Producer's heaven - 60 000 presets
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- 2441 posts since 19 Sep, 2017 from The Future
60 000 presets for Sylenth1 & Synthmaster.
Download Synthmaster One until it's free and use 29 000 presets of Evolution for it,there is unique sounds in that pack.
Demo sound for Sylenth1,SM1 and SM3 from Preview.
https://payhip.com/b/14yH2
Evolution for Synthamster 1/2/3:
https://payhip.com/b/aUnNC
Download Synthmaster One until it's free and use 29 000 presets of Evolution for it,there is unique sounds in that pack.
Demo sound for Sylenth1,SM1 and SM3 from Preview.
https://payhip.com/b/14yH2
Evolution for Synthamster 1/2/3:
https://payhip.com/b/aUnNC
- KVRAF
- 9563 posts since 6 Jan, 2017 from Outer Space
Sounds more like a producers nightmare!
Imagine wading through 60000 presets would even take more time to learn a synth in and out…
If you listen to all, you stop being a producer, you became a “I have more presets than you” guy.
Imagine wading through 60000 presets would even take more time to learn a synth in and out…
If you listen to all, you stop being a producer, you became a “I have more presets than you” guy.
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- KVRAF
- 2064 posts since 13 Dec, 2016
Agreed. No serious producer auditions, categorizes and internalizes even 5% of that. Presets are tools, not Pokémon.
Past a certain scale, they slow decision-making, kill focus and replace learning with browsing.
Good sound designers sell intent, cohesion, constraint and not raw numbers. This is preset hoarding dressed up as productivity.
Instead of dumping 60,000 presets, sit down, critically select the absolute best ones and turn that into a focused pack of 50–100 truly great sounds.
Everything else is just noise.
Past a certain scale, they slow decision-making, kill focus and replace learning with browsing.
Good sound designers sell intent, cohesion, constraint and not raw numbers. This is preset hoarding dressed up as productivity.
Instead of dumping 60,000 presets, sit down, critically select the absolute best ones and turn that into a focused pack of 50–100 truly great sounds.
Everything else is just noise.
Its over for Bitwig--CUBASE WON !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2441 posts since 19 Sep, 2017 from The Future
Are you saying,that it is very bad choice to have over 1000 flamenco like guitars,which are available only in this set and nowhere else?Tj Shredder wrote: Sat Dec 20, 2025 7:30 am Sounds more like a producers nightmare!
Imagine wading through 60000 presets would even take more time to learn a synth in and out…
If you listen to all, you stop being a producer, you became a “I have more presets than you” guy.
Or thousands of arps,basses,keys,pads so on,some of which are absolutely unique as sound and add to your mix unique vibe...?
How difficult can be just to write 'guitar' or 'pad' in the browser and to choose best for your project???
Usually ,in a normal 100 presets pack, only 10% are directly usable for a specific mix needs(unless you know how to adjust other 90% to your mix),so you could (probably) produce countless number of songs,usig same 10 presets and your crowd will be happy every time listening songs,made with same 10 presets …!?
Or you could buy like 100 pack x 100 presets x 25-30 eu/us = 2000-3000 eu/us, instead once 19,49 eu for countless of presets...I don't know, these days I have hard time to understand the math...???
I think it's opposite - IT IS BETTER TO HAVE MORE PRESETS - but who am i to disagree
I made this set mostly for my own usage,so to have a fast access to all I made,so your assumptions are totlly wrong,it is super easy to navigate any group of intruments via Synthmaster browser...
Sylenth1 could be even more easy to find anything specific,so I made a mix of 45 banks - some are only pads,plucks,basses,aprs,so on,other are mixed with a lot of diverse sound,so the randomization to be inspirational...
Last 7-8 years i recieve a lot of feedback messeges from trilled users,will mention just one 'i have many different soundsets,but your is heavy weight'...so i guess users are happy
I needed to have it all in one place as easy list for my producer label needs,did't have intention to sell it at first - many presets are used in upcoming tracks,so if
i can use it easy in my production,probably other producers will find it easy to navigate and use as well.
Cheers
Last edited by VELLTONE MUSIC on Sun Dec 21, 2025 5:22 am, edited 1 time in total.
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2441 posts since 19 Sep, 2017 from The Future
Every Sound designer claim that he sell the 100 best presets ever made...i do the opposite - these are not 60 000 best presets in the world,but among them you gonna find absolutely unique sound ,ordinary users can't made themselfs,even can't imagine such sound exist,so browsing is not a waste of time, but the only way to find right sound and inspirationenCiphered wrote: Sat Dec 20, 2025 8:03 am Agreed. No serious producer auditions, categorizes and internalizes even 5% of that. Presets are tools, not Pokémon.
Past a certain scale, they slow decision-making, kill focus and replace learning with browsing.
Good sound designers sell intent, cohesion, constraint and not raw numbers. This is preset hoarding dressed up as productivity.
Instead of dumping 60,000 presets, sit down, critically select the absolute best ones and turn that into a focused pack of 50–100 truly great sounds.
Everything else is just noise.
But who i am to disagree
Cheers
Last edited by VELLTONE MUSIC on Sun Dec 21, 2025 5:23 am, edited 3 times in total.
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2441 posts since 19 Sep, 2017 from The Future
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- KVRAF
- 2064 posts since 13 Dec, 2016
Yeah, the only way to find inspiration is browsing presets. Composing, sound design, playing, committing… all clearly outdated concepts. Typing “pad” and choosing from 4,000 options is also my favorite creative exercise. Nothing really sparks inspiration like scrolling until the next ice age.VELLTONE MUSIC wrote: Sun Dec 21, 2025 5:17 amEvery Sound designer claim that he sell the 100 best presets ever made...i do the opposite - these are not 60 000 best presets in the world,but among them you gonna find absolutely unique sound ,ordinary users can made themselfs,even can't imagine such sound exist,so browsing is not a waste of time, but the only way to find right sound and inspirationenCiphered wrote: Sat Dec 20, 2025 8:03 am Agreed. No serious producer auditions, categorizes and internalizes even 5% of that. Presets are tools, not Pokémon.
Past a certain scale, they slow decision-making, kill focus and replace learning with browsing.
Good sound designers sell intent, cohesion, constraint and not raw numbers. This is preset hoarding dressed up as productivity.
Instead of dumping 60,000 presets, sit down, critically select the absolute best ones and turn that into a focused pack of 50–100 truly great sounds.
Everything else is just noise.:):)
Cheers![]()
If a sound needs 60,000 presets to be found, “unique” might not be the word we’re looking for.
Oh, and I’ve been desperately waiting for my 1,001st flamenco guitar to finally finish a track.
The first 1,000 were close, but not quite unique enough.
Cheers
Its over for Bitwig--CUBASE WON !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2441 posts since 19 Sep, 2017 from The Future
You can always spend 2000 us/eu just to find,that you could have something better for 20 bucks.
Cheers
Cheers