What makes music great - Plugins and Techniques
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- KVRist
- 265 posts since 11 Sep, 2005
Hello,
I would like to introduce this topic.
Looking for the major plugins and techniques for a great song.
Of course, the most important thing is the artist himself. However, there are other considerations for a successful song or a song that sounds great.
So, I can point out some issues, not in order of importance:
- The soundstage
- Spectral Balance (lows, mids, highs)
- Tonal accuracy
- The quality of transients
- Compression
- Loudness
- Saturation
Between this, and others you can point to, what are the most important things to a successful song?
Regards
I would like to introduce this topic.
Looking for the major plugins and techniques for a great song.
Of course, the most important thing is the artist himself. However, there are other considerations for a successful song or a song that sounds great.
So, I can point out some issues, not in order of importance:
- The soundstage
- Spectral Balance (lows, mids, highs)
- Tonal accuracy
- The quality of transients
- Compression
- Loudness
- Saturation
Between this, and others you can point to, what are the most important things to a successful song?
Regards
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- KVRAF
- 1763 posts since 1 Aug, 2006 from Italy
It needs to have something “strong”: a great musical idea, some lyrics resonating with people, maybe some sounds that makes you go “wow” (although I think it’s really hard to get the listener’s attention just with the sound).
Of course what works depends on the audience… but “production” comes later, you need ”something to say” first and it needs to be engaging.
Of course what works depends on the audience… but “production” comes later, you need ”something to say” first and it needs to be engaging.
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- KVRAF
- 1763 posts since 1 Aug, 2006 from Italy
I forgot: once you have a great song, then you need to be ablee to reach the crowd (aka promote it)…
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- KVRian
- 1002 posts since 6 Nov, 2010
Judging by most popular hits over the years, lyrics seem to matter very little. It's more the melody and the quality of the singer/auto-tune imo. Most lyrics are, I'll just say weak. Not everyone can be a Roger Waters, Harry Chapin, or Bob Dylan,.
What lies behind us and what lies before us are small matters compared to what lies within us. - Emerson
- KVRAF
- 3642 posts since 6 Aug, 2009
or the landscape has changed? lyrics matter if you're a fan singing along to a song you love, whether it's 2026 or 1966. & why would any modern artist want to be a 'Roger Waters, Harry Chapin, or Bob Dylan'? they've already been there, done that...Cuauhtli wrote: Wed Jan 21, 2026 2:52 pm Judging by most popular hits over the years, lyrics seem to matter very little. It's more the melody and the quality of the singer/auto-tune imo. Most lyrics are, I'll just say weak. Not everyone can be a Roger Waters, Harry Chapin, or Bob Dylan,.
EDIT: just (on topic) wanted to add: a half-assed mix of a great song matters more (to me, anyway) than a pristine mix of a half-assed song.
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- KVRAF
- 7647 posts since 2 Sep, 2019
None of this is what makes music great. It's just presentation.pluginnow wrote: Tue Jan 20, 2026 7:27 pm Hello,
I would like to introduce this topic.
Looking for the major plugins and techniques for a great song.
Of course, the most important thing is the artist himself. However, there are other considerations for a successful song or a song that sounds great.
So, I can point out some issues, not in order of importance:
- The soundstage
- Spectral Balance (lows, mids, highs)
- Tonal accuracy
- The quality of transients
- Compression
- Loudness
- Saturation
Performance is the only thing that matters. The human touch. If it doesn't have that, it's not music.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
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- KVRAF
- 1763 posts since 1 Aug, 2006 from Italy
And speaking of “how a song is presented”, things like “quality of transients” are very vague concepts in my opinion.
Quality as in “pristine recording” with lots of dynamics?
Quality as in extremely controlled (compressed/limited/clipped) in an apparently transparent way?
Quality as in very punchy?
Quality as in mellow?
Quality as in “with a certain colour”?
A “classical recording” may call for “fidelity to the source” (although that may be a thing of the past, I don’t know how modern classical recordings sound…), a pop/edm record may call for a certain “hifi” expensive sound, a club record has a different balance, some music genres which have been around for decades may have “a certain sound” were recording equipment plays an important role in “sounding correctly” and if you use the best most transparent gear available then the recording will sound off, while some lesser gear may serve the recording better.
Some songs may have a quieter/mellower tone, so maybe you want to show the song with a warmer sound and smooth out the transients?
So, what’s the “quality of the transients”?
It depends on what the songs calls for…
Then, you may want “less accurate” (less true to the source) transients on some parts of recording, if those distract the listener from a more important part. Maybe you have a strummed guitar but those extremely fast transients make it hard to focus on the singer voice, so you may want to reduce their dynamics and make their attack softer…
The thing is: first and foremost you need a great song, then you decide how you want to dress it, the tone you want, what needs to be done and then you decide the gear and the techniques to record and produce the song the way you want it. Each song is different, so you need to make different choices.
