Drum and bass mixing
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- Banned
- 6 posts since 12 May, 2024
Can anyone share some techniques on how to separate drums and bass in DNB productions
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- KVRAF
- 3389 posts since 19 Mar, 2008 from germany
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- KVRer
- 8 posts since 21 May, 2024 from Australia
At the low frequencies use EQ filtering, i.e., reduce some of the bass frequencies that spill into the kick drum range, and vice versa.
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100percentWILF 100percentWILF https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=560743
- KVRer
- 5 posts since 16 Apr, 2022
Often these days I’ve been hi passing my kicks/breaks slightly more than usual, especially if the bass is fairly low mid heavy. Usually play it by ear and start hi pass at 120 hz (12db) and slowly move the cutoff down until I’m happy there’s enough low end in kick without it being unnecessary.
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- KVRer
- 6 posts since 25 Aug, 2024
I love sidechaining the kick to the bass, but there is another trick that works wonders for the snare. Whatever other melodies, or even the higher frequencies of the bass, try to sidechain the snare to those melodies too. Essentially, the kick is sidechained to the low frequencies, and the snare is to the higher frequencies, but remember to not make the snare stand out too hard. You don't need to fully duck the higher frequencies with the snare in the same way the kick and lower frequencies are.
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- KVRian
- 508 posts since 3 Dec, 2021
Dynamic eq or Soothe 2 type plugin to just duck the necessary frequencies. Also, if the kick and snare are mono, only apply the ducking to the mid channel, leave the sides untouched.
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- Banned
- 20 posts since 20 May, 2005
The best technique is to move the phase in the bass so that the barrel with the bass is not jammed. Well, or as they said above. Dynamic EQ. When the barrel beats, the bass muffles at that moment.
