Way too many plugins and choices - Need advice to fight GAS/Huge plugin folder
-
- KVRist
- 215 posts since 5 Jun, 2002 from corpus christi tx
Most of the stuff that I am missing is the stuff that hasn't been written yet .... been wanting to go off grid maybe a solar panel and figure out a way to get rid of all those little boxes on my drum sequencers.. thought I saw an inexpensive bundle with a drum plugin that I would get just to support programming
-
- KVRian
- 829 posts since 7 Oct, 2005
Does Notion have a piano roll? Can it load VST3 and VST2, esp. old ones 32 bits?TechHaus wrote: Wed Dec 10, 2025 7:35 pmI have a Notion database with all of my plugins (and some that I don't have, that I am researching).Zeisner wrote: Wed Dec 10, 2025 2:10 pm Using a spreadsheet helped me a lot to reduce the amount of plugins, especially combined with benchmarks (CPU/RAM/disk usage, aliasing, architecture etc). If two plugins are basically the same but one needs more resources or has higher aliasing it's easy to decide which one has to go. I also dropped all plugins with bad GUIs (Menus with submenus, impractical controller layout etc) and everything overcomplicated like modular synths/effects which takes too much time to program (and only features mediocre built-in effects in many cases). All "vintage" and "signature" plugins had to go as well (because what's the point of a Pultec clone if you can replicate the Pultec trick with an ordinary parametric EQ anyway). A project I'm also working on is making SoundFonts out of romplers which has a lot of advantages aside from shortening the plugin list.
Planning is important. Sit down without your DAW and think about your optimal workflow environment. Then drop everything that doesn't fit.
I drop my license info in there, my own notes, any links and quotes from threads worth remembering, any Youtube videos that are relevant or helpful, download links, installation notes, etc.
Beyond plugin category / types, I also have checkboxes for plugins that I keep on my desktop or laptop, and also a checkbox called "A-list" which are my most important plugins to reinstall if I want to get a system up and running quickly.
When I started making this database few years ago, I didn't know if it would be worth it, but I am almost always thankful I do a project like this afterwards.
You can embed the databases anywhere in Notion and pick how you want to view it and filter what you want to view, so I have separate category pages set up for like Reverb, Delay, Synths, Samplers, Compressors, etc. etc. etc.
When GAS hits, there are lots of ways to talk myself out of something new with this setup. And it is also helpful to identify the gaps in my setup, like right now I need some toneboosters mix plugins. But not from GAS, just from knowing my actual needs.
Or may be it is possible to load Notion as a VST?
P. S. When do you find time to make music?
- KVRAF
- 5382 posts since 25 Jan, 2014 from The End of The World as We Knowit
Gear Acquisition Syndrome is so amateur.Zeisner wrote: Wed Dec 10, 2025 2:10 pmAnd it is also helpful to identify the gaps in my setup, like right now I need some toneboosters mix plugins. But not from GAS, just from knowing my actual needs.
Let’s go pro with Gap Analysis Solutions!
F E E D
Y O U R
F L O W
Y O U R
F L O W
- KVRAF
- 3821 posts since 20 Apr, 2005
Choose the tools that help you get the sound you are after.
Not sure what the obsession with being fast is. I'm not sure it leads to better music. Though setting up so you don't have blockers in the creation zone is also good.
Not sure what the obsession with being fast is. I'm not sure it leads to better music. Though setting up so you don't have blockers in the creation zone is also good.
-
- KVRist
- 72 posts since 20 Sep, 2002
A few years back, I was checking out some new shiny plug-in (which turned out to be a total disappointment) when I suddenly realized I was becoming a “plug-in curator.”
I’ll be honest — I didn’t like that thought. I could see immediately how it was a huge distraction. A fun distraction, sure… but still a distraction. I don’t want to be a plug-in curator. If other people enjoy that, fair enough. But I don’t want to have an opinion on every plug-in ever released after two or three hours of testing, confusion, and frustration. That’s not what drew me into the world of making music in the first place.
Since that day, I’ve had a slight awakening. I stopped seeing plug-ins as toys the little boy in me wants to explore, and started seeing them as replacements for hardware in the production process. (I know — very traditional, right?)
