Bad link ....
Rony
eXTracks
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- KVRAF
- 1789 posts since 17 Mar, 2004 from Bretagne, the west of France
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- KVRer
- 5 posts since 31 Jan, 2005
If it doesn't work try http://spyral.free.fr/ then click on musicbucodi wrote:Bad link ....
Rony
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- KVRAF
- 3345 posts since 8 Nov, 2003 from Amsterdam
Everything at the website below is eXT, the most recent is my entry for the KVR contest as well...
It is my first attempt to create a neo-classical pseudo-symphonic choral piece:
Alter Ego
Equipment: Wusik, PapelMedia SF2, sfz, ESC (to make the SF2 manageable), Alpha, Fatsondo, Albino, Kjaerhus, Voxengo, and all brought together with energyXT.
--HansM
It is my first attempt to create a neo-classical pseudo-symphonic choral piece:
Alter Ego
Equipment: Wusik, PapelMedia SF2, sfz, ESC (to make the SF2 manageable), Alpha, Fatsondo, Albino, Kjaerhus, Voxengo, and all brought together with energyXT.
--HansM
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- KVRist
- 314 posts since 8 Oct, 2004 from Newberg, Oregon 97132
I love Ambient electronic. Really nice piece and is my kind of music. Keep up the good work.rsmus7 wrote:may I invite you to my track
it is done in eXT
a kind of smooth and relaxing floater
done with Z3ta and Wusikstation
http://www.kvr-vst.com/forum/viewtopic.php?t=65965
any comments welcome
DennisT
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- KVRist
- 314 posts since 8 Oct, 2004 from Newberg, Oregon 97132
Fluff my arse. As mentioned before, I love Ambient electronic and your piece is excellent. There's some good stuff coming out of KVR. Keep up the great job.SWTrex wrote:Four minutes of ambient fluff:
(You will have to copy and paste the following url into your browser address window)
In The Beginning
My first completed project in EnergyXT (After 8 months of "playing"!!). The initial inspiration for this was discovering the "tone machine" in Kontakt - and what it did to my recorded voice.
Vocal Demo
Angelina demo
Drumatic
Kontakt demo (pitch shift and tonal edits on vocal)
Cheeze Machine
Synth1
Classic Reverb and Delay
KTGRanulator
SampleTank2 Free
Because of CPU issues, I had to record the Drumatic track with KTGranulator to wav and load it as an audio clip. (Apparently the track freeze feature does not freeze the track with effects included?)
Let me know what you think.
Cheers.
SWTrex
DennisT
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- KVRAF
- 8351 posts since 18 Apr, 2004
For this month's contest I did a tune with only the sampler, only one sample used: energyxt.dll interpreted as 16 bit stereo wavefile 
Download as >> Ogg Vorbis << or >> mp3 file <<.
Download as >> Ogg Vorbis << or >> mp3 file <<.
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- KVRian
- 1411 posts since 19 Mar, 2004
I think I'll pass on fluffing your arse...dlt123 wrote:Fluff my arse. As mentioned before, I love Ambient electronic and your piece is excellent. There's some good stuff coming out of KVR. Keep up the great job.SWTrex wrote:Four minutes of ambient fluff:
(You will have to copy and paste the following url into your browser address window)
In The Beginning
My first completed project in EnergyXT (After 8 months of "playing"!!). The initial inspiration for this was discovering the "tone machine" in Kontakt - and what it did to my recorded voice.
Vocal Demo
Angelina demo
Drumatic
Kontakt demo (pitch shift and tonal edits on vocal)
Cheeze Machine
Synth1
Classic Reverb and Delay
KTGRanulator
SampleTank2 Free
Because of CPU issues, I had to record the Drumatic track with KTGranulator to wav and load it as an audio clip. (Apparently the track freeze feature does not freeze the track with effects included?)
Let me know what you think.
Cheers.
SWTrex
DennisT
...but thanks for listening and for the kind words!
SWTrex
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- KVRist
- 278 posts since 19 Nov, 2002 from Bloomington, Indiana USA
This track made 3rd place in a song writing contest over at mtldnb.com
The track can be DL'd here: http://www.mtldnb.com/contest/V2_128kps/29_Ablaze.mp3
The original discussion thread is here:http://www.mtldnb.com/modules.php?name= ... pic&t=3894
Also, Jamalski (the artist who's vocal was provided as a key sample in the competition) voted my track as his favorite. I'm especially proud of that. I gotta say this really helps my motivation to produce even more tracks. I would have liked to have submitted a more properly mastered track, but apparently it was good enough. I can still do that later when I cut it up for Live PA performance!!
