ADPTR AUDIO Utopia is here
- KVRAF
- 8037 posts since 28 Dec, 2015 from Atlantis Island
ADPTR Audio Utopia
https://www.plugin-alliance.com/en/prod ... topia.html
OVERVIEW
The creators of the acclaimed Metric AB, ADPTR AUDIO have worked with Geraint Luff of Signalsmith Audio to bring you Utopia: Plugin Alliance's first ever spectral reverb. Go beyond conventional convolution reverbs and enter a realm of lush, evolving, cinematic soundscapes. Craft long, dense textures with unparalleled clarity and mystery.
Paint your sonic canvas with reverb
Utopia isn't just another reverb: it’s a powerful compositional and harmonic tool with a revolutionary spectral processing engine. Its unique algorithm meticulously tracks and transforms harmonic content in real time, offering a wealth of parameters and an unprecedented level of control.
Reverb reimagined
Sculpt focus, density, and intricate harmonic details to conjure unique, highly textured spatial effects – from ethereal choirs to dystopian sonic feverdreams. Utopia is made for ambient producers and composers looking to discover new soundscapes, and producers seeking to redefine how space is perceived.
Unprecedented control with real-time spectral processing
Utopia's spectral approach unlocks a new dimension for reverb tail transformation. Its spectral algorithm dynamically dampens only the harmonic content that clashes, preserving clarity as new sounds enter, without sacrificing sustain. The result is dense, more sonically complex reverbs with an otherworldly sense of depth and clarity.
Powerful, innovative, harmonic tools
Isolate, shape, and manipulate the fabric of harmonic content; Sculpt a new sense of space with Utopia's groundbreaking controls: Focus strips back your sound to its pure harmonic essence; Atmosphere subtly enhance details and grain or smooth out transients for a lusher tone; Spectral Blocks control harmonic resonance - longer blocks add harmonically rich sounds with slower blooms, shorter blocks give snappier more angular responses.
Made for experimentation
Utopia combines a new level of control with an intuitive interface and a whole host of presets for engaging experimentation. Use the color section to effortlessly transition from flat to colored reverb responses. This single, smooth control affects decay, spectral characteristics, and post EQ. Then mold the onset and initial decay of the reverb with the Shape section. Each shape preset offers a unique configuration for swells, fades, and sustain.
Automate and innovate
Utopia includes advanced controls for automation and synchronization to unlock the rhythmic potential of Utopia across the stereo field: There’s a Volume Shaper with Ducking, Gating, and Pumping modes that’s fully editable and syncable to tempo or sidechain; a Buffer Reset to instantly reset the audio buffer with BPM-synced MIDI triggers or manual control via a MIDI-automatable button, and a Weight Send Control for post-fade send automation and inserts effects.
FEATURES
Revolutionary spectral reverb engine
Intelligent harmonic dampening for clearer more complex reverb tails
Intuitive visual interface for dynamic real-time harmonic transformation
Focus, Atmosphere and Spectral Blocks harmonic enhancement controls
Color tone section with curated presets of otherworldly spectral options
Re-engineered Detune and Shimmer
Volume shaper with three modes: Duck, Gate, and Pump.
Advanced automation and synchronization options
https://www.plugin-alliance.com/en/prod ... topia.html
OVERVIEW
The creators of the acclaimed Metric AB, ADPTR AUDIO have worked with Geraint Luff of Signalsmith Audio to bring you Utopia: Plugin Alliance's first ever spectral reverb. Go beyond conventional convolution reverbs and enter a realm of lush, evolving, cinematic soundscapes. Craft long, dense textures with unparalleled clarity and mystery.
Paint your sonic canvas with reverb
Utopia isn't just another reverb: it’s a powerful compositional and harmonic tool with a revolutionary spectral processing engine. Its unique algorithm meticulously tracks and transforms harmonic content in real time, offering a wealth of parameters and an unprecedented level of control.
Reverb reimagined
Sculpt focus, density, and intricate harmonic details to conjure unique, highly textured spatial effects – from ethereal choirs to dystopian sonic feverdreams. Utopia is made for ambient producers and composers looking to discover new soundscapes, and producers seeking to redefine how space is perceived.
