TechHaus wrote: Fri Jul 17, 2026 7:20 pm I want to try this soon, but how is it vs. Polarity-RES https://polarity.productions/polarity-res/
Audio Damage Tessera
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- KVRAF
- 1785 posts since 21 Dec, 2012
I prefer to support established developers than AI coding
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- KVRian
- 647 posts since 18 May, 2020
RespectMillerSam wrote: Sat Jul 18, 2026 3:04 am I prefer to support established developers than AI coding![]()
TechHaus wrote: Fri Jul 17, 2026 7:20 pm I want to try this soon, but how is it vs. Polarity-RES https://polarity.productions/polarity-res/
REAPER + Davinci Resolve Pro on Manjaro KDE. Neve 88m. Focusrite 18i20 2nd gen. Neumann NDH30 headphones. Mics: Telefunken TF39, AT4050, Miktek C7e, EV RE-15. VSTs: u-he Hive 2, F'em, Renoise Redux, Apisonic Speedrum 2.
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- KVRAF
- 2079 posts since 13 Dec, 2016
I've been using Tessera quite a bit over the last few hours and the more I use it, the more convinced I am that Audio Damage has something genuinely special here. It's one of those rare effects that immediately pushes you into exploration instead of simply polishing a sound. Feed it almost anything and it can turn it into strange, beautiful textures that feel alive. That's not easy to achieve.
Which is why one thing keeps bothering me. The complete lack of modulation
This isn't an EQ or a compressor where you find a setting and leave it there. Tessera is all about transformation. It's about taking a sound and letting it evolve into something else.
Yes, DAW automation can technically do the job, but it's not the same thing. Automation is something you program. Internal modulation is something you discover. A very slow LFO, a little random drift, maybe an envelope follower nudging another parameter... suddenly the effect isn't repeating itself anymore. It keeps producing subtle variations that make a texture feel organic instead of looped. That's exactly the kind of processor Tessera wants to be, it practically asks for movement.
It sounds great. The interface is clean. The sonic character is there. I really hope Audio Damage considers adding modulation in a future update.
Which is why one thing keeps bothering me. The complete lack of modulation
This isn't an EQ or a compressor where you find a setting and leave it there. Tessera is all about transformation. It's about taking a sound and letting it evolve into something else.
Yes, DAW automation can technically do the job, but it's not the same thing. Automation is something you program. Internal modulation is something you discover. A very slow LFO, a little random drift, maybe an envelope follower nudging another parameter... suddenly the effect isn't repeating itself anymore. It keeps producing subtle variations that make a texture feel organic instead of looped. That's exactly the kind of processor Tessera wants to be, it practically asks for movement.
It sounds great. The interface is clean. The sonic character is there. I really hope Audio Damage considers adding modulation in a future update.
Its over for Bitwig--CUBASE WON !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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- KVRian
- 1068 posts since 6 Nov, 2010
Well, there are plugin wrappers that let you assign modulation controls to plugins. I've tried it with Minimal Audio's effect plugins and it worked well.
What lies behind us and what lies before us are small matters compared to what lies within us. - Emerson
