Has it been determined that there is a more optimal setting than 24bt/48khz ? More is always better, except when considering the CPU load. At what point does the law of diminishing returns come into play? I don't disagree with you either, but it seems that going beyond 24bit/48Khz really is unnecessary.jamcat wrote: Tue May 16, 2023 3:39 pmI agree with the sentiment, and often upset the local lemmings with similar arguments. However, in this particular instance, writing good music and also recording it at the optimal samplerate are not mutually exclusive. You have to record at some samplerate, so it might as well be the best one.audiojunkie wrote: Mon May 15, 2023 8:54 pm My point is simple. I've already wasted my life on the same crap you guys are going back and forth on, and the end result matters a lot less than most of you realize. It's the song that matters. Work on your writing skills. You could create a masterpiece with 12bit 22050khz mono, and if the song is good, no one would care. You guys are chasing the wrong dog's tail.
Edit: I can see more value in hardware moving to 32bit over 24bit than I can see the value in going beyond 48khz.
Edit2: What resolution do mastering houses require and export? That's the last in the chain, there shouldn't be any reason for anything higher. What will most people use to listen to this music? Are the headphone speakers even able to provide the fidelity to reproduce the audio? This is all comes into play with the law of diminishing returns. At some point, there is no real reason to go further.