understanding popular harmonic prog.

Chords, scales, harmony, melody, etc.
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Farnaby
KVRist
92 posts since 3 Sep, 2021

Post Wed Jul 27, 2022 3:29 pm

As I suspected, the examples quoted are basically songs with only one or two chords throughout, so these don't really count as they have such limited tonality of any kind.
There are songs however which postpone the tonic chord until well into the piece - the song Sweet Georgia Brown is a good example, Moonglow is another.
By definition really a piece of music must contain its tonic if it can be defined as being in that key. I would be surprised if there are any real exceptions to that.

Farnaby
KVRist
92 posts since 3 Sep, 2021

Post Wed Jul 27, 2022 3:30 pm

NAD wrote: Wed Jul 27, 2022 1:20 pm There's a chord progression which is a apparently extremely popular in Japanese music: IV V iii vi. In C major that would be F G Em Am. Of course it's also possible to hear the 6 as the tonic.
What makes you think that is in C major?

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NAD
KVRian
1410 posts since 28 Jan, 2004

Post Thu Jul 28, 2022 2:28 am

Farnaby wrote: Wed Jul 27, 2022 3:30 pm
NAD wrote: Wed Jul 27, 2022 1:20 pm There's a chord progression which is a apparently extremely popular in Japanese music: IV V iii vi. In C major that would be F G Em Am. Of course it's also possible to hear the 6 as the tonic.
What makes you think that is in C major?
To be clear I use C major and A minor interchangeably although arguably you'd use an E or E7 rather than Em if you're thinking of A minor harmonic. Other than that I really don't see any other way you could possibly interpret F G Em Am. I guess just try jamming over it and see what you end up playing. I'd be willing to bet you'll gravitate to C major or A minor unless you're into some freaky avant-garde stuff.
Image

jancivil
KVRAF
24244 posts since 20 Oct, 2007 from gonesville

Post Sun Jan 15, 2023 4:06 pm

Farnaby wrote: Wed Jul 27, 2022 3:29 pm There are songs however which postpone the tonic chord until well into the piece
Well, I heard the beginning bit, and while there’s a real obvious I, he isn’t going to it but preferring to hang out at IV. So per the OP there’s the possibility of IV of IV (bVII) that isn’t a native property of major key.

cmaxx
KVRer
2 posts since 2 Jul, 2022

Post Mon Jan 30, 2023 10:09 pm

If you're still referring to Fireflies, he goes to the I chord (Eb) in the 2nd measure-
V-I-IV-IV...no secondary dominant or bVII mixolydian here...

jancivil
KVRAF
24244 posts since 20 Oct, 2007 from gonesville

Post Tue Jan 31, 2023 9:49 am

duplicate
Last edited by jancivil on Tue Jan 31, 2023 9:49 am, edited 1 time in total.

jancivil
KVRAF
24244 posts since 20 Oct, 2007 from gonesville

Post Tue Jan 31, 2023 9:49 am

per the bVII remark, it regarded a specific question in the initial post, how is there A in the key of B.

you are correct, I missed the I before IV.
Last edited by jancivil on Tue Jan 31, 2023 11:23 am, edited 3 times in total.

jancivil
KVRAF
24244 posts since 20 Oct, 2007 from gonesville

Post Tue Jan 31, 2023 10:51 am

another duplication
Last edited by jancivil on Tue Jan 31, 2023 11:20 am, edited 1 time in total.

jancivil
KVRAF
24244 posts since 20 Oct, 2007 from gonesville

Post Tue Jan 31, 2023 11:18 am

NAD wrote: Thu Jul 28, 2022 2:28 am
Farnaby wrote: Wed Jul 27, 2022 3:30 pm
NAD wrote: Wed Jul 27, 2022 1:20 pm There's a chord progression which is a apparently extremely popular in Japanese music: IV V iii vi. In C major that would be F G Em Am. Of course it's also possible to hear the 6 as the tonic.
What makes you think that is in C major?
To be clear I use C major and A minor interchangeably although arguably you'd use an E or E7 rather than Em if you're thinking of A minor harmonic. Other than that I really don't see any other way you could possibly interpret F G Em Am. I guess just try jamming over it and see what you end up playing. I'd be willing to bet you'll gravitate to C major or A minor unless you're into some freaky avant-garde stuff.
Key of A minor is not interchangeable with key of C major in itself. In fact, C major has a C tonic and A minor has an A tonic. There may be contexts where ambiguity of the two is perceived or even is sought but your conflating two things as one per se isn’t necessarily anyone else’s problem and is obviously a dodgy basis.

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