Logic Pro Mastering
- KVRAF
- 3374 posts since 28 Aug, 2012 from Melbourne, Australia
I ran the new Mastering over a Jam track and it improved it nicely:
Original mix:
https://drive.google.com/file/d/1RjDBjT ... share_link
Mastered Mix (Using the transparent setting):
https://drive.google.com/file/d/1hlLkCz ... share_link
Original mix:
https://drive.google.com/file/d/1RjDBjT ... share_link
Mastered Mix (Using the transparent setting):
https://drive.google.com/file/d/1hlLkCz ... share_link
Bandcamp
Music with progressive intent.
Music with progressive intent.
- KVRian
- 1166 posts since 20 Oct, 2023
The only difference i hear on phones (no EQ settings so I can hear the track unblemished) is the mastered mix is louder. If thats what you're aiming for than you got it done and that can be done with any DAW. As far as spacing, there's no difference between each file.
- KVRAF
- Topic Starter
- 3374 posts since 28 Aug, 2012 from Melbourne, Australia
I didn't really aim for anything, I was just seeing what it does. (Without any idea of what to expect).
I guess the "Transparent" setting makes things louder. It did make eq adjustments, maybe they are too subtle.
I guess the "Transparent" setting makes things louder. It did make eq adjustments, maybe they are too subtle.
Bandcamp
Music with progressive intent.
Music with progressive intent.
- KVRAF
- Topic Starter
- 3374 posts since 28 Aug, 2012 from Melbourne, Australia
I usually just mix my tracks and don't worry about mastering. This does include altering eq for each track. I'm not worried about any final mastering if it sounds good to me.
I was just trying it out to see what it does.
Thanks for your listen and input.
I was just trying it out to see what it does.
Thanks for your listen and input.
Bandcamp
Music with progressive intent.
Music with progressive intent.
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- KVRian
- 1424 posts since 7 Oct, 2023 from Tokyo
I just tested it against Ozone and the initial track analysis with the Logic assistant did a better job. Of course that doesn't mean much as you never really use the initial analysis, you always tweak it.
Ozone has a lot more features but considering this thing is free with Logic I would say it's really pretty good.
Ozone has a lot more features but considering this thing is free with Logic I would say it's really pretty good.
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- KVRian
- 1404 posts since 17 Oct, 2018
I've never liked the output of Ozone's AI mastering. It's always sounded way too harsh or overblown to me vs just doing it by hand. The Logic one sounded a little more natural in comparison and keeps the chain fairly minimal in comparison.stoopicus wrote: Sun Nov 12, 2023 12:10 am I just tested it against Ozone and the initial track analysis with the Logic assistant did a better job. Of course that doesn't mean much as you never really use the initial analysis, you always tweak it.
Ozone has a lot more features but considering this thing is free with Logic I would say it's really pretty good.
Studio One // Bitwig // Logic Pro // Ableton // Reason // FLStudio // MPC // Force // Maschine
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- KVRian
- 1424 posts since 7 Oct, 2023 from Tokyo
Yeah agreed, I've never used Ozone's without a lot of modifications to its suggestions. Same with Neutron. I love them both but they are not perfect at analyzing for sure. Apple's did a lot better IMO.
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- KVRAF
- 3408 posts since 26 Mar, 2002 from london
Having a quick look at this for the first time; they've really opted for minimal controls, it seems. Is there no option to smooth the curve? I can't see how notchy cuts and boosts is desirable in most circumstances, and presumably it's trying to level out the resonances of the main elements, kick and snare body etc., unless there's some clever AI that knows to not do this. But of course you can just use it as a guide and dial the general curve into a mastering EQ.
Every day takes figuring out all over again how to f#ckin’ live.