How often do you record your playing?
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- KVRAF
- 7823 posts since 20 Jan, 2008
When I was constantly writing I'd cobble together a few ideas together formulate a chord chart and then after a few practice times I'd start recording. It would take several takes a day and sometimes several takes a week as I would also play backing tracks (this was in my four-track days.
Hook or by crook I'd have something mixed down and ready to share with the world. Coworkers, friends, fellow musicians.
About 20 years or so ago that had cut down to mostly jazz chord melody arrangements.
Now barely ever.
I think of this as I work through my scale patterns. What is the purpose of practice if not to enhance performance
Yes recording can be a huge process and even though you've practiced a million times you can have those moments where it's not jiving once you hit the big red button. Yes it's going to take several takes if you aren't used to recording. Even if it you are used to recording it still can take several takes
All that being said I'm recording again for my own enjoyment/punishment.
Hook or by crook I'd have something mixed down and ready to share with the world. Coworkers, friends, fellow musicians.
About 20 years or so ago that had cut down to mostly jazz chord melody arrangements.
Now barely ever.
I think of this as I work through my scale patterns. What is the purpose of practice if not to enhance performance
Yes recording can be a huge process and even though you've practiced a million times you can have those moments where it's not jiving once you hit the big red button. Yes it's going to take several takes if you aren't used to recording. Even if it you are used to recording it still can take several takes
All that being said I'm recording again for my own enjoyment/punishment.
Last edited by tapper mike on Tue Apr 28, 2026 4:09 pm, edited 1 time in total.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
- KVRAF
- 11950 posts since 31 Aug, 2013 from Someplace else
Rarely. I've been thinking about doing it more often, especially acoustic. The thing is with that, I had an AKG 414 in an elastic cradle. It was sitting there for a few years, out and ready to use. Except when I started recording again last August, after pulling out the mic stand with the AKG on it (for years) the elastic had rotted and the cradle was useless. Bought a new one...
Then one of my Dynaudio monitors died. Upon opening, it was discovered that a mouse had gotten in through the port in the back, chewed through the wiring, and the foam.
I bought a new pair of BM5iii-s, but my inspiration to record was kaput. It was like 35°C.
I'm getting back into it. I think I'll use a different mic that doesn't require the cradle. Then it can stay there.
Then one of my Dynaudio monitors died. Upon opening, it was discovered that a mouse had gotten in through the port in the back, chewed through the wiring, and the foam.
I bought a new pair of BM5iii-s, but my inspiration to record was kaput. It was like 35°C.
I'm getting back into it. I think I'll use a different mic that doesn't require the cradle. Then it can stay there.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd
― Pink Floyd
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- KVRAF
- Topic Starter
- 7823 posts since 20 Jan, 2008
Yikes
I should make a correction to my previous post. I do record weekly but not on guitar.
I'll generally record using my linnstrument.
I'll play through progressions using the score's "stories" on one take usuing the standard surface linnstrument
Then follow through with melodies and counter melodies using my linnstrument with the bumpy surface
I should make a correction to my previous post. I do record weekly but not on guitar.
I'll generally record using my linnstrument.
I'll play through progressions using the score's "stories" on one take usuing the standard surface linnstrument
Then follow through with melodies and counter melodies using my linnstrument with the bumpy surface
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
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- KVRAF
- Topic Starter
- 7823 posts since 20 Jan, 2008
I'm seeing it
Bombadil wrote: Tue Apr 28, 2026 1:52 pm Rarely. I've been thinking about doing it more often, especially acoustic. The thing is with that, I had an AKG 414 in an elastic cradle. It was sitting there for a few years, out and ready to use. Except when I started recording again last August, after pulling out the mic stand with the AKG on it (for years) the elastic had rotted and the cradle was useless. Bought a new one...
Then one of my Dynaudio monitors died. Upon opening, it was discovered that a mouse had gotten in through the port in the back, chewed through the wiring, and the foam.
I bought a new pair of BM5iii-s, but my inspiration to record was kaput. It was like 35°C.
I'm getting back into it. I think I'll use a different mic that doesn't require the cradle. Then it can stay there.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
- KVRAF
- 11950 posts since 31 Aug, 2013 from Someplace else
No, another one in response to your 2nd post.
Basically, I said that I also sketched with my VIs, and with Logic, I don'*t have to worry about the red light as it has something called 'Flashback capture.' Don't even need play to be on. Takes pressure off. I'm a 'hate red light' person.
Basically, I said that I also sketched with my VIs, and with Logic, I don'*t have to worry about the red light as it has something called 'Flashback capture.' Don't even need play to be on. Takes pressure off. I'm a 'hate red light' person.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd
― Pink Floyd
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- KVRAF
- Topic Starter
- 7823 posts since 20 Jan, 2008
When it's a non classical song that I'm playing on the linnstrument. I'll generate backing tracks in BIAB
Then use the BIAB plugin to drag the tracks into Cubase.
I usually add two measures of just drums as a lead-in as I hate metronomes.
Then use the BIAB plugin to drag the tracks into Cubase.
I usually add two measures of just drums as a lead-in as I hate metronomes.
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
- KVRAF
- 11950 posts since 31 Aug, 2013 from Someplace else
Yeah, me too. I also loathe click tracks and quantization. Logic has a way to record a tempo map as you're playing. So, I've been experimenting with that.
After playing to the click for so many years, my timing is reasonably good.
