Do you mean the type of music that SPK and memebers of TG were doing since the late '80's? If the bands who define a genre move on, why shouldn't the genre evolve with them? They nearly all moved on - SPK, Cabaret Voltaire, Die Krupps, etc, etc. Why should a genre be cast in stone from its inception? Surely if there is a concerted movement towards a particular style from those acts who helped define it, then the genre can expand to incorporate that, can't it?dystonia_ek wrote:industrial [meaning old-style, TG/SPK sort of universe, not that disco stuff that record companies have been selling as 'industrial' since the late 80s]
Why Shouldn't Genres Evolve?
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- 17847 posts since 14 Jun, 2001 from Somewhere you're not!
The following quote has been stolen from x_bruc's most recent thread in Instruments:
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
If genres didn't evolve, we would still be hitting rocks together for music
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- KVRist
- 287 posts since 30 Dec, 2004 from Austin, Tejas - What do you want on YOUR breakfast taco?
Who needs Genres?BONES wrote:The following quote has been stolen from x_bruc's most recent thread in Instruments:Do you mean the type of music that SPK and memebers of TG were doing since the late '80's? If the bands who define a genre move on, why shouldn't the genre evolve with them? They nearly all moved on - SPK, Cabaret Voltaire, Die Krupps, etc, etc. Why should a genre be cast in stone from its inception? Surely if there is a concerted movement towards a particular style from those acts who helped define it, then the genre can expand to incorporate that, can't it?dystonia_ek wrote:industrial [meaning old-style, TG/SPK sort of universe, not that disco stuff that record companies have been selling as 'industrial' since the late 80s]
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- KVRAF
- 7540 posts since 7 Aug, 2003 from San Francisco Bay Area
Yes, Hiphop is very popular these days.Chase wrote:If genres didn't evolve, we would still be hitting rocks together for music
Incomplete list of my gear: 1/8" audio input jack.
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- KVRAF
- 10597 posts since 13 Jun, 2004 from Alberto Balsam
deastman wrote:Yes, Hiphop is very popular these days.Chase wrote:If genres didn't evolve, we would still be hitting rocks together for music
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- KVRAF
- 3588 posts since 13 May, 2004 from montreal
To clarify my point, they should evolve. More frequently they devolve. The artists you mentioned took the sound backward towards conventional music for the most part. I should have maybe used other examples of people who got their start in that time period and continued to push the approach further, eliminating genre boundaries in the process. I'd point at Etant Donnes, Whitehouse, The Hafler Trio, Zoviet-France, Merzbow, John Duncan, Francisco Lopez, Organum, The New Blockaders, and Nurse With Wound as examples of people who have continued to push forward out of the pigeonhole. Certain others have managed to incorporate traditional elements without commercialising (Coil, Current 93, Death in June, Boyd Rice/Non), and there are a number of people still finding new variations within the original territory without succumbing too much to cliche (IRM/Skin Area, Genocide Organ/Anenzephalia, Con-Dom, Grey Wolves, Haus Arafna/Galakthorro).BONES wrote:The following quote has been stolen from x_bruc's most recent thread in Instruments:Do you mean the type of music that SPK and memebers of TG were doing since the late '80's? If the bands who define a genre move on, why shouldn't the genre evolve with them? They nearly all moved on - SPK, Cabaret Voltaire, Die Krupps, etc, etc. Why should a genre be cast in stone from its inception? Surely if there is a concerted movement towards a particular style from those acts who helped define it, then the genre can expand to incorporate that, can't it?dystonia_ek wrote:industrial [meaning old-style, TG/SPK sort of universe, not that disco stuff that record companies have been selling as 'industrial' since the late 80s]
The industrial 'movement', if it could ever really have been called that, was never about a particular aesthetic so much as a particular approach to process and content. A look at the influences cited by the original artists of the period will reveal that the primary inspirations and motivations came from areas outside the realm of music completely. The definition of 'industrial music' as a style was a result of the loose efforts of critics at first, followed by distributors (conservative-minded outsiders, in other words), to categorise an area of expression that actively sought to avoid being pigeonholed, though the term came from a sarcastic remark made by Monte Cazzaza in the late 70's as a slogan for TG's newly founded label. It was then picked up by the music industry at large and applied to a sort of approach that was very apart conceptually (i.e. concessions to popular taste for the sake of a wider audience, the development of a 'star system', and increasing distance between artists and their listeners). I would argue that as a genre tag it's basially meaningless at this point, since, seen in its original context, it is true that most music that actually tags itself as 'industrial' isn't, and also that all music that is manufactured and distributed according to a business model IS, in the purest sense of the word.
Personally I could care less about genres... all that stuff is meaningless. I was self-consciously tagging my work as 'industrial' when I began in 1984, but that was a long time ago. My response in the other thread was meant to clarify something to avoid confusion. I normally don't classify what I do at all based on sound - it's all about what's below the surface.
Don't know if this clears things up or confuses them further.
And @Chase, I still bang rocks together sometimes. Haven't found a VSTi that'll do it for me yet.
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- Topic Starter
- 17847 posts since 14 Jun, 2001 from Somewhere you're not!
People who have never heard of you before and may not have the means to listen to your music at the time. e.g. reading magazine reviews. I have never understood why people have a problem with other peole trying to describe their music in terms that might actually mean something to potential listeners. If someone talks about "pop" I know I will have no interest. If they talk about "Death Metal" it might be good for a laugh. Etc, etc. If they tag something as industrial, it may not tell me anything specific except that it is possible that I might be interested in hearing some of it.tkmattson wrote:Who needs Genres?
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- Topic Starter
- 17847 posts since 14 Jun, 2001 from Somewhere you're not!
This is becoming quite the habit, young man. Should we be concerned?
NOVAkILL : Legion GO, AMD Z1x, 16GB RAM, Win11 | Audient EVO 8 | Lumi Keys | Studio Pro 8
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
Korg Odyssey, bx-oberhausen, Proxima, PolyMax, GR8, JP6K, Union, Atomika,
Invader 2, Flow Motion, Olga, TRK 01, Thorn, Spire, VG Iron
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- KVRAF
- 2135 posts since 12 Jul, 2004 from Brave New World
but if you're changing the meaning of the term being used, how does that adequately convey your sound to potential listeners?BONES wrote:People who have never heard of you before and may not have the means to listen to your music at the time. e.g. reading magazine reviews. I have never understood why people have a problem with other peole trying to describe their music in terms that might actually mean something to potential listeners.
"Duct tape is like the force. It has a light side, a dark side, and it holds the universe together...." -Carl Zwanzig
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- KVRAF
- 7316 posts since 7 Mar, 2003
The fact that genre's DO evolve is reason enough to make me think that genre's useless beyond cataloging.
My Youtube Channel - Wires Dream Disasters
- KVRAF
- 8078 posts since 9 Jan, 2003 from Saint Louis MO
I'm glad industrial in particular has evolved the way it has -- outward, pushing against and through boundaries. Even pop has been influenced by industrial.
Individual groups certainly have evolved -- take Front Line Assembly for instance. While it could easily be argued they've passed their peak, they're still going and still making decent albums. I don't think they would be if everything they proudced sounded like Convergence...
Individual groups certainly have evolved -- take Front Line Assembly for instance. While it could easily be argued they've passed their peak, they're still going and still making decent albums. I don't think they would be if everything they proudced sounded like Convergence...