the most important influence thread
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- KVRAF
- 2217 posts since 15 Jul, 2003
i was fortunate to have grown up at a particular time. when the British Invasion hit everybody put a band together in their basement or garage.
i was again fortunate that my parents put up with a few of us learning our instruments at the expense of their peace and quiet (which was highly valued by my old man) and supplied the seed capital for instruments and a 35 watt PA system with two huge speaker cabinets we picked up cheap from the wacky Ukranians who ran the local radio and TV shop. Ran all the guitars through that till we could buy real amplifiers.
Then a friend bought the 1st velvet underground (with Nico) album and made me a copy (through the microphone in front of the speakers) on a cheap reel to reel machine. I listened to that for months. Then the 1st Grateful Dead record, 1st Cream record, 1st (very electric) Country Joe and the Fish record -- all the while listening to long distance AM or underground FM radio stations at night. Jefferson Airplane, Doors, Joplin, Hendrix -- seemed like it would never end -- didn't it?
i was again fortunate that my parents put up with a few of us learning our instruments at the expense of their peace and quiet (which was highly valued by my old man) and supplied the seed capital for instruments and a 35 watt PA system with two huge speaker cabinets we picked up cheap from the wacky Ukranians who ran the local radio and TV shop. Ran all the guitars through that till we could buy real amplifiers.
Then a friend bought the 1st velvet underground (with Nico) album and made me a copy (through the microphone in front of the speakers) on a cheap reel to reel machine. I listened to that for months. Then the 1st Grateful Dead record, 1st Cream record, 1st (very electric) Country Joe and the Fish record -- all the while listening to long distance AM or underground FM radio stations at night. Jefferson Airplane, Doors, Joplin, Hendrix -- seemed like it would never end -- didn't it?
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Moritz Morpheus MkIII Moritz Morpheus MkIII https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=2011
- KVRian
- Topic Starter
- 668 posts since 11 Mar, 2002 from Vienna, Austria
thanks again for all your contributions
one of the most mentioned artists on this thread was frank zappa.I got in touch with his music rather late with the age of 20 or so when I had my "oh my god, zappa is not just that bobby brown-guy with swiny lyrics over a simple, boring song"-experience..
holy sh*t, what a genius..
one of the most mentioned artists on this thread was frank zappa.I got in touch with his music rather late with the age of 20 or so when I had my "oh my god, zappa is not just that bobby brown-guy with swiny lyrics over a simple, boring song"-experience..
peace, 

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- KVRAF
- 1981 posts since 26 Oct, 2003 from Toronto
Bluedad just brought up a good question for me, and he or another may know this answer...
In the movie Gimme Shelter - as the stage crew is getting ready, and the people and the Hells Angels are rolling in; there's a shot of a techie on stage tuning up a big moog modular by the looks of it?
What band would've used that? It never appears or is heard in any of the music shots later.
Certainly wouldn't have been The Greatful Dead.
In the movie Gimme Shelter - as the stage crew is getting ready, and the people and the Hells Angels are rolling in; there's a shot of a techie on stage tuning up a big moog modular by the looks of it?
What band would've used that? It never appears or is heard in any of the music shots later.
Certainly wouldn't have been The Greatful Dead.
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Moritz Morpheus MkIII Moritz Morpheus MkIII https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=2011
- KVRian
- Topic Starter
- 668 posts since 11 Mar, 2002 from Vienna, Austria
Gimme Shelter?..seems that I don´t know an interesting film..what is it about?
peace, 

- addled muppet weed
- 111304 posts since 26 Jan, 2003 from through the looking glass
Steven West wrote:Bluedad just brought up a good question for me, and he or another may know this answer...
In the movie Gimme Shelter - as the stage crew is getting ready, and the people and the Hells Angels are rolling in; there's a shot of a techie on stage tuning up a big moog modular by the looks of it?
What band would've used that? It never appears or is heard in any of the music shots later.![]()
Certainly wouldn't have been The Greatful Dead.
dunno whos is the film but gimme shelter wasnt that the stones?
i know mick liked to play with a big synth on occassion
also were steppen wolf on the bill
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- KVRist
- 104 posts since 10 Apr, 2002 from liverpool
Gary Numan
John Foxx
Kraftwerk
Tangerine Dream
Thomas Dolby
Cabaret Voltaire
Depeche Mode
Nitzer Ebb
Underworld
Orbital
Sander Kleinenberg

