I have been looking to buy a commercial vsti to go with my cubase synths
Options:
Arturia - any
WayOutWare Time Warp 2600
BUT I have listened to Rhino and I'm blown away buy the smooth sound and especially the add on banks for purchase.
Question - I could not find the pich bend and modulation settings for a midi contoller; is there any ?
Thanks
Pitch bend & modulation
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Sound Mechanics Sound Mechanics https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=54454 - KVRAF
- 1663 posts since 10 Jan, 2005 from UK
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- KVRAF
- 3388 posts since 29 May, 2001 from New York, NY
Pitch bend is automatically assigned to notes pitch, with a variable range.
All midi CC, including mod wheel, can be assigned to any slider (including the 6 user sliders at the lower right). The 'midi learn' procedure to assign a midi CC to a slider is described in the manual.
Hope this answers your question.
'Tick
All midi CC, including mod wheel, can be assigned to any slider (including the 6 user sliders at the lower right). The 'midi learn' procedure to assign a midi CC to a slider is described in the manual.
Hope this answers your question.
'Tick
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Sound Mechanics Sound Mechanics https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=54454
- KVRAF
- Topic Starter
- 1663 posts since 10 Jan, 2005 from UK
Yes thanks
How would you compare the oscillators in Rhino compared to Arturia's moog emulations. are they similar or are they created in a different way ?
Just curious !
How would you compare the oscillators in Rhino compared to Arturia's moog emulations. are they similar or are they created in a different way ?
Just curious !
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- KVRAF
- 3388 posts since 29 May, 2001 from New York, NY
I don't know how the Arturia ones are created. Rhino oscs always start up their life as samples (or as wavetables, which can be considered a sample as well).
By the time they reach the audio output, though, they've been mangled beyond recognition through the FM / filters / effects section.
'Tick
By the time they reach the audio output, though, they've been mangled beyond recognition through the FM / filters / effects section.
'Tick
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- KVRist
- 273 posts since 5 Mar, 2003 from US
With Arturia's oscillators you are stuck with the standard few they give you. With Rhino you have hundreds of choices with more on the way. Or you can make your own.
If you took every synth you owned, layered them and recorded that, you could then import it back into Rhino as a waveform. You'd then be able to mangle it to your hearts content and layer it again... Imagine the possibilities!
If you took every synth you owned, layered them and recorded that, you could then import it back into Rhino as a waveform. You'd then be able to mangle it to your hearts content and layer it again... Imagine the possibilities!
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- KVRAF
- 1529 posts since 12 Jun, 2004 from Portland, OR
I think that a simple answer is that even though many synths like Rhino can produce a wide variety of Timbres, every synth has a charactor all it's own.
Arturia's Moog is a synth that has been tweaked for thousands of hours to have a warm moog sound.
It is a very simplistic synth compared to Rhino though.
To me, Rhino has a mix of old DX sound mixed with sweet and interesting spectrals.
Everyone has their own reaction and relationship to each synth though.
Both of those Arps are sweet, I just don't think I could deal with the old hardware interfaces.
Arturia's Moog is a synth that has been tweaked for thousands of hours to have a warm moog sound.
It is a very simplistic synth compared to Rhino though.
To me, Rhino has a mix of old DX sound mixed with sweet and interesting spectrals.
Everyone has their own reaction and relationship to each synth though.
Both of those Arps are sweet, I just don't think I could deal with the old hardware interfaces.