Unprecedented control with real-time spectral processing
Utopia's spectral approach unlocks a new dimension for reverb tail transformation. Its spectral algorithm dynamically dampens only the harmonic content that clashes, preserving clarity as new sounds enter, without sacrificing sustain. The result is dense, more sonically complex reverbs with an otherworldly sense of depth and clarity.
Powerful, innovative, harmonic tools
Isolate, shape, and manipulate the fabric of harmonic content; Sculpt a new sense of space with Utopia's groundbreaking controls: Focus strips back your sound to its pure harmonic essence; Atmosphere subtly enhance details and grain or smooth out transients for a lusher tone; Spectral Blocks control harmonic resonance - longer blocks add harmonically rich sounds with slower blooms, shorter blocks give snappier more angular responses.
Made for experimentation
Utopia combines a new level of control with an intuitive interface and a whole host of presets for engaging experimentation. Use the color section to effortlessly transition from flat to colored reverb responses. This single, smooth control affects decay, spectral characteristics, and post EQ. Then mold the onset and initial decay of the reverb with the Shape section. Each shape preset offers a unique configuration for swells, fades, and sustain.
Automate and innovate
Utopia includes advanced controls for automation and synchronization to unlock the rhythmic potential of Utopia across the stereo field: There’s a Volume Shaper with Ducking, Gating, and Pumping modes that’s fully editable and syncable to tempo or sidechain; a Buffer Reset to instantly reset the audio buffer with BPM-synced MIDI triggers or manual control via a MIDI-automatable button, and a Weight Send Control for post-fade send automation and inserts effects.
FEATURES
Revolutionary spectral reverb engine
Intelligent harmonic dampening for clearer more complex reverb tails
Intuitive visual interface for dynamic real-time harmonic transformation
Focus, Atmosphere and Spectral Blocks harmonic enhancement controls
Color tone section with curated presets of otherworldly spectral options
Re-engineered Detune and Shimmer
Volume shaper with three modes: Duck, Gate, and Pump.
Advanced automation and synchronization options
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
- KVRAF
- Topic Starter
- 8037 posts since 28 Dec, 2015 from Atlantis Island
Seems to be similar to Zynaptiq Adaptiverb.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
- KVRAF
- Topic Starter
- 8037 posts since 28 Dec, 2015 from Atlantis Island
Loyalty price for me: 49 USD
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
-
- KVRAF
- 1945 posts since 25 Feb, 2005
Lovely sound and some well thought out additions like gating and pumping included.
Mac Studio M4
15.7.3
Cubase 15, Ableton Live 12
15.7.3
Cubase 15, Ableton Live 12
-
- KVRAF
- 1901 posts since 8 Jan, 2022
This is really lovely.
As someone said it's a little like Adaptiverb. Although Adaptiverb leans more heavily into the tuned reverb part.
It's very unconventional in a reverb sense. More like a granular cloud effect than a traditional reverb but in the best way possible.
THe level of control is really impressive. I like how you can trigger the volume effect envelope (pump, gate and duck) either via bpm, midi, sidechain or input volume level. These things also work when you freeze the reverb.
The buffer reset is also cool. THis allows you to reset the buffer again by midi, bpm or manually. What's interesting is that it allows you to incrementally clear the buffer by a percentage as opposed to just on and off.
You can get some really weird eerie sounds with spectral blocks settings really low and adjusting other controls
Very very cool.
As someone said it's a little like Adaptiverb. Although Adaptiverb leans more heavily into the tuned reverb part.
It's very unconventional in a reverb sense. More like a granular cloud effect than a traditional reverb but in the best way possible.
THe level of control is really impressive. I like how you can trigger the volume effect envelope (pump, gate and duck) either via bpm, midi, sidechain or input volume level. These things also work when you freeze the reverb.
The buffer reset is also cool. THis allows you to reset the buffer again by midi, bpm or manually. What's interesting is that it allows you to incrementally clear the buffer by a percentage as opposed to just on and off.
You can get some really weird eerie sounds with spectral blocks settings really low and adjusting other controls
Very very cool.
-
- KVRist
- 128 posts since 5 Jul, 2018 from Cambridge, UK
Yeah - at one point during development Marc (ADPTR) and I threw around some other labels than just "reverb". But in the end, calling it "spatial ambience synthesis" or whatever didn't feel very helpful, and we're fine with it just being an unconventional reverb. 😄kraster wrote: Thu Apr 24, 2025 2:30 pm It's very unconventional in a reverb sense. More like a granular cloud effect than a traditional reverb but in the best way possible.