The song is called "Ablaze" (parental advisory in effect!) and was produced under my Decrepitude alias (which is my mad Drum n' Bass scientist alter ego.)
Twas a saga this time around. I began the project using Energy XT because I admire this app greatly. with XT I was easily able to nudge audio within the sequencer and get the vocals to align with themselves and the rest of the tracks.
I should mention that I did some prep work of the provided samples in Steinberg Wavelab (my preferred 2-track editor) and a few of the drum breaks were time-corrected in Ableton Live. (Btw, Wavelab does very good *quality* if not better time stretching than Live.) For instance, all the vocals were essentially solo'd tracks from another pre existing song. Upon careful listening I could hear the headphones bleeding through, so I set up a noise gate in Wavelab so that I wouldn't waste value plugin headroom by using a vst gate plugin inline on that track during mixdown. Prep work like this just makes life easier and combats what I call "band-aid syndrome" where you employ all kinds of fixes for things that could have been solved during initial tracking.
So I exported the rough tracks out of Energy XT and brought the whole pile into my old love - Muzys. Muzys is no longer being developed but is still a killer audio/midi sequencer. (The sordid tale of Muzys' demise is detailed in the 'hosts' section of this very site.) It's midi sequencer is incredibly powerful and the application as a whole is VERY stable. Btw, so far I could say the same for Energy XT - a remarkably stable app that I *will* be incorporating into all my production and LivePA work.
The entire track is constructed using only the samples provided. No other synths either real or virtual could be used. No restrictions on using FX however so I was definately diggin the comb filter on Ohmforce's OhMyGod distortion vst plugin. ( http://www.ohmforce.com ) which is a free plugin they bundle in Computer Music magazine. There's another tasty free plugin which models a... get this, Marshall JCM900 guitar amplifier and it's a whole lot of fun wreckin samples with that one. You get that and an entire group of free guitar amp simulation vst fx here: http://www.simulanalog.org/guitarsuite.htm I love using these plugs in uncoventional ways with synth patches!
Drums in "Ablaze" were programmed, cut up, filtered and mangled using (primarily) the Hot Pants break as well as the live "Tighten Up" break. Many single hits that were later layered on top of the breaks and were pre-processed surgically in Wavelab, typically with just some EQ and compression. Some loops were FX'd in Muzys and resampled back into audio, or if there was enough CPU headroom, simply rendered during the final two-track mixdown.
Eventually I will be using XT SA for much more production duties, but there was a deadline and I haven't got my head around the sequencer and sampler in XT just quite yet.
Peace.
The track can be DL'd here: http://www.mtldnb.com/contest/V2_128kps/29_Ablaze.mp3
The original discussion thread is here:http://www.mtldnb.com/modules.php?name= ... pic&t=3894
Also, Jamalski (the artist who's vocal was provided as a key sample in the competition) voted my track as his favorite. I'm especially proud of that. I gotta say this really helps my motivation to produce even more tracks. I would have liked to have submitted a more properly mastered track, but apparently it was good enough. I can still do that later when I cut it up for Live PA performance!!
The song is called "Ablaze" (parental advisory in effect!) and was produced under my Decrepitude alias (which is my mad Drum n' Bass scientist alter ego.)
Twas a saga this time around. I began the project using Energy XT because I admire this app greatly. with XT I was easily able to nudge audio within the sequencer and get the vocals to align with themselves and the rest of the tracks.
I should mention that I did some prep work of the provided samples in Steinberg Wavelab (my preferred 2-track editor) and a few of the drum breaks were time-corrected in Ableton Live. (Btw, Wavelab does very good *quality* if not better time stretching than Live.) For instance, all the vocals were essentially solo'd tracks from another pre existing song. Upon careful listening I could hear the headphones bleeding through, so I set up a noise gate in Wavelab so that I wouldn't waste value plugin headroom by using a vst gate plugin inline on that track during mixdown. Prep work like this just makes life easier and combats what I call "band-aid syndrome" where you employ all kinds of fixes for things that could have been solved during initial tracking.
So I exported the rough tracks out of Energy XT and brought the whole pile into my old love - Muzys. Muzys is no longer being developed but is still a killer audio/midi sequencer. (The sordid tale of Muzys' demise is detailed in the 'hosts' section of this very site.) It's midi sequencer is incredibly powerful and the application as a whole is VERY stable. Btw, so far I could say the same for Energy XT - a remarkably stable app that I *will* be incorporating into all my production and LivePA work.
