FWIW, I don't think it really needs oversampling that much. It's a subtle saturation of sorts, and if you think that what we perceive as balanced sound follows the pink noise frequency curve, the chances of high mids and treble of inducing audible aliasing are relatively slim. I actually did a comparison, summing through Console8 at 48kHz vs 96kHz, and the differences were tiny.audiojunkie wrote: Thu Apr 06, 2023 11:44 pmGood points. I wasn't even thinking about the oversampling aspect.ampetrosillo wrote: Thu Apr 06, 2023 11:12 pmThe only problem with Console is, well, two problems. One is that Mr. Airwindows refuses to implement oversampling, so you have to either:audiojunkie wrote: Thu Apr 06, 2023 11:01 pm It's been mentioned already, but it seems like no one took notice. Console 8 is a plugin that looks to be exactly what the OP wants. It's high quality, and best of all, it's free. For the price, the only thing you lose is time if it isn't exactly what you want. But be aware of this: you probably won't find a lighter and more efficient high quality plugin that simulates the color of analog preamps and mixing board channels anywhere else. I can pretty much guarantee that. So check it out, before spending any money. It works on just about every platform available.
- work at 96kHz or higher,
- add oversampling yourself through a plugin encapsulator or the DAW (Reaper allows this, for instance)
- ignore the problem, which might be acceptable since the amount of distortion introduced is not that high
The other problem is that it's a pain to mix with Console8 because you can no longer use the DAW's faders, unless you have the option to place plugins post-fader. In Reaper, I make use of folders and nested tracks but it makes the whole thing messy.
FWIW, I have mixed a few songs with Console7 and Console8, it does make a difference, it's subtle but it's there. Everything is just a bit more glued, which is what you would expect.![]()
This is a song I mixed through Console8, FWIW. I'm not really happy with the mastering, which I didn't do (it's a bit too trebly without being airy, if it makes any sense) but the general sound is nice:




