Acustica Audio presents AERO 2: Shape Your Amplification

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Shape Your Amplification.

AERO 2 is a major upgrade to the original AERO. It expands the concept into a complete amplification environment built around the full tone-building chain: stomp, amplifier head, cabinet, EQ, and effects.

Built on NOVA Instrument, a dedicated evolution of Acustica Audio’s NOVA architecture for instrument amplification, AERO 2 processes sound progressively across multiple stages. Each stage has a clear musical role: input control, dynamic shaping, amplification, cabinet response, mix refinement, and spatial processing all contribute to the final tone.

The fixed signal path follows the logic of a real amplified setup:

Input → STOMP → HEAD → CAB → EQ → FX → Output

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This gives you a direct way to build, shape, and finalize tones inside a single plugin, whether working with guitars, synths, keyboards, electronic instruments, reamping, production, or sound design.





Key features
  • Complete amplification workflow: input, STOMP, HEAD, CAB, EQ, FX, and output in one integrated chain, with gate and compressor stages inside STOMP
  • 11 newly captured models: four stomp models, four amplifier heads, and three cabinet captures built for NOVA Instrument
  • 251 total emulations: 53 pedals/stomps, 76 amplifier heads, and 122 cabinets
  • NOVA Instrument: dedicated NOVA-based architecture designed for realistic instrument amplification behavior, dynamic response, and musical playability
  • Legacy + new models: includes several models derived from the original AERO A, B, and C volumes, plus new models created specifically for AERO 2
  • Redesigned GUI: Standard and Extended views for fast tone creation or deeper editing
  • Low / High Latency modes: optimized for tracking, writing, mixing, reamping, and sound design
  • Mono/Stereo support: flexible processing for guitars, synths, keyboards, electronic instruments, and other audio sources

New captures in AERO 2

AERO 2 adds 11 newly captured models: four stomp models, four amplifier heads, and three cabinet captures. These were selected as new building blocks for the signal chain, expanding the palette from dynamic clean response and British-style crunch to boutique lead saturation, fuzz textures, and modern high-gain applications.

The new stomp models include boutique overdrive, classic boost, and American fuzz/distortion-style circuits.

The new head models cover British-style crunch, boutique clean dynamics, modern American high-gain rhythm tones, and boutique high-gain lead sounds.

The new cabinet captures include British-style 4x12, American high-gain 4x12, and versatile modern 4x12 cabinet tones.


A complete signal chain in one plugin

AERO 2 is organized around five main views:
  • STOMP
  • HEAD
  • CAB
  • EQ
  • FX
Each view is available in Standard View for immediate operation and Extended View for deeper editing, fine-tuning, reamping, mixing, and sound design.

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AERO 2 STOMP view

STOMP

The STOMP section contains the first tone-shaping stages of AERO 2: gate, compressor, and sampled stomp models for distortion, overdrive, fuzz, boost, and drive character.

Use it to reduce noise, control peaks, increase sustain, push the amplifier section, add overdrive, distortion, fuzz, or boost character, and shape how the amp reacts.



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AERO 2 HEAD view

HEAD

The HEAD section contains the amplifier models and defines the main amplification character of the sound.

For consistency across the full AERO 2 amplifier collection, all HEAD models share the same unified control set: Drive, Presence, Bass, Middle, Treble, Resonance, and Output.

This gives you a consistent workflow across clean, crunch, lead, fuzz, and high-gain tones, even when the original hardware sources used different control layouts.



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AERO 2 CAB view

CAB

The CAB section contains cabinet models and microphone-position controls.

It shapes speaker response, cabinet coloration, and microphone perspective, with X and Z controls for microphone position and distance where available.



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AERO 2 EQ view

EQ

The EQ section includes a high-pass filter, a low-pass filter, and a 9-band graphic equalizer with ±12 dB of gain.

Use it to tighten the low end, control harshness, shape midrange focus, and prepare the tone for the mix.




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AERO 2 FX view[/SIZE]

FX

The FX section includes modulation, delay, and reverb for movement, space, ambience, and final creative processing.


About NOVA Instrument

NOVA Instrument is an evolution of Acustica Audio’s NOVA technology tailored for instrument processing, where low latency, real-time performance, dynamic response, and efficient CPU performance are essential.

In AERO 2, NOVA Instrument allows saturation, dynamics, and harmonic interaction to evolve progressively across the signal chain, creating a more natural amplification response under gain.

The result is an amplified signal chain in which pedals, amps, cabinets, EQ, and FX all contribute musically to the overall sound.


