Sure, manufacturers iterate, but Sequential seems to do it to a greater degree. They're like a Mexican restaurant with 4 types of meat, beans, rice and two types of tortillas, and they just reconfigure those ingredients in somewhat different ways.lfm wrote: Wed Sep 24, 2025 12:20 pmIs that fair?zerocrossing wrote: Tue Sep 23, 2025 10:38 pm Sequential releases a synth that's a slight variation of a design that they've used over and over again since the 1970s?! Who saw that coming?
Isn't that the case with every synth manufacturer?
The '08/REV2 is basically a slightly reconfigured Oberheim Matrix 6. Add digital oscillators to it and you get an Evolver. Make it a mono and you get a MoPho. Add samples and a sequencer to it and call it a Tempest.I think Dave Smith did evolve deeper and deeper
- Prophet 8 and later REV2 of that an absolute master piece in what it offers
- I only have a REV2 left these days, but really worried over the poor pots quality
- really much headroom in REV2 to have plenty fun for years more
Very? Isn't the Prophet X a Prophet 12 with a sample engine tacked on?Prophet X is a very different thing too.
Sure, Roland is guilty of this as well, though historically, less so. I don't own any Roland hardware for this exact reason.Compare with Roland where just about everything is called Jupiter something but all digital these days and few common nominators with what made Jupiter famous, really.
- most of it just layering things more, not much innovation.
- never found a Roland that was fun to explore
- purchase libraries most of it, like JV series, not making own sounds so much
- JDXa was 4 analog voices together with rest digital, maybe innovative a bit
I've not heard a Nord that seemed interesting since my 2x, which was easily replaced with software, so you can put them on the pile as well.Nordleads were very early in sofisticated modulations on velocity and really good quality VA synths already 20 years ago. Then they released Nordlead A1 which was new approach in many ways. Never owned one though.
Korg is quite good in this respect. They don't always hit for me, but I admire that they are doing things like selling ARP 2600 clones at the same time they're selling there 'logues and the new digital synths like the OPSix.Korg did quite a few innovations like with Prologue, MiniLogue och MonoLogue with user oscillators to combine if you wanted.
There's no harm in any of it, but it's just a bit disheartening to see manufacturers churning out the same instruments over and over again, calling slight variations or recombination of features a new instrument. Don't get me wrong, I love my Prophet 6 and 12, and they're going nowhere, but I feel like they're behaving like car companies and just releasing the same car year after year with slight updates. To get something interesting I have to turn to software. Oh well.I see no harm if Sequential Fourm is matching Behringer price tag on a new synth.
- will reel some new owners in, I think, maybe nothing new for everybody.
- more useful to make 4 voice chords than the range of mono synths they have
- Take5 was a good move probably too, save costs with digital amp section