Nowadays, when I’m considering buying a plug-in, I imagine building out a world-class hardware studio. No mediocre stuff, no unused dusty units probed up against the wall. I only add something if it fills a real role in that imaginary studio (tape machine, delay, compressors, etc.). I pick my favorite — and yes, I mean my personal, subjective favorite — and I commit to it like it’s a physical unit… at least until it “falls apart.”
That attitude changed a lot of my buying habits.I became far less interested in most plug-in releases, and noticed there are only a handful of developers consistently making the kind of quality I’d want to use for years, like real hardware.
Granted, those are usually the more expensive ones — but come on… don’t tell me the $29 Juno emulation sounds the same as the Softube one. So yeah, I stopped wasting money on piles of cheaper plug-ins and started picking just one.
Same with plug-ins I already owned, I chose the Mini emulation that genuinely spoke to me and archived the other five. I mean… if this was hardware, what kind of studio has six Mini Moogs? A repair shop, storeroom or a showroom? Not a musician's cozy lil studio.
So this “where would it fit if it was hardware?” idea (silly as it may sound) has helped me visualize what I actually need /want— versus what’s just virtual junk cluttering up my studio.
And yeah, I still demo new plug-ins occasionally, but I rarely feel GAS the way I used to. Last Black Friday I bought zero new plug-ins… even though I was *very* tempted by PSP VintageWarmer — you know, just to have it in the curator’s collection.
I’ll be honest — I didn’t like that thought. I could see immediately how it was a huge distraction. A fun distraction, sure… but still a distraction. I don’t want to be a plug-in curator. If other people enjoy that, fair enough. But I don’t want to have an opinion on every plug-in ever released after two or three hours of testing, confusion, and frustration. That’s not what drew me into the world of making music in the first place.
Since that day, I’ve had a slight awakening. I stopped seeing plug-ins as toys the little boy in me wants to explore, and started seeing them as replacements for hardware in the production process. (I know — very traditional, right?)
Nowadays, when I’m considering buying a plug-in, I imagine building out a world-class hardware studio. No mediocre stuff, no unused dusty units probed up against the wall. I only add something if it fills a real role in that imaginary studio (tape machine, delay, compressors, etc.). I pick my favorite — and yes, I mean my personal, subjective favorite — and I commit to it like it’s a physical unit… at least until it “falls apart.”
That attitude changed a lot of my buying habits.I became far less interested in most plug-in releases, and noticed there are only a handful of developers consistently making the kind of quality I’d want to use for years, like real hardware.
Granted, those are usually the more expensive ones — but come on… don’t tell me the $29 Juno emulation sounds the same as the Softube one. So yeah, I stopped wasting money on piles of cheaper plug-ins and started picking just one.
Same with plug-ins I already owned, I chose the Mini emulation that genuinely spoke to me and archived the other five. I mean… if this was hardware, what kind of studio has six Mini Moogs? A repair shop, storeroom or a showroom? Not a musician's cozy lil studio.
So this “where would it fit if it was hardware?” idea (silly as it may sound) has helped me visualize what I actually need /want— versus what’s just virtual junk cluttering up my studio.
And yeah, I still demo new plug-ins occasionally, but I rarely feel GAS the way I used to. Last Black Friday I bought zero new plug-ins… even though I was *very* tempted by PSP VintageWarmer — you know, just to have it in the curator’s collection.
Your Advert Here!!!
-
- KVRist
- 148 posts since 21 Nov, 2008
Here is my solution (own personal solution):
Get one solid DAW (Ableton Live)
Get one solid FX plugins bundle (UA ultimate bundle)
Get one solid Instrument plugins bundle (NI komplete)
+
Cet one solid app for ipad if you use it (Korg Gadget)
then get done with GAS
Get one solid DAW (Ableton Live)
Get one solid FX plugins bundle (UA ultimate bundle)
Get one solid Instrument plugins bundle (NI komplete)
+
Cet one solid app for ipad if you use it (Korg Gadget)
then get done with GAS
Win 11, UAD Octo satellite usb, Yamaha AG06 mk2, IK multimedia iLoud MTM x2, Ableton Live 12, Push 2, Reason 12, NI Komplete.
