Sleeper guitars
- AcousticHippie
- 4769 posts since 12 Mar, 2003
I really like sleeper guitars. High quality instruments off the beaten path. My main guitar nowadays is a beautiful Yamaha AES 920. I like the whole AES range especially since the lower tier ones are not expensive 2nd hand. The 920 is not stupidly cheap like the others but it is really nice and a couple of steps up quality wise.
What are your sleeper guitars that for some reason haven’t been super popular until now…?
What are your sleeper guitars that for some reason haven’t been super popular until now…?
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- KVRAF
- 16779 posts since 8 Mar, 2005 from Utrecht, Holland
Sleepers are the wooden blocks they put rails on? Usually pine? Bad wood to make guitars from.
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My MusicCalc is served over https!!
My MusicCalc is served over https!!
- AcousticHippie
- Topic Starter
- 4769 posts since 12 Mar, 2003
there are barn wood guitars, guitars from wood that has been underwater for centuries, so why not sleepers.....BertKoor wrote: Sat May 02, 2026 7:14 am Sleepers are the wooden blocks they put rails on? Usually pine? Bad wood to make guitars from.
- KVRAF
- 5253 posts since 16 May, 2002 from Brisbane , Australia
Yamaha Pacifica. Surprisingly tough sounding for high gain.
Intel Core i7 8700K, 16gb, Windows 10 Pro, Focusrite Scarlet 6i6
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Winstontaneous Winstontaneous https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98336
- KVRAF
- 2589 posts since 15 Feb, 2006 from Another Green World
Yeah - there are lots of great Yamaha and Ibanez models, especially less fancy MIJ ones from the '80s, that are as good as anything else out there. I think Godin and their brands (Seagull, Arts & Luthierie) are fantastic, but they do cheap out on the electronics (pots & switches, not pickups). And if you like a Gibson, you can often find a similar, slightly quirkier Guild for much less $$.
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- KVRian
- 693 posts since 18 Apr, 2021
Yeah, what's the deal with the Yamahas? I have two, both $500-600 guitars, an HSS with a tremolo and an HH hardtail. They both sound amazing, for no apparent reason. Nothing unusual about the materials and unbranded AlNiCo V pickups
- KVRAF
- 8474 posts since 12 Feb, 2006 from Helsinki, Finland
Don't know about Yamaha guitars specifically, but I think in general Yamaha sort of manages to have this reputation of being "solid, yet boring" with most of their musical instruments... where there's basically no hype whatsoever, yet everyone still expects that anything they make is really solid.YnJ wrote: Tue May 05, 2026 7:22 pmYeah, what's the deal with the Yamahas? I have two, both $500-600 guitars, an HSS with a tremolo and an HH hardtail. They both sound amazing, for no apparent reason. Nothing unusual about the materials and unbranded AlNiCo V pickups
Considering how many types of instruments they do manage to build that are kinda highly regarded (even if rarely spoken about very much), I'd be surprised if the guitars were particularly bad.
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- KVRAF
- 7094 posts since 22 Jan, 2005 from Sweden
Is it maybe that Yamaha did not put so much effort into branding and endorsing artists, or something?
One highly respected guitarplayer, George "jojje" Wadenius(died the other day R.I.P) he joined Blood Sweat and Tears long ago.
- last concert I saw with him with a trio was with a Yamaha semiacoustic something 335ish
Fine instruments for sure.
I was on to Jojje to release autobiography so we could read about his years in the US, but he refused at the time.
- I did not know him at all, just a suggestion
- would be neat if he changed his mind and wrote something before passing away that might be released
- small place like sweden get a guitarplayer with BSAT is a biggy
But they are not perfect in the sense knowing everything they do. I was in contact with Yamaha over that the DTX700 drum module engine has really cool features, loading own samples and apply in up to 4 layers.
- but each of 4 layers got it's own midi note number?????
- so asked why they did not sense how midi sequencers work and allow to edit and such
- meaning each kit piece should have it's own root midi note, that is translated from velocity it got into which layer to play
- they missed out completely on this
If you play with 4 layers, one for each velocity range, but different midi notes each layer as well, you're in trouble if to edit that midi before rendering!!!!!
- instead of fixing with one midi note, you have 4 if to move a note, or change velocity
- so sometimes disconnect with end user base on some things
But I moved from AD2 to DTX700 for recordings too, so a fine unit otherwise. Just don't bother with multilayer own samples.
One highly respected guitarplayer, George "jojje" Wadenius(died the other day R.I.P) he joined Blood Sweat and Tears long ago.
- last concert I saw with him with a trio was with a Yamaha semiacoustic something 335ish
Fine instruments for sure.
I was on to Jojje to release autobiography so we could read about his years in the US, but he refused at the time.
- I did not know him at all, just a suggestion
- would be neat if he changed his mind and wrote something before passing away that might be released
- small place like sweden get a guitarplayer with BSAT is a biggy
But they are not perfect in the sense knowing everything they do. I was in contact with Yamaha over that the DTX700 drum module engine has really cool features, loading own samples and apply in up to 4 layers.
- but each of 4 layers got it's own midi note number?????
- so asked why they did not sense how midi sequencers work and allow to edit and such
- meaning each kit piece should have it's own root midi note, that is translated from velocity it got into which layer to play
- they missed out completely on this
If you play with 4 layers, one for each velocity range, but different midi notes each layer as well, you're in trouble if to edit that midi before rendering!!!!!
- instead of fixing with one midi note, you have 4 if to move a note, or change velocity
- so sometimes disconnect with end user base on some things
But I moved from AD2 to DTX700 for recordings too, so a fine unit otherwise. Just don't bother with multilayer own samples.
- KVRAF
- 18337 posts since 26 Jun, 2006 from San Francisco Bay Area
When I worked for a Yamaha dealer, I always pointed people to the Yamahas. Always a great value.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
- KVRAF
- 7633 posts since 2 Sep, 2019
The Yamaha SG 2000 is an outstanding guitar, and was a staple of post-punk guitarists, mainly thanks to John McGeoch.
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 7633 posts since 2 Sep, 2019
That’s a beautiful maple top. I’m a sucker for quilted maple!
THIS MUSIC HAS BEEN MIXED TO BE PLAYED LOUD SO TURN IT UP
- KVRAF
- 20660 posts since 22 Nov, 2000 from Southern California
The closest I've sounded to Santana was with a Yamaha Les Paul. It's the same guitar that Santana played, just with a different body shape.Winstontaneous wrote: Sun May 03, 2026 12:06 am Yeah - there are lots of great Yamaha and Ibanez models, especially less fancy MIJ ones from the '80s, that are as good as anything else out there. I think Godin and their brands (Seagull, Arts & Luthierie) are fantastic, but they do cheap out on the electronics (pots & switches, not pickups). And if you like a Gibson, you can often find a similar, slightly quirkier Guild for much less $$.
My cheap-o Yamaha BB200 bass is my all-time favorite.