This was one of those good back-and-forth things you get in a partnership. 😄kraster wrote: Thu Apr 24, 2025 2:30 pm The buffer reset is also cool. THis allows you to reset the buffer again by midi, bpm or manually. What's interesting is that it allows you to incrementally clear the buffer by a percentage as opposed to just on and off.
My first prototype had something similar, which (because the piano is my main instrument) was linked to lifting the sustain pedal, since I naturally did that when changing chords. As I iterated the algorithm, that slowly got replaced by Auto Clear, which works completely differently, but could treat different frequencies separately and also worked without the sustain pedal.
Then two months before release (after 3-5 years of product dev), Marc asked for a manually-triggered clear again, and I realised doing partial buffer resets could be fun and fit in well with the dynamics-envelope stuff, and now it's one of the funkier features.
Last edited by signalsmith on Sat Apr 26, 2025 6:13 pm, edited 1 time in total.
-
- KVRist
- 478 posts since 20 Mar, 2024
How long did this pricing last? I am away so can't try it for a few weeks
-
- KVRian
- 1148 posts since 21 Nov, 2005
I've been using GRM Evolution for similar effects but this is really well featured and doesn't require additional ducking and eqing. Think it's probably going to be the first new release from PA I'll be picking up without waiting for it to join the $29 crew.
Also, thanks to the team for coming up with a genuinely innovative plugin that's got a host of obvious use cases - often get one without the other, getting both is a rarity
Also, thanks to the team for coming up with a genuinely innovative plugin that's got a host of obvious use cases - often get one without the other, getting both is a rarity
- KVRAF
- Topic Starter
- 8037 posts since 28 Dec, 2015 from Atlantis Island
All the ADTPR Audio stuff has been excluded from the cheap selling prices recently.
Looks like to be reasonable to buy right now.
Looks like to be reasonable to buy right now.
https://sonograyn.bandcamp.com/music Experimental Ambient
https://martinjuenke.bandcamp.com/music Alternative Instrumental
https://martinjuenke.bandcamp.com/music Alternative Instrumental
-
- KVRAF
- 1901 posts since 8 Jan, 2022
I'd say that's a bit of a conundrum since when people see the word "reverb" they automatically roll their eyes. It's a bit of a running joke here.signalsmith wrote: Thu Apr 24, 2025 5:58 pm
Yeah - at one point during development Marc (ADPTR) and I threw around some other labels than just "reverb". But in the end, calling it "spatial ambience synthesis" or whatever didn't feel very helpful, and we're fine with it just being an unconventional reverb.
But I can understand that something like "spatial ambient synthesis" sounds a little too vague and come across as being a little pretentious/serious and people will probably go "it's just a reverb" anyway!
That being said, what's really impressing me is how you can take it into really uncoventional territory where the word reverb really doesn't convey what it's doing.
I'm getting some really creepy sounds with the blocks setting really low and adjusting the other parameters. And with the various eqing options you can easily tame it if it gets too annoying. Very very cool.
It's a really cool feature. Unfiltered Audio tried some automated buffer swapping thing with Tails and I found it never really worked properly and ended up too unpredictable for my taste. But kudos to them for trying something new.
This was one of those good back-and-forth things you get in a partnership.
My first prototype had something similar, which (because the piano is my main instrument) was linked to lifting the sustain pedal, since I naturally did that when changing chords. As I iterated the algorithm, that slowly got replaced by Auto Clear, which works completely differently, but could treat different frequencies separately and also worked without the sustain pedal.
Then two months before release (after 3-5 years of product dev), my partner asked for a manually-triggered clear again, and I realised doing partial buffer resets could be fun and fit in well with the dynamics-envelope stuff, and now it's one of the funkier features.
I really like the partial clear aspect of it. It makes it way more usable imho.
Really excellent work. I'm having a ton of fun with it.
- KVRian
- 1499 posts since 7 Jun, 2021
that were some quite intriguing videos.
for that price ?...a nobrainer for me.
