jens wrote: Wed Feb 25, 2026 8:53 pm Personally I can't really recommend Tonex for anything (at least when it comes to dynamic playing), least of all for clean stuff.
No, you're right, this is super punk rock behavior. Rock on, Jens.
jens wrote: Wed Feb 25, 2026 8:53 pm Personally I can't really recommend Tonex for anything (at least when it comes to dynamic playing), least of all for clean stuff.
No, you're right, this is super punk rock behavior. Rock on, Jens.
What's selective quoting like that then, Trash Metal?
(I took the liberty of highlighting some important bits to make it easier for you)jens wrote: Thu Feb 26, 2026 10:27 amNo, to be honest I didn't even try the Tonex plugin yet...thievedletter wrote: Thu Feb 26, 2026 4:29 am More recently, I've found adjusting the input gain in the advanced panel as well as the output gain, on the same panel, gives me much more tonal control. I'm wondering if you've tried adjusting there at all?
I only tried a number of models in Amplitube and found them in every way inferior to their algorithmic counterparts.
I'm willing to give Tonex another chance; albeit for trying sims out I usually control the input gain with my fingers and the volume pot, so I'm not expecting radically different results.
That doesn't make the case you think it does. The AmpliTube models are a completely different technology from Tonex.jens wrote: Fri Feb 27, 2026 12:23 am Here's the full quote/context:
(I took the liberty of highlighting some important bits to make it easier for you)jens wrote: Thu Feb 26, 2026 10:27 amNo, to be honest I didn't even try the Tonex plugin yet...thievedletter wrote: Thu Feb 26, 2026 4:29 am More recently, I've found adjusting the input gain in the advanced panel as well as the output gain, on the same panel, gives me much more tonal control. I'm wondering if you've tried adjusting there at all?
I only tried a number of models in Amplitube and found them in every way inferior to their algorithmic counterparts.
I'm willing to give Tonex another chance; albeit for trying sims out I usually control the input gain with my fingers and the volume pot, so I'm not expecting radically different results.
I have not the slightest idea what you are trying to say - you could have replied in Suaheli and it would puzzle me less.Uncle E wrote: Fri Feb 27, 2026 12:57 amThat doesn't make the case you think it does. The AmpliTube models are a completely different technology from Tonex.jens wrote: Fri Feb 27, 2026 12:23 am Here's the full quote/context:
(I took the liberty of highlighting some important bits to make it easier for you)jens wrote: Thu Feb 26, 2026 10:27 amNo, to be honest I didn't even try the Tonex plugin yet...thievedletter wrote: Thu Feb 26, 2026 4:29 am More recently, I've found adjusting the input gain in the advanced panel as well as the output gain, on the same panel, gives me much more tonal control. I'm wondering if you've tried adjusting there at all?
I only tried a number of models in Amplitube and found them in every way inferior to their algorithmic counterparts.
I'm willing to give Tonex another chance; albeit for trying sims out I usually control the input gain with my fingers and the volume pot, so I'm not expecting radically different results.
Anyway, my comment was sincere. This is punk rock. I'm the one being a stuffy "trust the science" nerd about it.
There’s no accounting for taste. I found MGuitarArchitect to be garbage. A ton of aliasing and CPU usage. I didn’t try it when they added NAM, but NAM is free and I already own MXXX, which I like for multi effects.jens wrote: Wed Feb 25, 2026 8:53 pmPersonally I can't really recommend Tonex for anything (at least when it comes to dynamic playing), least of all for clean stuff.
My suspicion is that those who swear by it use a compressor in front of their amp-sim - something I personally would never do, so take my reply with that in mind.
Fwiw MGuitarArchitect is amazing for clean tones.
(Until recently I was - for years and years - a complete Melda nay-sayer by the way.)
Good, especially the new models, but I still think there’s a bit of an artificial vibe to it. It’s got an amazing array of great effects and modulation sources, so I mostly go for it when I’m looking for heavily effected, experimental types of sounds.
My trusty go-to amp sim. Perfect? Far from it, but overall, it’s the best. I too thought that Tonex was “better,” but when I pushed myself to achieve similar results from the algorithmic models, I usually could, but it takes tweaking and familiarity with the models and cabinets.- Amplitube
Hate it. I didn’t like the tones and hated the interface.- UH-X
Very good, though not all the models are for me. I tried one high-gain thing that sounded absolutely terrible. Most are great. My reason for not buying them are that they are fairly expensive and each one is a little walled off garden. I wish they would do an Amplitube style plugin so you could mix and match them. Basically, I want a Quad Cortex plugin.- Neural
Meh. It seemed fine, though higher gain stuff showed a noticeable amount of aliasing. Maybe they fixed this, but I’ve never been back back.- DiBiQuadro
Good, but not flexible enough for me. They have a certain looseness to the sound that I found good, but not always. I had a hard time getting decent volumes out of it. I ended up selling Amp Room a long time ago. Maybe it’s been improved.- Softube
+1 It also imports 3rd party NAM captures and it's DynIRS are fantastic!!
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