Are you serious?Markus Krause wrote: ↑Sat Sep 02, 2023 10:05 pm 2) It is not supported by our products to modulate matrix targets that are modulated by matrix targets that are modulated by matrix sources.
I do not see how this should make sense in sound design and noone has asked for somthing like this in the last 20 years. I've also never come across a patch in a synth that uses such a setup.
Example:
Matrix1: LFO Modulating pitch
Matrix2: Envelope modulating Matrix 1
Matrix3: Modwheel modulating Matrix 2
That would be a really common synthesis technique. There are tons of others. My Hydrasynth is full of presets with this combo and many others. I have made literally HUNDREDS of presets for Apple and their Alchemy 2 synth where I have very commonly either aftertouch or modwheel attached last in a series of 3 mod matrix chains.
My Kurzweil K2000 is full of these series of 3 chains.. and this thing is from the early 90's.
It is _very_ common to have an envelope modulating an LFO, and then have this amount controlled by something else.. usually modwheel/aftertouch.
The problem is that you have decided to NOT include any kind of depth/amount control for most envelopes and LFOs. This means the user is forced to go through the mod matrix one extra time to do a very simple modulation, like an envelope adjusting the speed of an envelope. And due to, what I assumed must have been a bug, the limitation you just mentioned above tons of extremely simple synthesis techniques are not applicable in your otherwise pretty complex and capable synthesizer.
Man.. this really puts a huge negative on your synths. And here I was thinking it's a bug.
EDIT: One common routing for various lead sounds (or crappy trumpet/horn emulation) is LFO -> Pitch ; Envelope -> LFO Speed ; Velocity -> Envelope amount. I just did this on the Korg Triton.
You can't do this in Gladiator, not even by using the Filter Envelope because the velocity sensitivity doesn't apply when it goes through the Matrix.