketches... http://soundcloud.com/onesnzeros
some artists i support... https://bandcamp.com/spectraselecta
some artists i support... https://bandcamp.com/spectraselecta
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vitocorleone123 vitocorleone123 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=333504
- KVRAF
- 2489 posts since 30 Jun, 2014 from Pacific NW
It’s very subjective and there’s no right or wrong except choosing one you don’t like. I dislike Big Sky and many love it.masterhiggins wrote: Wed Dec 14, 2022 1:00 amStrangely, that was my least fav liquidsonics reverb. For realistic spaces Stratus seemed to sound more “real” than CR did. I didn’t like the early reflections. I love Tai Chi, Hdcart, and seventh heaven, though.chagzuki wrote: Tue Dec 13, 2022 4:23 pmFunny thing is that I thought was covered in this department, I already had a lot of reverbs which seemed to occupy a rough plateau that I imagined was top tier. I'm scared to demo CR as I'll probably want it... I figure I'll leave it until next year, but the risk there is that it will make me feel I have to go back to old tracks all over again and rework the reverb.vitocorleone123 wrote: Tue Dec 13, 2022 4:02 pm TC's early reflections are well-implemented and pretty easy to use. They're excellent, and stand above the majority of algo reverbs currently on the market.
CR Pro is even better to my ears, but also provides more controls to manipulate the early reflections, which also adds complexity. Unless you're directly comparing the two and listening closely... well...
For me, there’s no comparison - CRP all the way (I liked the ERs better than in the standard version). Also for a number of people in Hollywood, apparently! CRP is so beautiful it’s nearly brought tears to my eyes at times.
- KVRAF
- 37376 posts since 14 Sep, 2002 from In teh net
If you have CR Pro do you also get the standard version? I just tried using my Pro coupon but it wasn't accepted so maybe it isn't needed?
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- KVRAF
- 4720 posts since 26 Nov, 2015 from Way Downunder
Seems like it should workaMUSEd wrote: Sun Dec 25, 2022 12:35 pm If you have CR Pro do you also get the standard version? I just tried using my Pro coupon but it wasn't accepted so maybe it isn't needed?
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- KVRAF
- 37376 posts since 14 Sep, 2002 from In teh net
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- 16732 posts since 12 Oct, 2008 from Here and there
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- 16732 posts since 12 Oct, 2008 from Here and there
Testing Liquid Sonic's reverb Tai Chi using various percussive one-shot samples, tweaking some parameters on the fly.
- KVRAF
- 6208 posts since 25 Dec, 2004
a Patchpool Tai Chi soundbank would be interesting Simon
not just the long tails, i'd like to hear what you'd do with the chorus and early reflection possibilities. The multiband section is great, but i know i've not even scratched the surface of what this verb can do. I use it too similarly to Pro-R, finding little frequency pockets for instruments. Which it's great at, but the chorus at least begs for more extreme experimentation.
sketches... http://soundcloud.com/onesnzeros
some artists i support... https://bandcamp.com/spectraselecta
some artists i support... https://bandcamp.com/spectraselecta
- KVRAF
- Topic Starter
- 18340 posts since 26 Jun, 2006 from San Francisco Bay Area
chagzuki wrote: Tue Dec 13, 2022 4:23 pm I figure I'll leave it until next year, but the risk there is that it will make me feel I have to go back to old tracks all over again and rework the reverb.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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- KVRer
- 9 posts since 19 Aug, 2022
Last edited by Samplicity on Fri Jun 30, 2023 5:14 pm, edited 3 times in total.
Peter Emanuel Roos - samplicity.com
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vitocorleone123 vitocorleone123 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=333504
- KVRAF
- 2489 posts since 30 Jun, 2014 from Pacific NW
Trying to advertise your non-Liquidsonics products in a Liquidsonics-oriented thread lacks a little class.Samplicity wrote: Fri Jun 30, 2023 1:34 pm Mentioned on the first pages of this thread, Samplicity has been sharing its well appreciated Bricasti M7 impulse responses for free since 2010.
Since November 2022 Samplicity now also offers reverb plugins, including its own simulation of the Bricasti M7, the BM7 plugin, with control over early reflections and tail, pre-delay, reverb length, and including a five band equalizer. 134 presets.
The BM7 plugin is now on sale for $119 and its new sibling, the 480 for $89:
https://samplicity.com/shop/gemini-bm7/
https://samplicity.com/shop/gemini-480/
The Berlin Studio plugin is meant for people who want to apply the real captured acoustics of a large (orchestral) studio:
https://samplicity.com/shop/berlin-studio/
Cheers,
Peter
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- KVRAF
- 3399 posts since 26 Mar, 2002 from london
I've recently gotten around to demoing Cinematic Rooms Pro, in stereo config rather than surround. It's got me thinking/wondering about reverb design due to the crossfeed control. It's marketed as a naturalistic reverb, but the crossfeed aspect is unlike most other reverbs I've seen except Valhalla Room, and it seems to me not naturalistic. I.e. with crossfeed value low both the early reflections and tail can behave more like a dual-mono reverb in terms of tracking the panning position of the source, and I don't see how real-world acoustics could behave in that manner. I haven't yet been able to test it in mixes, but it strikes me as likely to maintain a more defined soundstage by maintaining spacial separation between elements. People often talk about the depth of the reverb, but I wonder if its virtue is more to do with maintaining sense of stereo position in a manner which may sound 'cinematic' (i.e. grand) but not really naturalistic.
Every day takes figuring out all over again how to f#ckin’ live.