My buzz is playing with other people, though.
After playing to the click for so many years, my timing is reasonably good.
My buzz is playing with other people, though.
“The Generals sat, and the lines on the map, moved from side to side.”
― Pink Floyd
― Pink Floyd
- KVRAF
- 8476 posts since 12 Feb, 2006 from Helsinki, Finland
Alternate possibility where this isn't available is to just record everything... like .. literally have the thing recording non-stop, whether or not you're actually trying to get something recorded.Bombadil wrote: Tue Apr 28, 2026 6:51 pm I don'*t have to worry about the red light as it has something called 'Flashback capture.' Don't even need play to be on. Takes pressure off. I'm a 'hate red light' person.
Edison in FL for example can do this somewhat intelligently (for audio; for MIDI there's supposedly a "time travel" option in FL itself, never used it): when set to "record: on play" it actually only records when the main DAW transport is playing (song or pattern, doesn't matter) and it automatically adds transport markers whenever you hit play or the pattern/song/loop/selection repeats (so easy time alignment with "snap to regions") ... but once you enable it, it'll keep recording whenever transport plays until you explicitly stop it (assuming you set the time limit option to something long enough; there's a "forever" option) which means you can mess around with your track, play on top of it at any point.. and you'll have it available afterwards... or if you recorded nothing useful, just trash it when you're done.
This is by far my preferred method of recording, 'cos.. I tend to get bit of a "red light panic" as well. The memory consumption used to be a problem in the past.. but these days if it takes a few gigabytes of RAM.. who cares.
- KVRAF
- 8446 posts since 29 Sep, 2010 from Maui
I rarely record myself tho my timing is freakishly good and I gen only need a single take, which I can do independently of the track.
*I have no control over this btw, my brain just naturally handles this auto-magically for me.
Absolutely nothing to do with skill or hard work or anything like that. I am also crazy good
at guitar hero.
*I have no control over this btw, my brain just naturally handles this auto-magically for me.
Absolutely nothing to do with skill or hard work or anything like that. I am also crazy good
at guitar hero.
Last edited by pekbro on Sun May 03, 2026 9:07 pm, edited 1 time in total.
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Winstontaneous Winstontaneous https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98336
- KVRAF
- 2591 posts since 15 Feb, 2006 from Another Green World
Everytime I sit down to practice/play guitar or bass, I have a Zoom stereo recorder at 320k MP3 to keep track of any song ideas worth keeping. It's HQ enough to actually use in tracks, but doesn't take much storage space at all. My DI box feeds both an amp and my MOTU interface if I want to record to computer.
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- KVRAF
- 3027 posts since 12 Mar, 2002 from Central NY
Now that I have more toys than any human has a right to? Far less than when all I had was one guitar, one amp, a few stomps and 4-Trk cassette recorder.....LOL!! 
the secrets to old age: Faster horses, Richer Women, Bigger CPU's
https://soundcloud.com/cristofe-chabot/sets/main
https://soundcloud.com/cristofe-chabot/sets/main
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- KVRist
- 352 posts since 18 May, 2020
I'm the opposite, I am sloppy and I record the same part a lot to find a special take where it seems like I have some awesome feel and character and build off that weird little sloppiness to create something special. It's like "That's the one!". Like that one note that is not perfectly on time in the middle of the lick that makes it catch your ear, or my slide between notes having a cool feel to it, etc.pekbro wrote: Wed Apr 29, 2026 12:42 am I rarely record myself tho my timing is freakishly good and I gen only need a single take, which I can do independently of the track.
*I have no control over this btw, my brain just naturally handles this auto-magically for me.
Absolutely nothing to do with skill or hard work or anything like that. I am also crazy good
at guitar hero.
Then sometimes I make someone good play it the way my I stumbled upon.
That's how my guitar parts come together
BUT - I have been a synth guy lately, where my timing is good.
REAPER + Davinci Resolve Pro on Manjaro KDE. Neve 88m. Focusrite 18i20 2nd gen. Neumann NDH30 headphones. Mics: Telefunken TF39, AT4050, Miktek C7e, EV RE-15. VSTs: u-he Hive 2, F'em, Renoise Redux, Apisonic Speedrum 2.
- KVRAF
- 8446 posts since 29 Sep, 2010 from Maui
Weird stuff like that run's in my family I guess. My one aunt, has a clock in her head, you can wake her in the middle of the night or whatever and she can tell you the time to the sec. My other aunt can perfectly replicate any image with freehand illustration, she used to make extra money in high school by pin-striping cars free hand.TechHaus wrote: Sun May 10, 2026 9:13 pmI'm the opposite, I am sloppy and I record the same part a lot to find a special take where it seems like I have some awesome feel and character and build off that weird little sloppiness to create something special. It's like "That's the one!". Like that one note that is not perfectly on time in the middle of the lick that makes it catch your ear, or my slide between notes having a cool feel to it, etc.pekbro wrote: Wed Apr 29, 2026 12:42 am I rarely record myself tho my timing is freakishly good and I gen only need a single take, which I can do independently of the track.
*I have no control over this btw, my brain just naturally handles this auto-magically for me.
Absolutely nothing to do with skill or hard work or anything like that. I am also crazy good
at guitar hero.
Then sometimes I make someone good play it the way my I stumbled upon.
That's how my guitar parts come together
BUT - I have been a synth guy lately, where my timing is good.
I am kind of halfway between the 2 of them.