That´s a nice feature set. very useful for creative work.
i had just a very short play with it. Only with some presets. But i immediately CC map some things out.
What i saw is: the Send/Mix parameter lacks some adjustment "finetune-feel" vs. its linearity.
i load my plugins within GigPerformer.
there i can compensate and adjust my CC curvatures.
but this one is even with a heavily adjusted curvature not exactly very subtle to adjust vs. very low Send/mix levels
i add a screenshot. That´s the adjusted curvature i had to setup in GP.
and that´s still not exactly subtle enough on the first few % of adding the Reverb
( to notes, in the very begin, left, i have a small plateaux. That´s normally by intention. cause i also bypass the plugin when the mix control reaches -close to- full CCW / creating a morph to do that....the advantages of dealing with GP (gigperrformer)
)
other folks won´t have such a curvature adjustment feature.
I´d have a 2nd look at the linearity/non-lineatity of sayed Send/mix conttol if i were you.
and it would be much welcome ofcoarse also for me.
i´ll have to rework that curvature now to make it even more subtle.
There, such flat, these edits are nolongre easy to achive. Thats seldom that i have to create such a extremly flat curve. it will look even way more flat after some more work.
Again: others wont have these tools. DAWs don´t.
it would make the plugin more "jamable".
the sounds i saw in the presets are asking for a extremly fine control over sayed mix parameter, IMHO.
for that price ?...a nobrainer for me.
That´s a nice feature set. very useful for creative work.
So, you´re a dev ?signalsmith wrote: Thu Apr 24, 2025 5:58 pm Yeah - at one point during development Marc (ADPTR) and I threw around some other .....
i had just a very short play with it. Only with some presets. But i immediately CC map some things out.
What i saw is: the Send/Mix parameter lacks some adjustment "finetune-feel" vs. its linearity.
i load my plugins within GigPerformer.
there i can compensate and adjust my CC curvatures.
but this one is even with a heavily adjusted curvature not exactly very subtle to adjust vs. very low Send/mix levels
i add a screenshot. That´s the adjusted curvature i had to setup in GP.
and that´s still not exactly subtle enough on the first few % of adding the Reverb
( to notes, in the very begin, left, i have a small plateaux. That´s normally by intention. cause i also bypass the plugin when the mix control reaches -close to- full CCW / creating a morph to do that....the advantages of dealing with GP (gigperrformer)
other folks won´t have such a curvature adjustment feature.
I´d have a 2nd look at the linearity/non-lineatity of sayed Send/mix conttol if i were you.
and it would be much welcome ofcoarse also for me.
i´ll have to rework that curvature now to make it even more subtle.
There, such flat, these edits are nolongre easy to achive. Thats seldom that i have to create such a extremly flat curve. it will look even way more flat after some more work.
Again: others wont have these tools. DAWs don´t.
it would make the plugin more "jamable".
the sounds i saw in the presets are asking for a extremly fine control over sayed mix parameter, IMHO.
You do not have the required permissions to view the files attached to this post.
"Plugin has turned Drug now"....and the business knows it.
- KVRAF
- 2628 posts since 16 May, 2004 from Soviet Union
Adaptiverb can save freezed buffer (and playing it), what his most tasty feature imo.
Utopia can't (?). (what seems strange however, since speak going about spectral nature, where usually should be most easy to preserve footprint).
But in general, i liked reverb (especially yes at short spectral values, something fun).
For 50 would grab.
-
- KVRAF
- 5914 posts since 25 Jan, 2007
This looks / sounds terrific. Can any users comment on the CPU / latency hit?
http://www.guyrowland.co.uk
http://www.sound-on-screen.com
W11, Ryzen 7900, 64gb RAM, RME Babyface, 1050ti, PT 2024 Ultimate, Cubase Pro 14
Macbook Air M2 OSX 10.15
http://www.sound-on-screen.com
W11, Ryzen 7900, 64gb RAM, RME Babyface, 1050ti, PT 2024 Ultimate, Cubase Pro 14
Macbook Air M2 OSX 10.15
-
- KVRian
- 1148 posts since 21 Nov, 2005
Showing as zero latency in Live, no huge cpu hit I noticednoiseboyuk wrote: Fri Apr 25, 2025 5:34 am This looks / sounds terrific. Can any users comment on the CPU / latency hit?
