Picking the correct key
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- KVRist
- 203 posts since 16 Jul, 2018 from Czech Republic / Prague
I’ve noticed that some music is written in C major, others in A♯/B♭ major, D major, E major, etc. What factors influence an artist’s or composer’s choice of key?
Even watching videos of known producers, they change a key from song to song.
let’s stick to electronic instrumental music, to avoid a singer vocal range issues.
with regards
Even watching videos of known producers, they change a key from song to song.
let’s stick to electronic instrumental music, to avoid a singer vocal range issues.
with regards
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- KVRer
- 16 posts since 9 Jul, 2022
I often hear ideas in my head first. So the key gets decided at that point, mostly. At other times, I’m just improvising at the piano. Something will catch my ear… and there’s the key.
- KVRAF
- 18405 posts since 26 Jun, 2006 from San Francisco Bay Area
The key initially becomes whatever pops out of my head, though sometimes I'll change it to accommodate my voice, though I've recently given up singing due to having a small range and having better synthetic alternatives.
Oh, I should also comment that a lot of the time the key is dictated by the fact that I'll sometimes write for guitar.
Oh, I should also comment that a lot of the time the key is dictated by the fact that I'll sometimes write for guitar.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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- KVRist
- 148 posts since 19 May, 2017
Actually there's 3 things (saying this as an ex music student):
1. payability/singeability - any idea should be memorable enough to hook you. And it's simply easier to create a hooky melody if you can also sing it.
2. Challenge creates inspiration, which means to play in a an unfakiar key c<n bring back that sensation of rediscovering music aon a new level again and not being stuck in a habbit.
3. The idea in your head ddemands that key.
4. You simply took the chords of your favourite song as a basis and never changed the key
1. payability/singeability - any idea should be memorable enough to hook you. And it's simply easier to create a hooky melody if you can also sing it.
2. Challenge creates inspiration, which means to play in a an unfakiar key c<n bring back that sensation of rediscovering music aon a new level again and not being stuck in a habbit.
3. The idea in your head ddemands that key.
4. You simply took the chords of your favourite song as a basis and never changed the key
Hi, I'm a Vocal Coach, Songwriter and Producer.
For anyone who needs help on Music Theory or wants to make music contact me here: danielj.golden.official@gmail.com
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For anyone who needs help on Music Theory or wants to make music contact me here: danielj.golden.official@gmail.com
For Vocal lessons here: gesangsunterrichtdanielreid@gmail.com
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- KVRist
- 175 posts since 12 Jun, 2025
I think key is not really that important, but diatonic chords (those derived from a corresponding scale) can provide a good guide for chord selection.
I think key has much more to do with music notation. You can limit how many accidentals (sharps and flats) within sheet music, by picking the key that most reflects the notes in your melodies and chords.
Similarly, orchestral and band instruments are transposed for a similar reason. Transposition keeps the notes centered on the notation staff.
(I.e. Bb Tenor sax)
I think key has much more to do with music notation. You can limit how many accidentals (sharps and flats) within sheet music, by picking the key that most reflects the notes in your melodies and chords.
Similarly, orchestral and band instruments are transposed for a similar reason. Transposition keeps the notes centered on the notation staff.
(I.e. Bb Tenor sax)