Nah! Only Burgermeister raw and spicy.
What r u not buying any more+?
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- KVRAF
- 8037 posts since 28 Dec, 2015 from Atlantis Island
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
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- addled muppet weed
- 111257 posts since 26 Jan, 2003 from through the looking glass
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- KVRist
- 290 posts since 13 Dec, 2016
Waves. I just had to wup Clarity for work after moving to Mac. Plus all the other messages letting me know that wup/second licenses for other plugins are now expired makes those pointless to use. Gonna stick with companies that at the very least let you have more than one license for more than a year.
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- KVRAF
- 2508 posts since 24 Jul, 2017
NI Maschine Expansions
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- KVRAF
- 2593 posts since 26 Jul, 2004
Kontakt soundlibs.
After all the libs I have bought, I found, that none of these offer really something, I can't do with the synths and sound shaping possibilities in my DAW.
Well, of course, that's just concerning my type of music.
After all I found also, that the sampled instruments are never as great and warm sounding as the original.
After all the libs I have bought, I found, that none of these offer really something, I can't do with the synths and sound shaping possibilities in my DAW.
Well, of course, that's just concerning my type of music.
After all I found also, that the sampled instruments are never as great and warm sounding as the original.
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- KVRAF
- 8072 posts since 9 Jan, 2003 from Saint Louis MO
Bones Coffee Electric Unicorn. Really the worst coffee I've ever had.
Also Imo's pizza. It's a plague on St. Louis.
Also Imo's pizza. It's a plague on St. Louis.
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- KVRAF
- 9064 posts since 1 Aug, 2003
- Xhun Audio
- Soundtheory (Gullfoss)
- Soundtheory (Gullfoss)
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- KVRAF
- 4720 posts since 26 Nov, 2015 from Way Downunder
Not buying saturators that don't oversample anymore. And not buying the gaslighting from people who say aliasing isn't a problem in digital audio and we're just imagining it.
And Waves - no more and never again.
And Waves - no more and never again.
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- KVRian
- 869 posts since 22 Jan, 2022
Not buying more software EQs, comps, saturators, verbs, delays, or DAWs. No more guitar amps/modelers, or analog outboard either
Things I would buy - better monitoring/treatment, maybe some Atmos related things, and some kind of novel FX or soft synth that either expands creativity or improves workflow.
Things I would buy - better monitoring/treatment, maybe some Atmos related things, and some kind of novel FX or soft synth that either expands creativity or improves workflow.
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- KVRAF
- 4080 posts since 27 Aug, 2004
I am not buying any compressors, delays, or eq's for sure. I'm not even downloading freebies of those things. Likely not any more reverbs although maybe IRs. Probably not much of anything else except upgrades.
Even if the piano player can't play, keep the party going.
http://www.soundclick.com/mumpcake
https://mumpfucious.wordpress.com/
http://www.soundclick.com/mumpcake
https://mumpfucious.wordpress.com/
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- KVRAF
- 11950 posts since 31 Aug, 2013 from Someplace else
Guitars. I have an abundance of nice guitars. If it was a poker hand, I'd stand pat with what I have, which I'm doing.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd
― Pink Floyd
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- KVRAF
- 5913 posts since 25 Jan, 2007
People can - and do - rage all day here about never buying Waves / IK / NI etc, but pretty much every developer now makes great high quality tools that will do anything any vageuly competant producer needs. KVR is usually dancing on the head of a pin to distinguish one from another aurally, and it almost invariably comes down to an emotional feeling that each person has with each developer depending on their own experience with them and how much they feel slighted and how much they need the world to know they feel slighted.
We need no more EQs, delays, reverbs, compressors or saturators in the world. We need no more synths, drums or sample libraries, not really. The market is wildly over-saturated. Compared to the practical limitations faced by any music-makers in generations before us, our aural problems are vanishingly small.
All the real problems are elsewhere, and they are structural music industry ones. With hundreds of thousands of new tracks released daily, getting heard is harder than ever before, and it's harder to make a career from it. Bands are almost a thing of the past, as there's too many people in a band to make economic sense (if you don't believe me, look at the charts and count how many new bands there are). The alchemy of making music, the fusion of different creative and business minds who improbably met at just the right time is almost lost. 4 people playing in a room has been replaced by 4 million playing in their own rooms.
99% of the posts here are therefore displacement activity. We tell ourselves that a new plugin or library will make the difference to us as artists, when with musicial and engineering skill you could make a hit record that technically sounds stellar with just free or stock DAW plugins. But you won't because the market precludes it. So you buy another plugin instead.
Can't wait for the new Spetcrasonics rhythm thing.
We need no more EQs, delays, reverbs, compressors or saturators in the world. We need no more synths, drums or sample libraries, not really. The market is wildly over-saturated. Compared to the practical limitations faced by any music-makers in generations before us, our aural problems are vanishingly small.
All the real problems are elsewhere, and they are structural music industry ones. With hundreds of thousands of new tracks released daily, getting heard is harder than ever before, and it's harder to make a career from it. Bands are almost a thing of the past, as there's too many people in a band to make economic sense (if you don't believe me, look at the charts and count how many new bands there are). The alchemy of making music, the fusion of different creative and business minds who improbably met at just the right time is almost lost. 4 people playing in a room has been replaced by 4 million playing in their own rooms.
99% of the posts here are therefore displacement activity. We tell ourselves that a new plugin or library will make the difference to us as artists, when with musicial and engineering skill you could make a hit record that technically sounds stellar with just free or stock DAW plugins. But you won't because the market precludes it. So you buy another plugin instead.
Can't wait for the new Spetcrasonics rhythm thing.
http://www.guyrowland.co.uk
http://www.sound-on-screen.com
W11, Ryzen 7900, 64gb RAM, RME Babyface, 1050ti, PT 2024 Ultimate, Cubase Pro 14
Macbook Air M2 OSX 10.15
http://www.sound-on-screen.com
W11, Ryzen 7900, 64gb RAM, RME Babyface, 1050ti, PT 2024 Ultimate, Cubase Pro 14
Macbook Air M2 OSX 10.15
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- KVRAF
- 20702 posts since 22 Nov, 2000 from Southern California
Personally, I wouldn't want to mix with only the stock plugins in the DAW's I use (Studio One, Maschine, Luna). However, I could easily mix with only Ozone and Lexicon 224, and nothing else.