Vintage is overrated. Lesson learned(rant)
- addled muppet weed
- 111329 posts since 26 Jan, 2003 from through the looking glass
there was a time, people would recognise a monkees quote.
those days are gone.
those days are gone.
- KVRAF
- 20932 posts since 22 Nov, 2000 from Southern California
vurt wrote: Mon Sep 04, 2023 4:49 pm there was a time, people would recognise a monkees quote.
those days are gone.

- KVRAF
- 18510 posts since 26 Jun, 2006 from San Francisco Bay Area
I do. It’s awesome. I decided to slim things down to a few really characterful hardware synths, and that’s one of them.pdxindy wrote: Mon Sep 04, 2023 4:17 pmSo you have a Nina on hand now?zerocrossing wrote: Sun Sep 03, 2023 3:28 pm
People will disagree with me, but I feel there are a lot of modern synths that embody what we consider “vintage tone.” My Dominion 1, ATC-X and Melbourne Instruments Nina all can produce sounds that I consider vintage, or at least as vintage as I feel I need in my life.
Zerocrossing Media
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- KVRAF
- 27000 posts since 3 Feb, 2005 from in the wilds
Nice! I'm considering it. I want less gear, so my plan is to buy more! hehehezerocrossing wrote: Mon Sep 04, 2023 6:00 pmI do. It’s awesome. I decided to slim things down to a few really characterful hardware synths, and that’s one of them.pdxindy wrote: Mon Sep 04, 2023 4:17 pmSo you have a Nina on hand now?zerocrossing wrote: Sun Sep 03, 2023 3:28 pm
People will disagree with me, but I feel there are a lot of modern synths that embody what we consider “vintage tone.” My Dominion 1, ATC-X and Melbourne Instruments Nina all can produce sounds that I consider vintage, or at least as vintage as I feel I need in my life.
What do you like about it? Any downsides? I read that it now supports MPE. If you have tried the MPE support, what do you think? Does Nina do Osc FM? Filter FM? Ringmod?
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- KVRAF
- 5576 posts since 30 May, 2006 from Hollow Earth
But they are Warm
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- KVRAF
- 18510 posts since 26 Jun, 2006 from San Francisco Bay Area
pdxindy wrote: Mon Sep 04, 2023 7:09 pmNice! I'm considering it. I want less gear, so my plan is to buy more! hehehezerocrossing wrote: Mon Sep 04, 2023 6:00 pmI do. It’s awesome. I decided to slim things down to a few really characterful hardware synths, and that’s one of them.pdxindy wrote: Mon Sep 04, 2023 4:17 pmSo you have a Nina on hand now?zerocrossing wrote: Sun Sep 03, 2023 3:28 pm
People will disagree with me, but I feel there are a lot of modern synths that embody what we consider “vintage tone.” My Dominion 1, ATC-X and Melbourne Instruments Nina all can produce sounds that I consider vintage, or at least as vintage as I feel I need in my life.
First and foremost, the character is awesome. Kind of vintage Moog meets Modal.What do you like about it?
Second, it has a great feature set that’s not so sprawling that you get lost in options. That’s better done in software, IMO. It’s multitimbral, MPE, audio in (with feedback) polyphonic aftertouch support, and don’t forget the motorized knobs. No gimmick there. It’s super useful.
No real downsides, but I would love a few additions, like letting me assign a/b morph (each patch has two parts) to aftertouch. Or letting effect parameters morph too.Any downsides?
I read that it now supports MPE. If you have tried the MPE support, what do you think?
Works great.
The digital wavetable oscillator is a modulation source, and has an LFO mode.Does Nina do Osc FM? Filter FM?
XOR gate.Ringmod?
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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- KVRian
- 1394 posts since 6 May, 2005 from Michigan, USA
Interesting glimpse of the past. Somehow the 13 years seems like a very, very long time ago now. I recall living sounds' posts were a definite motivator for me to try some vintage analog as well. Ended up picking up a Juno 60 (for $750 - they run just a TAD higher now), a Chroma Polaris, and a Microwave 1. I got a bit bored with the Juno after the nostalgia wore off (a 106 was my first synth WAY back when). The Polaris only worked for a few months before it developed one issue after another and is now collecting dust under a bed because I never got it fixed. The Microwave, which I got for $500, was sold on and now of course they're 5x that much.
After that, I mostly just resumed using software and picked up a Virus TI, until the Behringer synths tempted me back with their no-brainer prices. I prefer the Behringer D to the Little Phatty I used to have, sound-wise. The Pro 800 conjures a reasonable degree of vintage poly flavor, and it's hard to argue with an 8-voice, dual-VCO poly for only $50 more than their mono desktops. I really don't need anything more than what I already have, but if their UB-X and Wave turn out well, I'll probably pick those up. I doubt I'll ever buy another vintage synth. Of the last two I bought in recent years, one arrived smashed and the other worked for about 30 minutes before ceasing to produce any sound. It was like something was telling me to wash my hands of vintage.