- KVRAF
- 7675 posts since 2 Sep, 2019
If you are still hanging on to 32-bit VST2 plugins in 2025, you may have a hoarding disorder, which is far more concerning than GAS.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 5382 posts since 25 Jan, 2014 from The End of The World as We Knowit
I am also still hanging on to a few, enjoying that legacy disorder, and warmly welcome your concern from afar
F E E D
Y O U R
F L O W
Y O U R
F L O W
-
- KVRian
- 512 posts since 18 May, 2020
It's ok, bro. I understand what you are going through.lobanov wrote: Tue Dec 16, 2025 12:15 amDoes Notion have a piano roll? Can it load VST3 and VST2, esp. old ones 32 bits?TechHaus wrote: Wed Dec 10, 2025 7:35 pmI have a Notion database with all of my plugins (and some that I don't have, that I am researching).Zeisner wrote: Wed Dec 10, 2025 2:10 pm Using a spreadsheet helped me a lot to reduce the amount of plugins, especially combined with benchmarks (CPU/RAM/disk usage, aliasing, architecture etc). If two plugins are basically the same but one needs more resources or has higher aliasing it's easy to decide which one has to go. I also dropped all plugins with bad GUIs (Menus with submenus, impractical controller layout etc) and everything overcomplicated like modular synths/effects which takes too much time to program (and only features mediocre built-in effects in many cases). All "vintage" and "signature" plugins had to go as well (because what's the point of a Pultec clone if you can replicate the Pultec trick with an ordinary parametric EQ anyway). A project I'm also working on is making SoundFonts out of romplers which has a lot of advantages aside from shortening the plugin list.
Planning is important. Sit down without your DAW and think about your optimal workflow environment. Then drop everything that doesn't fit.
I drop my license info in there, my own notes, any links and quotes from threads worth remembering, any Youtube videos that are relevant or helpful, download links, installation notes, etc.
Beyond plugin category / types, I also have checkboxes for plugins that I keep on my desktop or laptop, and also a checkbox called "A-list" which are my most important plugins to reinstall if I want to get a system up and running quickly.
When I started making this database few years ago, I didn't know if it would be worth it, but I am almost always thankful I do a project like this afterwards.
You can embed the databases anywhere in Notion and pick how you want to view it and filter what you want to view, so I have separate category pages set up for like Reverb, Delay, Synths, Samplers, Compressors, etc. etc. etc.
When GAS hits, there are lots of ways to talk myself out of something new with this setup. And it is also helpful to identify the gaps in my setup, like right now I need some toneboosters mix plugins. But not from GAS, just from knowing my actual needs.
Or may be it is possible to load Notion as a VST?
P. S. When do you find time to make music?
REAPER + Davinci Resolve Pro on Manjaro KDE. Neve 88m. Focusrite 18i20 2nd gen. Neumann NDH30 headphones. Mics: Telefunken TF39, AT4050, Miktek C7e, EV RE-15. VSTs: u-he Hive 2, F'em, Renoise Redux, Apisonic Speedrum 2.
-
- KVRian
- 1158 posts since 2 Oct, 2021
I like your humor dude!Michael L wrote: Tue Dec 16, 2025 3:12 amGear Acquisition Syndrome is so amateur.Zeisner wrote: Wed Dec 10, 2025 2:10 pmAnd it is also helpful to identify the gaps in my setup, like right now I need some toneboosters mix plugins. But not from GAS, just from knowing my actual needs.
Let’s go pro with Gap Analysis Solutions!
![]()
ABX is enemy to GAS
- KVRAF
- 3688 posts since 21 Nov, 2015
Most people just buying more things, to not feel so sad. 
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev
https://linuxdaw.org
― Aleksey Vaneev
https://linuxdaw.org
- KVRAF
- 5382 posts since 25 Jan, 2014 from The End of The World as We Knowit
So, to feel Marie Kondo's "Life-Changing Magic of Tidying Up" your huge plugin folder, don't buy more things but just:
. .
I might even try it myself, one day.
You do not have the required permissions to view the files attached to this post.
F E E D
Y O U R
F L O W
Y O U R
F L O W
- KVRAF
- 3688 posts since 21 Nov, 2015
I really hope you didnt just want to hurt my feelings with your comment.
You can be creative in any right place on Earth, and not only in the wealthiest cities. Bring the world feelings from everywhere, and not only feelings of capitalistic or jail environment.
― Aleksey Vaneev
https://linuxdaw.org
― Aleksey Vaneev
https://linuxdaw.org
