I remember going to a shop to check out an Andromeda and Minimoog Voyager.
There was a $600 Jupiter 6 and a $400 Sequential Circuits Pro One.
My dumbass bought none of the above - grabbed the just came out Korg MS2000r.
With All These Emulations Coming Out...
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- KVRian
- 533 posts since 18 May, 2020
REAPER + Davinci Resolve Pro on Manjaro KDE. Neve 88m. Focusrite 18i20 2nd gen. Neumann NDH30 headphones. Mics: Telefunken TF39, AT4050, Miktek C7e, EV RE-15. VSTs: u-he Hive 2, F'em, Renoise Redux, Apisonic Speedrum 2.
- KVRian
- 1112 posts since 21 Feb, 2015
I have no experience with the Andromeda, but soon I will be installing IKM's Syntronic, which includes an emulation. Will that give me a good taste of it?? 
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- KVRAF
- 1904 posts since 8 Jan, 2022
I think a lot of that is by design.cryophonik wrote: Sun Jun 28, 2026 3:02 am The A6 sounds great, but its biggest problem IMO is that it lacks identity. It’s got an almost iconic status, but no resume to back it up. When you consider all the classic synths, like the Prophets, Obies, Jupiters, Junos, Moogs, and even digital synths like the DX7 and Virus, they all have identifiable sounds and you can point to well known songs, synth parts, even entire genres (e.g. Virus) that feature them. Personally, I can’t name a single well-known song that features an A6 and I couldn’t even tell you if I’ve ever actually heard one in a song. And, if someone said, ooh its got that “Andromeda sound”, would anyone know what that means? To be clear, I’m not saying it’s a bad synth, but it just doesn’t have a readily identifiable sound. I’d say the same thing applies to the PolyBrute - amazing and very capable synth, but lacks a distinguishable sonic identity. Just my 2c…
The A6 was designed as a kind of no holds barred analogue polysynth. Part Oberheim, part Moog and a bit of everything else.
It’s probably best described as an analogue workstation. 16 voices, 16 part multitimbral
The mix mode allows you to layer up to 16 programs in one go. Each of those programs is like an individual monosynth with 3 LFOs, 3 envelopes, 2 oscillators with multiple waveforms and FM, 2 filters etc.
A lot of the classics you mentioned are more immediate, more accessible and more “finished” sounding but ultimately more limited.
The Andromeda isn’t so much about having a signature sound but more about having the flexibility of a digital workstation but with analog oscillators and filters.
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- KVRian
- 1380 posts since 24 Sep, 2021
No it wount, its not an emulation, just sampled patchesGrizzellda wrote: Sun Jun 28, 2026 4:10 am I have no experience with the Andromeda, but soon I will be installing IKM's Syntronic, which includes an emulation. Will that give me a good taste of it??![]()
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- KVRian
- 1173 posts since 2 Oct, 2021
Yes, makes tons of sense to me. With any synth.234north wrote: Sun Jun 28, 2026 2:54 am I went back and read the Sound on Sound review from 2000 (I think it was). Author said he initially wasn't impressed because of the factory patches which he found were not very good (I think I read as much in this thread) but as he got to know it he really liked it a lot.
ABX is enemy to GAS
