![Wink ;)](./images/smilies/icon_wink.gif)
https://eassae.bandcamp.com/album/18-24-61-b-17-17-4
Codes: https://ccundefined.bandcamp.com/yum
uhdq-5k9p
xe46-by6n
j8c2-cf9j
fnhd-xp6k
mwec-j2t9
gj6c-yduz
yf34-bha6
![Image](https://eassae.com/img/groundhog-mail.jpg)
Mmmhh... is there a hidden code in the numbers? And what could it be?
That's absolutely true
Thank you very much Frantz for the thoughtful listen. The tracks don't really relate to the movie too much. All the titles are from supporting characters in some of my favorite movies from back in the day—pretty much at random. I hate titling songs. I guess all the characters are kind of antiestablishment. That's really the only link.Frantz wrote: ↑Tue Feb 13, 2024 5:11 am I've listened to the album a few times. It is very strong. It creates a dark, immersive sci-fi experience. It's a proper, cohesive album with consistently high quality music throughout. The tracks have a lot of energy and sonic inventiveness and never stay in the same place long enough to become dull. The occasional use of vocals fits very well.
I did see The Running Man once in the theater when it came out but that was a long time ago. Since my memory of the movie is dim, I'm not sure how strongly the album relates to it.
One reservation that I have is that I find it a bit of a fatiguing listen. It is not a loudness issue, the LUFs are fine. My guess is that there are a lot of spiky digital sounds that are often surrounded by silence. It's the "eardrum workout" issue mentioned previously. It's probably over sensitivity on my part.
Great job overall!
Thanks PatchAdamz!PatchAdamz wrote: ↑Fri Feb 23, 2024 9:10 pm Wow, very cool and entertaining.
Congratulations on the tasty release.![]()
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