Best GM Soundfont Bank in current year?

Sampler and Sampling discussion (techniques, tips and tricks, etc.)
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So after recently purchasing ChordPulse, it's come to my attention that I need to upgrade my soundfont.

I managed to download/install Mysung, SGM and Timbres of Heaven with CoolSoft. Are these the best, or are there some newer ones that are even better? They're good, but they're not without fault. A compilation that combines the strengths of each of them would probably bring best results than each of them individually.

I'm looking for a soundfont that can overcome these "faults", and sounds realistic. If it can manage these, it doesn't have to be free, I'm willing to pay for soundfont if it's good :)

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have you heard of Samplers : Kontakt ?

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Everyone has different opinions. :)

I personally wouldn't touch Kontakt with a ten foot pole:

* Encrypted sample Format
* Challenge/Response Copy Protection
* Only after 10+ years have they FINALLY gotten HiDPI support, and still the majority of the libraries still don't support it. Native Instruments haven't been properly supporting their software.
* etc. etc

There is much more here, but the ones I mentioned are the ones that bother me most:

viewtopic.php?t=592030

Now, if someone wants a nice sampler that is well supported, works great, and is future-proof, look at TAL-Sampler. It is one of the best "creative-style" samplers available.
Vendor‑Dependent Copy Protection: Customers lose. Pirates win.:mad:
(Also: I'm Accused of lying about Linux—it boots, runs my pro audio workflow, stays stable, updates--though yearly dismissed as “niche”. Yet I'm the deluded one.)
:roll:

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SiliconDeath wrote: Tue Aug 08, 2023 6:48 pm So after recently purchasing ChordPulse, it's come to my attention that I need to upgrade my soundfont.

I managed to download/install Mysung, SGM and Timbres of Heaven with CoolSoft. Are these the best, or are there some newer ones that are even better? They're good, but they're not without fault. A compilation that combines the strengths of each of them would probably bring best results than each of them individually.

I'm looking for a soundfont that can overcome these "faults", and sounds realistic. If it can manage these, it doesn't have to be free, I'm willing to pay for soundfont if it's good :)
"The best" is very subjective, and depends on what you like and value in an instrument and its sound. I don't use GM banks as much as I used to anymore, but there are a lot of them out there. I wrote a very large, very recent list of available SF2 and SFZ files available on the internet. What I would recommend, would be to use that list and download and try a bunch of them, and then use the ones you like. :)

Edit: Here's the link--

viewtopic.php?t=597968
Vendor‑Dependent Copy Protection: Customers lose. Pirates win.:mad:
(Also: I'm Accused of lying about Linux—it boots, runs my pro audio workflow, stays stable, updates--though yearly dismissed as “niche”. Yet I'm the deluded one.)
:roll:

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There is a massive hole in the DAWsphere for a good quality Generic MIDI style ROMpler soundset.
Where there are tons of synth/samplers with large lieberries, few are organized in a way that immediately makes them useful for those times you just need sounds to attach to MIDI or make a mockup/demo.

One of the only ones I have that does anything immediately close is Purity


The matter of "quality" is emotive and Purity is a bit flat, a lot of that is about Composition (managing MIDI) and Mixing. I have used Purity in a few album tracks with care - or outright joy for the sound of it.

Roland do have something that makes this claim for a box that covers basics but in trying to work out how to get it, it gets bogged down in the Roland Cloud thing pretty fast.
:-)

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