Funnest Sound Design Tools
-
- KVRian
- 991 posts since 10 Feb, 2017 from By the Slot Machines
What workflow actually gets your a-- to work?
-
- KVRAF
- 4112 posts since 24 Oct, 2000 from A Swede Living in Budapest
Not to overthink. I constantly ask myself the question 'is this good enough'. If the answer is yes (which it usually is) I move on.
Underpowered Analog Drifting - Unique Sounds for Arturia Pigments 7
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
-
- KVRist
- 93 posts since 24 Oct, 2021 from Wellington, New Zealand
Generally the workflow that gets me going involves creating a synth patch I like, resampling to audio, then chopping and stretching to hell and back (plus effects and such.) Works well for the specific kind of music I do though, so not sure about how universally applicable it is.
-
- KVRian
- Topic Starter
- 991 posts since 10 Feb, 2017 from By the Slot Machines
oh yeah, I do that the chop and reverse, re-order maybe layer over the initial synth sample, and the likes. Not a pro at it but I want to make it sound better over time.FAS122 wrote: Tue Mar 21, 2023 11:45 pm Generally the workflow that gets me going involves creating a synth patch I like, resampling to audio, then chopping and stretching to hell and back (plus effects and such.) Works well for the specific kind of music I do though, so not sure about how universally applicable it is.
-
- KVRist
- 36 posts since 8 Sep, 2019
strictly dividing up work into different fields: making software, programming presets or recording samples, composing, production, audio mastering, making master files.
at least that was the plan.
at least that was the plan.