The entire track is constructed using only the samples provided. No other synths either real or virtual could be used. No restrictions on using FX however so I was definately diggin the comb filter on Ohmforce's OhMyGod distortion vst plugin. ( http://www.ohmforce.com ) which is a free plugin they bundle in Computer Music magazine. There's another tasty free plugin which models a... get this, Marshall JCM900 guitar amplifier and it's a whole lot of fun wreckin samples with that one. You get that and an entire group of free guitar amp simulation vst fx here: http://www.simulanalog.org/guitarsuite.htm I love using these plugs in uncoventional ways with synth patches!
Drums in "Ablaze" were programmed, cut up, filtered and mangled using (primarily) the Hot Pants break as well as the live "Tighten Up" break. Many single hits that were later layered on top of the breaks and were pre-processed surgically in Wavelab, typically with just some EQ and compression. Some loops were FX'd in Muzys and resampled back into audio, or if there was enough CPU headroom, simply rendered during the final two-track mixdown.
Eventually I will be using XT SA for much more production duties, but there was a deadline and I haven't got my head around the sequencer and sampler in XT just quite yet.
Peace.
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- KVRist
- 481 posts since 12 Nov, 2002 from Texas
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- KVRist
- 278 posts since 19 Nov, 2002 from Bloomington, Indiana USA
Yup. Sorry. They are under construction right now. I'll upload the track to another location in the next few days. Thanks for reminding me.VeXKoN wrote:couldn't dl ablaze dood
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- KVRist
- 158 posts since 24 Sep, 2003 from Wales
This is an arrangement that was rejected from a commercial project I'm working on.
http://www.wusik.com/song.php?id=762
The vocal was recorded unacompanied and I cut it up and built the arrangement around it - normally the vocal would then be re-recorded against the track. I quite like it - betraying my age and musical roots here!
Recorded in eXT, real guitar and Sampletank2XL, Crunchessor, GPP1, Classic Delay, Guitarsuite, Buzzroom RoomReverb.
The song is a traditional welsh folksong and "seren syw" translates as the "fair star".
The arrangement they liked was my usual ambient dance stuff.
Cheers
Trev
http://www.wusik.com/song.php?id=762
The vocal was recorded unacompanied and I cut it up and built the arrangement around it - normally the vocal would then be re-recorded against the track. I quite like it - betraying my age and musical roots here!
Recorded in eXT, real guitar and Sampletank2XL, Crunchessor, GPP1, Classic Delay, Guitarsuite, Buzzroom RoomReverb.
The song is a traditional welsh folksong and "seren syw" translates as the "fair star".
The arrangement they liked was my usual ambient dance stuff.
Cheers
Trev
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- KVRist
- 192 posts since 24 Feb, 2005 from Lisbon, Portugal
I've submited a track for KVR's this month contest. It's unpolished (just like my english) and clearly unfinished. It's the result of a bit of improvisation, but i like it. Hope you guys enjoy it, too
sequenced with eXT
edit:
http://www.complex-x.net/MP3/06_05_Knoob_TheKube.mp3
one thing, the track is only 2 minutes long due to contest rules
sequenced with eXT
edit:
http://www.complex-x.net/MP3/06_05_Knoob_TheKube.mp3
one thing, the track is only 2 minutes long due to contest rules
Last edited by knoob on Tue Jun 21, 2005 12:07 am, edited 3 times in total.
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LIMITAPROACHINGINFINITY LIMITAPROACHINGINFINITY https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=47871
- KVRAF
- 1850 posts since 13 Nov, 2004
Dude, im not authorized to download that.knoob wrote:I've submited a track for KVR's this month contest. It's unpolished (just like my english) and clearly unfinished. It's the result of a bit of improvisation, but i like it. Hope you guys enjoy it, too
sequenced with eXT
http://audioshots.com/auditorium/download.php?id=1749
The following statement is true.
The previous statement is false.
The previous statement is false.
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- KVRian
- 1022 posts since 7 Sep, 2004
Sorry man. Try downloading that file (it'll be about 8kb) and then renaming it to .html ... it'll be a Geocities notice.knoob wrote:sorry, changed the url
If you want to use Geoshities(sic), you have to rename the file as *.txt and upload it again so that you can trick the server.