AI Training and Licensing - Lawsuits/Settlements/Discussion

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I don't watch videos like this anymore, so, I had ChatGPT summarize the transcripts, which I've provided here for your benefit. I did not mean to imply that this was new, this came out in November. I posted it here for discussion
ChatGPT wrote: Here’s the combined summary of what both transcripts say about the Suno–Warner deal, separating the shared “hard terms” from commentary/speculation.

Both transcripts describe a settlement of Warner Music Group’s copyright lawsuit against Suno, paired with what they call a “first-of-its-kind” partnership/licensing arrangement. The framing is that Warner is choosing a forward-looking deal rather than fully litigating “fair use” to a court decision, and that this is meant to become a template for “licensed AI music.”

Key deal points repeated in both transcripts:

The prior litigation between Warner and Suno is settled (lawsuit ends), and the public messaging is typical settlement posture (no “we were wrong” admissions highlighted; both sides present it as a win).

Artist control/consent is emphasized: artists and songwriters are described as having “full control” over whether and how their name, image, likeness, voice, and compositions are used in AI-generated music.

New licensed models in 2026: Suno says it will launch “new, more advanced, licensed models” in 2026, and that the current models will be deprecated when the new models launch.

Downloading becomes more restricted and tied to paid plans:

Songs made on the free tier will not be downloadable; they will be playable and shareable.

Downloading audio will require a paid account.

Paid users will face monthly download caps, with an option to pay for additional downloads.

Additional operational/business detail mentioned (mostly in the first transcript’s reading of coverage):

Suno is said to be acquiring Songkick (the concert discovery platform) from Warner and continuing to run it, with the stated goal of deepening artist–fan connection.
Last edited by ghettosynth on Mon Feb 23, 2026 8:34 am, edited 3 times in total.

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Isn't that news from november last year?
“The biggest crime of a musician is to play notes instead of making music.”
Isaac Stern

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Tiles wrote: Mon Feb 23, 2026 8:12 am Isn't that news from november last year?
Yes, I was just starting a thread about licensing in the AI forum. Sorry if it was misleading.

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Interestingly, if you have a paid Tunee account, you can download a copyright certificate for anything you generate with it.
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I use AI as a production layer on my own compositions and I release the results commercially, so the Suno settlement and where these cases land has real practical weight for me. Being upfront: I'm not a neutral observer here.

The part I keep getting stuck on is the practical one. Is anyone actually tracking what the current rulings mean on the ground?
Specifically for the case where AI sits in the production chain on original material, rather than generating tracks wholesale: do you own the output, and what exactly are you licensing when you subscribe to one of these tools? Those two questions decide whether I can put music out commercially or not.

The training-data philosophy debate is interesting, but that's been discussed intensively in this forum. I'm after whether anyone has a clear read on the ownership and licensing side post-settlement.
ZwaarFris · human-composed, AI-produced · www.zwaarfris.nl

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You always own the output if you were in any way involved in the process. e.g. If you wrote a prompt to get the AI to generate an output, then you own it. The AI cannot own it and the AI company doesn't want the liability, so it's all yours. But that also means that if you have deliberately set out to rip someone else off, which might just be using someone else's song as a reference for the AI, then it is also you who will get sued, not the AI company.

The reality, though, is that you can do whatever you like, as long as you don't get caught. e.g. We've never sought clearance for any of the samples we've ever used, and we use a lot of very easily identified samples, and we've never had anything come back at us.
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