One Synth Challenge #202: Oxid by Full Bucket Music (TobiasMiller wins!)
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- KVRer
- 20 posts since 7 May, 2018
Voted. It wasn't easy for everyone with this VSTi. But that's what makes the challenge so appealing.
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- KVRist
- 123 posts since 15 Oct, 2021 from Spain
I made a video showing my project. (yes it is in Spanish language)
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- KVRist
- 176 posts since 3 May, 2021
Voted! Nice video davi-dj! Well, it´s not surprise anymore that no matter what synth we have here you all still manage to get amazing sounds out of it. Well done!
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- KVRAF
- 2241 posts since 29 Sep, 2011
Also voted.
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- KVRist
- 57 posts since 7 Jan, 2025 from LA
davi-dj awesome video! Even tho my Spanish isn't great, it's a treat to see your process and some of your techniques for getting those incredible soundsdavi-dj wrote: Thu Jan 08, 2026 3:55 pm I made a video showing my project. (yes it is in Spanish language)
Is that Bitwig you're using? I'm a Reaper guy, but considering trying out some others. Looks like a cool workflow in your video
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- KVRist
- 213 posts since 16 Jul, 2018 from Czech Republic / Prague
Voted
F* challenging synth in terms of making sounds the synth is originally not designed for. Regardless of that, there are pieces that deserve THE respect (their authors, rather). There are songs that not only don't sound like Oxid, but sound pro or commercial. Really amazing work. I'm so many steps behind them....
I wish good luck to all of you. All productions deserve respect for the energy you put into sound design and composition.
PS
This limited synth, along with the extraordinary sonic results we can hear over here, makes me think of one of the OSC rules, which states that sounds should not deviate too far from the original synth tones. I believe we can agree that this iteration of OSC demonstrates the opposite. This raises the question: why are some plugins not allowed while others are, even though all of them can completely transform the sound? In some cases, the allowed plugins change the sound even more.
It is not my intention to downvote any tracks or interfere with this edition of OSC. I truly appreciate the creative freedom we have. I will bring this topic to the dedicated OSC thread after voting is over.
F* challenging synth in terms of making sounds the synth is originally not designed for. Regardless of that, there are pieces that deserve THE respect (their authors, rather). There are songs that not only don't sound like Oxid, but sound pro or commercial. Really amazing work. I'm so many steps behind them....
I wish good luck to all of you. All productions deserve respect for the energy you put into sound design and composition.
PS
This limited synth, along with the extraordinary sonic results we can hear over here, makes me think of one of the OSC rules, which states that sounds should not deviate too far from the original synth tones. I believe we can agree that this iteration of OSC demonstrates the opposite. This raises the question: why are some plugins not allowed while others are, even though all of them can completely transform the sound? In some cases, the allowed plugins change the sound even more.
It is not my intention to downvote any tracks or interfere with this edition of OSC. I truly appreciate the creative freedom we have. I will bring this topic to the dedicated OSC thread after voting is over.
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- KVRer
- 8 posts since 25 Sep, 2010 from Sydney Australia
My Vote is in
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- KVRer
- 15 posts since 30 Aug, 2025
Voted
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- KVRist
- 42 posts since 3 Jun, 2025 from USA
Voted.
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- KVRist
- 103 posts since 25 Mar, 2014 from Richmond, VA
Voted.