To “produce” a great song, you need to be able to listen, identify what needs work, what are your expectations and then you’ll reach for your bag of techniques to get those results.
Just my two cents (when I should be sleeping, really….) on production…
And of course you need a great song and you need to write/arrange in a way that allow you to get the results you want (for example, it would be difficult to get a loud yet detailed club record with a lot of things going on especially on the low end, a certain “minimalism” serves the quest for loudness…
Quality as in “pristine recording” with lots of dynamics?
Quality as in extremely controlled (compressed/limited/clipped) in an apparently transparent way?
Quality as in very punchy?
Quality as in mellow?
Quality as in “with a certain colour”?
A “classical recording” may call for “fidelity to the source” (although that may be a thing of the past, I don’t know how modern classical recordings sound…), a pop/edm record may call for a certain “hifi” expensive sound, a club record has a different balance, some music genres which have been around for decades may have “a certain sound” were recording equipment plays an important role in “sounding correctly” and if you use the best most transparent gear available then the recording will sound off, while some lesser gear may serve the recording better.
Some songs may have a quieter/mellower tone, so maybe you want to show the song with a warmer sound and smooth out the transients?
So, what’s the “quality of the transients”?
It depends on what the songs calls for…
Then, you may want “less accurate” (less true to the source) transients on some parts of recording, if those distract the listener from a more important part. Maybe you have a strummed guitar but those extremely fast transients make it hard to focus on the singer voice, so you may want to reduce their dynamics and make their attack softer…
The thing is: first and foremost you need a great song, then you decide how you want to dress it, the tone you want, what needs to be done and then you decide the gear and the techniques to record and produce the song the way you want it. Each song is different, so you need to make different choices.
To “produce” a great song, you need to be able to listen, identify what needs work, what are your expectations and then you’ll reach for your bag of techniques to get those results.
Just my two cents (when I should be sleeping, really….) on production…
And of course you need a great song and you need to write/arrange in a way that allow you to get the results you want (for example, it would be difficult to get a loud yet detailed club record with a lot of things going on especially on the low end, a certain “minimalism” serves the quest for loudness…
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- KVRian
- 1002 posts since 6 Nov, 2010
Judging by most popular hits over the years, lyrics seem to matter very little. It's more the melody and the quality of the singer/auto-tune imo. Most lyrics are, I'll just say weak. There are very few great lyricists.
Better?
Better?
What lies behind us and what lies before us are small matters compared to what lies within us. - Emerson
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- KVRAF
- 1763 posts since 1 Aug, 2006 from Italy
Maybe lyrics are not very deep and meaningful, but they still touch the right spots in the intended audience.
If people feel a connection with the lyrics and maybe there’s a small fragment they feel like singing/quoting without any embarassement, then the lyrics are “good”… they serve the purpose in an effective way.
As a listener I probably agree with you on the overall level of nowadays lyrics… but those lyrics do the job regardless of my very personal taste… and a bit of effort is still required, you can’t sing the most random thing like the grocery store shopping list…
If people feel a connection with the lyrics and maybe there’s a small fragment they feel like singing/quoting without any embarassement, then the lyrics are “good”… they serve the purpose in an effective way.
As a listener I probably agree with you on the overall level of nowadays lyrics… but those lyrics do the job regardless of my very personal taste… and a bit of effort is still required, you can’t sing the most random thing like the grocery store shopping list…
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- KVRAF
- 2165 posts since 22 Jan, 2005 from For me to know, for you to find out
Yep, and I call that human touch, groove.jamcat wrote: Wed Jan 21, 2026 7:45 pmNone of this is what makes music great. It's just presentation.pluginnow wrote: Tue Jan 20, 2026 7:27 pm Hello,
I would like to introduce this topic.
Looking for the major plugins and techniques for a great song.
Of course, the most important thing is the artist himself. However, there are other considerations for a successful song or a song that sounds great.
So, I can point out some issues, not in order of importance:
- The soundstage
- Spectral Balance (lows, mids, highs)
- Tonal accuracy
- The quality of transients
- Compression
- Loudness
- Saturation
Performance is the only thing that matters. The human touch. If it doesn't have that, it's not music.
I have a really fast computer, some good mics, vintage musical instruments, and lots of fancy software. Just need some talent
- KVRAF
- 2851 posts since 10 Jul, 2008 from Orbit SW US
The artist herself, and the human touch.pluginnow wrote: Tue Jan 20, 2026 7:27 pm Hello,
Of course, the most important thing is the artist himself. However, there are other considerations for a successful song or a song that sounds great.
Between this, and others you can point to, what are the most important things to a successful song?
Regards
gadgets an gizmos..make noise~crystalawareness.bandcamp.com/ soundcloud.com/crystalawareness Restocked: 5/2026
if this post is edited -it was for punctuation, grammar, or to make it coherent (or make me seem coherent).
if this post is edited -it was for punctuation, grammar, or to make it coherent (or make me seem coherent).