After that, I mostly just resumed using software and picked up a Virus TI, until the Behringer synths tempted me back with their no-brainer prices. I prefer the Behringer D to the Little Phatty I used to have, sound-wise. The Pro 800 conjures a reasonable degree of vintage poly flavor, and it's hard to argue with an 8-voice, dual-VCO poly for only $50 more than their mono desktops. I really don't need anything more than what I already have, but if their UB-X and Wave turn out well, I'll probably pick those up. I doubt I'll ever buy another vintage synth. Of the last two I bought in recent years, one arrived smashed and the other worked for about 30 minutes before ceasing to produce any sound. It was like something was telling me to wash my hands of vintage.
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- KVRAF
- 2418 posts since 9 Nov, 2016
Dunno. I guess you should check for correct operation or have some sort of insurance or quality control process in place.dj ike wrote: Wed Mar 10, 2010 7:56 pm I recently bought Korg 707 keyboard, vintage FM synth, I plugged it in and the keyboard didn't work. I was able to get it to work via midi with a controller.
I took a peak inside and noticed a pcb board under the keybed was grey/burnt looking along one side.
I contact Korg, and several parts suppliers,and parts are no longer available, so I'm all beat up about it.
From now on, I no longer want to buy vintage instruments, they aren't worth the headache, especially if you are a composer/working musician.
Sure you may be looking for "that" sound. Which no other synth can duplicate exactly, but "that" sound was 25 years ago, the people who got "that" sound were just making music with whatever resources they had.
I say stop looking for "that" sound, and start making the "next new" sound.
We have plenty of gear, sound palettes, options that musicians would've killed for 25 years ago.
That being said, I have a Yamaha FB01 FM synth also, and want to load up the 96 user patches with 3rd party patches, but don't know how. Do I need an Atari emulator? How can I dump these patches into it?
I m not a big fan of second hand gear. I tend to go for new gear which has that vintage vibe. Korg still makes the MS-20, Moog still makes their vintage stuff (Roland also has their SE-02 By Studio Electronics) . Erica synths has their Syntrx and other vintage inspired stuff. Behringer has tons of clones that come very close. Analog FX has their SER-2020, etc etc.
New gear, vintage vibe. Best of both worlds maybe?
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- KVRian
- 1133 posts since 31 May, 2007
I know this will have been mentioned in this thread already but vintage is absolutely nailed now is software form ,it really has come that far ahead of itself and it baffles me that people are still chasing unpredictable vintage ‘dinosaurs’ when this equipment is EASILY covered by the likes of softube,UAD,Arturia and U-he
Each to their own but my advise for anybody after vintage gear would be to just keep your music budget on exactly what you need
Each to their own but my advise for anybody after vintage gear would be to just keep your music budget on exactly what you need
live 11 / Arturia collection / many Softube plug ins / thats it
- KVRAF
- 16136 posts since 13 Nov, 2012
An old, and possibly mistreated Korg 707.
- KVRAF
- 18510 posts since 26 Jun, 2006 from San Francisco Bay Area
Some people would rather not make music at all than use software. I’m definitely not one of those people, but they seem to be a loud bunch. Also, not all of the classics have been nailed, at least not as far as I’m concerned. No one’s done a good ARP 2600 yet, for some reason. Roland’s Jupiter 4 sounds good, but doesn’t capture the rich harmonic goodness of the VCA when overdriven. Etc. So, I imagine that the people who love those instruments wouldn’t be happy with the current software, even if they didn’t mind using software.damoog wrote: Sat Sep 16, 2023 11:11 am I know this will have been mentioned in this thread already but vintage is absolutely nailed now is software form ,it really has come that far ahead of itself and it baffles me that people are still chasing unpredictable vintage ‘dinosaurs’ when this equipment is EASILY covered by the likes of softube,UAD,Arturia and U-he
Each to their own but my advise for anybody after vintage gear would be to just keep your music budget on exactly what you need
Another aspect of wanting vintage is magic. Modern versions, as good as they can be, were not made in the time of magic. None were anointed by the great wizards of old, and even the last instruments made by those wizards happened at a time when their powers waned.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- addled muppet weed
- 111329 posts since 26 Jan, 2003 from through the looking glass
a lot of things are "over rated" unless, they happen to be your "thing".
none of them effect me though, in the sense that, if you want to spend several grand on an old synth, it doesn't make a difference in my day.
more so, if it makes "you" happy, then i can't see any reason against it. (barring the obvious like lack of funds and such) but someone owning a synth, doesn't hurt anyone (cept maybe neighbours
) and the way things are going, if you save the money to pass on to your kids, it will be taken by the government in taxes or be worthless due to inflation. spend it now!!!
none of them effect me though, in the sense that, if you want to spend several grand on an old synth, it doesn't make a difference in my day.
more so, if it makes "you" happy, then i can't see any reason against it. (barring the obvious like lack of funds and such) but someone owning a synth, doesn't hurt anyone (cept maybe neighbours
- KVRAF
- 16136 posts since 13 Nov, 2012
- KVRAF
- 20932 posts since 22 Nov, 2000 from Southern California
As a Chroma Polaris, Juno-106, and Andromeda owner, I’ll just say believe all the warnings you’ve heard. It’s not a matter of “if” things go wrong, it’s a matter of “when”.vurt wrote: Sat Sep 16, 2023 4:16 pm more so, if it makes "you" happy, then i can't see any reason against it.
