Voxengo Shumovick should indeed do he Trick. @bmanic
As far as Noisefloor goes, most of the older 'Emulations' are in fact using Noiseloops, which is also pretty noticeable. So there is nothing really 'emulated' there, some of the newer ones are certainly more sophisticated though.
why would you use these functions on a drum bus? SATIN & Townhouse HISS/Asperity
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- KVRAF
- 3700 posts since 21 Nov, 2015
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev
https://linuxdaw.org
― Aleksey Vaneev
https://linuxdaw.org
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PointOfDeparture PointOfDeparture https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=58735
- KVRist
- 111 posts since 22 Feb, 2005
I like noise/distortion. I like using it many ways, but especially dynamically similar to what bmanic has mentioned. I use it, along with other effect plugins like tape, to re-create a nostalgic feel with my own compositions/loops so something will sound more like a sample ripped from vinyl. Using noise by itself, whatever the source may be, won't get me there, but in conjunction with other stuff gets me a result that satisfies my aesthetic. Obviously YMMV.
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- KVRAF
- 2719 posts since 2 Jul, 2010
Workflow-wise, if I want to mix a steady background noise this is best managed on a dedicated plugin or audio file with its own fader. I can't imagine who would find it more convenient to have this as some small knob on a random compressor or saturator that you inserted to do compression or saturation.