1) Fully modular. Two separate matrices for routing audio and control signals.
2) "Analog" style delays; the delayed signal pitch-shifts when the time is changed, for true chorus and flanging effects, and other "tape delay" style effects. Delays are a maximum of 12 seconds, and feature looping, tempo sync, and reverse.
3) Envelope follower with adjustable sensitivity, attack and release times as control source.
4) MIDI note, gate, and CC#1 (mod wheel) as control sources.
5) Full MIDI learn mode on all controls, per program. (Except the matrices, of course.)
6) LFOs have shape control which works on all waveforms. For example, the sawtooth wave is ramp down at the full off position of the knob. At 12 o'clock, it is a triangle wave, and at full on it is a ramp up. LFO rate can be modded by itself, for really strange shapes. LFOs are also tempo-syncable, with a measure reset switch.
7) Multi-mode filters, and the mode is continuous from notch to high pass.
8) Kill switch on input for "dub" style gated delays.
9) All switches and mod routings are ramped, so you can reroute in real time with no clicks.
10) Two tube-style saturation stages.
So, those are the highlights. This will be US$69.00, and will be available for VST OSX and Windows to start with. I can't give a firm release date until we see how beta testing is going, but it will be Real Soon Now, within the next few weeks, hopefully. Comments and criticism appreciated!
Chris Randall
Audio Damage, Inc.
http://www.audiodamage.com
The matrixing is innovative and looks dreadfully fun. 
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