Same here.Funkybot's Evil Twin wrote: Sat Jan 07, 2023 4:23 pm
Obsession has been a synth that I just struggle to gel with. I don't know if it's the on-board effects (which I don't care much for), or just all the flipping back and forth (front panel, per-voice tweaks panel, back panel), the weak resonance (in that it never gets near self-oscillating), or the overall Oberheim OB-X/Xa/8 sound, but every few months I'll try to get back into it and I end up using RePro-5, TAL J-8, or OB-E instead when I want an 80's polysynth thing in software. I just find those 3 get me the sounds I'm looking for faster than Obsession.
A big part is the bogus workflow that you mention -- let's say, as one example, that I want to simply Pan each Voice to slightly different positions--
On Repro-5, all voice pan knobs are side by side on the tweaks page. On OB-E, all voice pan knobs are stacked in the top left of the main interface. In OB-Xd, all voice pan knobs are in the bottom right of the main interface. For all of these, I simply move to that area and adjust as needed, DONE.
Now let's do it in OBSESSION:
• Click the voice 1 button in the bottom of the interface
• Move the mouse up to the top right of the interface and change the Pan
• Move back to the bottom of the interface, click Voice 1 again to exit it, click button for Voice 2
• Move back up to the top right of the interface and change the Pan
• Move back to the bottom of the interface, click Voice 2 again to exit it, click button for Voice 3
• Move back up to to the top right of the interface and change the Pan
• Move back......
WE'VE ONLY DONE THREE VOICES AND HAVE FIVE LEFT....so repeat all of the above steps just FIVE more times and whew, we did it, each voice has an adjusted Pan value.
for something that takes *seconds* to do on all the other mentioned synths.
OBSESSION's workflow is horrible. There, I said it. What further evidence is needed than above? It's practically a joke how bad it is.
Also, the basic layout makes no sense, based on general Synthesis layouts that are time tested. The oscs are the lowest element? why? the modulators are above the Oscs, in the middle of the interface? but then some tuning controls for the oscs (which are at the bottom) are stuck at the very top? It has never felt anywhere close to natural. I cringe every time I open the UI. Would it really have been so hard to, I dunno, base the UI on the front-panel design of the synth that is being emulated ???
I could go on...but that's enough, I imagine.
