Man you are making me itch for one of those. Love the sound of these units. Did you manage to find one?thecontrolcentre wrote: Wed Mar 22, 2023 12:51 am Try looking for a Cheetah SX16 Sampler ... I had 2 of them of the 90's and they can sample audio in 8,10,12 & 16 bit iirc.
12 bit sampler that doesn't cost thousands?
- KVRAF
- 4108 posts since 24 Oct, 2000 from A Swede Living in Budapest
J60 Heatwave for Omnisphere 3 - Juno-60 Inspired soundbank
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
HARDWARE SAMPLER FANATIC - Akai S1100/S950/Z8 - Casio FZ20m - Emu Emax I - Ensoniq ASR10/EPS
- KVRAF
- 2982 posts since 31 Jan, 2003 from Ghent, Belgium
What you talkin' 'bout, Willis?Alyctro wrote: Tue Mar 21, 2023 11:43 pmDepends, although it's disk based so that means it doesn't record sounds.jocknaethick wrote: Tue Mar 21, 2023 11:13 pm When I bought my Juno 106, the seller through in a Roland w30 for free. Not sure if they are worth anything these days (7% inflation, my arse), it seemed a pretty solid 12 bit sampling keyboard but I guess not exactly valued.
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- KVRAF
- 2772 posts since 28 Mar, 2007
The name "Cheetah" brings back fond memories. I remember playing on the prototype Zeus 24 analogue synth at the British Music Fair in 1993. It had 24 note polyphony and was 12 part multi-timbral with aftertouch.Only four were ever made and it contributed to the the companies downfall. I wonder where they are now?thecontrolcentre wrote: Wed Mar 22, 2023 12:51 am Try looking for a Cheetah SX16 Sampler ... I had 2 of them of the 90's and they can sample audio in 8,10,12 & 16 bit iirc. They are generally much cheaper than AKAI etc, as the OS takes a bit of getting used to. Only 512k memory tho' and floppy disk export![]()
Here are some tracks I made in 1997 using the Cheetah SX16s ...
https://ashfelt.bandcamp.com/track/people-from-jupiter (almost everything)
https://ashfelt.bandcamp.com/track/klik (almost everything)
https://marineville.bandcamp.com/track/encryption (drums, riffs & voice edits)
https://marineville.bandcamp.com/track/east-4 (drums & voice edits)
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 37262 posts since 27 Jul, 2005 from Scottish Borders
ThanksAlyctro wrote: Wed Mar 22, 2023 1:20 am https://marineville.bandcamp.com/track/encryption
I dig your soundtracks, specially encryption.
Here's a short vid of the Cheetah SX-16 demonstrating how the different bitrates sound.
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- KVRist
- 470 posts since 21 Jul, 2001
The E-mu Emulator II is what you want. It sounds fantastic. Super crunchy and lo-fi. It's instant Depeche Mode circa Violator and earlier albums.
Guys; maybe it's time to meet a E-II in person.To me the E-II is the only hardware sampler worth owning for its crunchy warm sound. I think you can replace the floppy drive with a Zip drive or something similar. But I think you are still stuck with the limited memory. That’s why I would get TAL Sampler and call it a day.
E-mu did everything they could to prevent it being crunchy. Some 16 bit samplers are more crunchy. An E-II won't ever be able to read zip disks. A zip disk has 5 times the amount of storage an E-II can handle. It was designed for one specific harddrive that's long gone. Currently the only replacement is a DREM emulator board.
If you want crunch buy an Emax I (or any other sampler that can transpose all the way down to the last octave and has low, adjustable, samplingrates)
The E-II has a fixed sampling rate of 27K, the Emax is adjustable and can go as low as 10K. Real crunch and less warmth. The Emax filters are comparable to the E-II.
That's probably why it's getting ridiculously expensive.
Depeche Mode used lots of Emax since the thing was released around 1986, that's probably responsible for a lot of the crunch you hear. Violator also has E-III and lots of Akai over it.
See the limited memory as an asset., It sounds the way it sounds because you need to make sounds with a few seconds of sound. And need to get by with short loops. Tal sampler won't come close in sound when you treat it as a modern sampler. Use low sampling rates for sounds with less high frequency content. Read 80-ies books about sampling and see how they did it.
It sounds vintage when you feed it vintage stuff.
For getting closer to the old digital stuff you should also try the free Pockey2 plugin: https://www.airwindows.com/pockey2/
Other nice stuff from there is the E-IV like filter plugins that start their name with z (zlowpass etc.).
If you want it to sound more like early consoles/computers you should look into chipcrusher: https://www.plogue.com/products/chipcrusher.html
Or any other of their "chipsound style" synthesizers.
They specialize in that.
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- KVRist
- 359 posts since 30 Apr, 2001 from Australia
Ugh I sold my S-550 +monitor+mouse for $100, crazy.....
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ChamomileShark ChamomileShark https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=25116
- KVRAF
- 3244 posts since 12 May, 2004 from Oxford, UK
Is it true that it actually samples at 16 bit rather then 12 bit. The 12 bit is a playback mode or a post playback effect?
Pastoral, Kosmiche, Ambient Music https://markgriffiths.bandcamp.com/
Experimental Music https://markdaltongriffiths.bandcamp.com/
Experimental Music https://markdaltongriffiths.bandcamp.com/
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ChamomileShark ChamomileShark https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=25116
- KVRAF
- 3244 posts since 12 May, 2004 from Oxford, UK
thanks for clarifying.
Pastoral, Kosmiche, Ambient Music https://markgriffiths.bandcamp.com/
Experimental Music https://markdaltongriffiths.bandcamp.com/
Experimental Music https://markdaltongriffiths.bandcamp.com/