John Foxx
Kraftwerk
Tangerine Dream
Thomas Dolby
Cabaret Voltaire
Depeche Mode
Nitzer Ebb
Underworld
Orbital
Sander Kleinenberg
" He's not the mesiah, he's a very naughty boy!"
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- KVRian
- 1278 posts since 24 May, 2004
Gary Numan? Hm...never really heard of him though I have to say I didn't like the only song I know of him: "Films"
I got it because it was known to have a drum break I wanted but I didn't like the rest of the song.
Mine: (in chronological order)
Tangerine Dream - First electric music I heard
Vince Weber - For inspiring my piano
John Mayall - For getting me to like blues-rock
Herbie Hancock - Because he managed to distract me from pure jazz
LTJ Bukem - For making a music I didn't know until I first listened to him
DJ Shadow - For convincing me of working sample-based
I got it because it was known to have a drum break I wanted but I didn't like the rest of the song.
Mine: (in chronological order)
Tangerine Dream - First electric music I heard
Vince Weber - For inspiring my piano
John Mayall - For getting me to like blues-rock
Herbie Hancock - Because he managed to distract me from pure jazz
LTJ Bukem - For making a music I didn't know until I first listened to him
DJ Shadow - For convincing me of working sample-based
- KVRAF
- 25035 posts since 12 Jul, 2003 from West Caprazumia
Mine are maybe:
Genesis
Marillion
Pink Floyd
Tangerine Dream
Mike Oldfield
the Nits
Ultravox
Portishead
Talk Talk
Jadis
IQ
Twelfth Night
Tori Amos
Xploding Plastix
rage against the machine
Skinny Puppy
...and things like that
Genesis
Marillion
Pink Floyd
Tangerine Dream
Mike Oldfield
the Nits
Ultravox
Portishead
Talk Talk
Jadis
IQ
Twelfth Night
Tori Amos
Xploding Plastix
rage against the machine
Skinny Puppy
...and things like that
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- KVRian
- 693 posts since 21 Oct, 2003 from Madrid
4 things were of paramount importance to me as a guitarrist.
The Germinator
- 1- watching a special show on TV about Jimi Hendrix the day he died!. I was a small kid but I can still remember the footage and the sounds!.
2- Listening to Black Sabbath´s War Pigs. Noises bigger than life! and it scared the living hell out of my mom and sis so it had to be good!
3- Going to an older friend´s house and listening to Van Halen´s Eruption and Frank Zappa´s Joe´s Garage while getting a bit "stoned". Enough said.
4- Downloading FL Studio and finding out I didn´t need to know how to play keys or read music to write a cool song on my guitar and then translating it to electronic music. Also I could get rid of explaining to a whole band what exactly it was I wanted!
The Germinator
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- KVRAF
- 2315 posts since 11 Mar, 2003
Both my main influences started due to television programmes:
1. Top of the Pops, BBC1, 1979: some alien called Gary Numan (then Tubeway Army) dropped onto our screens. As an impressionable 11-year old it was like: wow synths, robots, aliens; what more could i want?
Bought my first synth because of this (well my parents did
), a Roland SH-09 which i still use to this day. Also wear black to this day too
2. Four American Composers, Channel 4, 1983, four films by Peter Greenaway - the one that struck me most was Philip Glass. i didn't understand what i was listening to but i knew i liked it. Now i have a ridiculous collection and have met him as many times as i can (likewise Mr Numan).
So i pretty much sound like a mix of Gary Numan and Philip Glass stuck in a locked basement.
Mr A
1. Top of the Pops, BBC1, 1979: some alien called Gary Numan (then Tubeway Army) dropped onto our screens. As an impressionable 11-year old it was like: wow synths, robots, aliens; what more could i want?
2. Four American Composers, Channel 4, 1983, four films by Peter Greenaway - the one that struck me most was Philip Glass. i didn't understand what i was listening to but i knew i liked it. Now i have a ridiculous collection and have met him as many times as i can (likewise Mr Numan).
So i pretty much sound like a mix of Gary Numan and Philip Glass stuck in a locked basement.
Mr A
- KVRAF
- 9217 posts since 23 Jul, 2002 from Pequot Lakes, MN
It was about the Altamont show, Moritz. The Hells Angels were hired as security, and they murdered a couple people while acting as "security"Moritz Morpheus MkIII wrote:Gimme Shelter?..seems that I don´t know an interesting film..what is it about?
I can't remember whether it was the Stones who paid for the filming or not, but it caught the glory and shame of Altamont fairly well. Definitely worth seeing.
ew
A spectral heretic...
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Moritz Morpheus MkIII Moritz Morpheus MkIII https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=2011
- KVRian
- Topic Starter
- 668 posts since 11 Mar, 2002 from Vienna, Austria
thanks, mate!
peace, 

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- KVRAF
- 1927 posts since 30 Oct, 2003 from Frolicking in Dirac's Ocean
Monk; Mingus; Dolphy; Xenakis; Terry Riley; Richard Farina; early Dead; gospel/country-western/blues/underground radio around St.Louis in the late 50s and 60s; first Velvet Underground; Scott Joplin (and progeny); Hank Williams; stride piano; Professor Longhair (and progeny); Rubber Soul/Revolver (beatles); See Emily Play (Pink Floyd) and Sunny Afternoon (Kinks). Various hip-hop and electronica excursions which led me to understand that people were beginning to "hear" in new and visionary ways.
All of the above led to major hair-raising, mind-evolving moments which left me significantly different from what I had been before listening.
All of the above led to major hair-raising, mind-evolving moments which left me significantly different from what I had been before listening.
Last edited by mayan on Mon Jan 31, 2005 8:25 pm, edited 1 time in total.
- KVRist
- 211 posts since 12 Jul, 2004
You want important influences ?
Look no further than Thomas Tallis and his work "spem in alium"...if you don't have a tear in your eye at the wonder of 40-voice polyphony then you either 'just don't get it' or you are very clever.
Going on from there...there are some weirdos called Kraftwerk and John Foxx, Gary Numan for all the posture, attitude, first-electro-popstar...oh yeah, thanks to my band of many years ago who nicked all my (then, very expensive) keyboards but on my return to music 15 years later, the wonderment of host and vst software.
Look no further than Thomas Tallis and his work "spem in alium"...if you don't have a tear in your eye at the wonder of 40-voice polyphony then you either 'just don't get it' or you are very clever.
Going on from there...there are some weirdos called Kraftwerk and John Foxx, Gary Numan for all the posture, attitude, first-electro-popstar...oh yeah, thanks to my band of many years ago who nicked all my (then, very expensive) keyboards but on my return to music 15 years later, the wonderment of host and vst software.