Technical information
  • Supported formats: VST3, AAX, and AU
  • Available sample rates: 44.1, 48, 88.2, and 96 kHz
  • Windows compatibility: Windows 10 and 11
  • macOS compatibility: macOS 10.15 Catalina to macOS Sonoma 14.x, Intel and Apple Silicon supported

Price and availability

AERO 2 is available now at the introductory price of €85 instead of €189save 55%.
The introductory offer is valid until June 15, 2026, at 23:59 CET.

Get AERO 2

Owners of any commercial AERO product are eligible for a free upgrade to AERO 2.

Users who own selected Acustica Audio synthesizers and instruments are eligible for dedicated crossgrade offers.

Users of AERO FREE are also eligible for personalized crossgrade pricing to access the full AERO 2 environment.
To access your personalized offer, log in to your Acustica Audio account and check the My coupon codes section under My Account.

Please note: personalized offers already include the applicable Loyal Customer discount and cannot be combined with additional discounts.
How to redeem your upgrade code

Try our FREE 30-Day Trial

Please remember that trials expire 30 days after authorization, so we do not recommend using trial products in commercial sessions or important projects.

AERO 2 user's manual

AERO 2 webpage: https://www.acustica-audio.com/shop/products/AERO2

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It's an anachronistic product: On the one hand, it's sampled so authentically that it's also a problem. I mean, you're basically dealing with a raw amp sound that needs processing and work to do. It's like traveling back in time. Nobody wants that. The effects are a joke, by the way. Compared to companies like Neural DSP, IK Multimedia, or Scuffham, etc., this thing is going to have a hard time competing!

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why do people think these noodly nasal sounding "vintage" tones are good is beyond me, but horses for courses I guess :P
I don't know what to write here that won't be censored, as I can only speak in profanity.

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Burillo wrote: Mon Jun 01, 2026 9:47 am why do people think these noodly nasal sounding "vintage" tones are good is beyond me, but horses for courses I guess :P
Not everyone is a metalhead?

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sonorus wrote: Mon Jun 01, 2026 7:40 am It's an anachronistic product: On the one hand, it's sampled so authentically that it's also a problem. I mean, you're basically dealing with a raw amp sound that needs processing and work to do. It's like traveling back in time. Nobody wants that. The effects are a joke, by the way. Compared to companies like Neural DSP, IK Multimedia, or Scuffham, etc., this thing is going to have a hard time competing!
You’ve made the exact same post in more than one place (GS forum), so I don’t think there’s much more for me to add here.

Aero 2 is intentionally designed around a captured amp/mic-chain workflow rather than a fully polished all-in-one amp sim approach. That won’t be for everyone, but it is the concept behind the product.

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Don't expect it to sound anything like the illustrious promo video. I thought it sounded terrible out the box. To be fair, to me it's like being handed a synth plugin with no presets. Great if you design sounds but if you just want to get to making music with great tone out the box I would look elsewhere.

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thievedletter wrote: Mon Jun 01, 2026 10:23 am
Burillo wrote: Mon Jun 01, 2026 9:47 am why do people think these noodly nasal sounding "vintage" tones are good is beyond me, but horses for courses I guess :P
Not everyone is a metalhead?
it's not really about "metal", i'm not a metalhead either. it just sounds so unbalanced and fizzy I struggle to think how would anyone be able to listen to this sound for extended periods of time.
I don't know what to write here that won't be censored, as I can only speak in profanity.

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dblock wrote: Mon Jun 01, 2026 2:40 pm Don't expect it to sound anything like the illustrious promo video. I thought it sounded terrible out the box. To be fair, to me it's like being handed a synth plugin with no presets. Great if you design sounds but if you just want to get to making music with great tone out the box I would look elsewhere.
Update! I eat crow on this one. I jumped the gun in my opinion on this thing. I decided to try it again and after messing with it and comparing to some of my other amp plugins I've gone from don't like it to very impressed with the sound of it without much tweaking. I also didn't realize it had all that stuff it comes with. Must've been in a bad mood the day I tried it but I'm buying it now. :dog:

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I hate that Acustica has changed there stance on the free updates, and now you have to pay, and the worst thing is they give you a very limited window to update cheaper or you pay full price! Thats some fuxkery!
Never buying another thing from them.

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simmo75 wrote: Sat Jun 06, 2026 7:17 pm I hate that Acustica has changed there stance on the free updates, and now you have to pay, and the worst thing is they give you a very limited window to update cheaper or you pay full price! Thats some fuxkery!
Never buying another thing from them.
Well, that's your option but I wouldn't cut my nose off to spite my face in deciding to bypass good plugins across the board because I don't like the update policy but that's just me.

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